A Vogue Best Book of the Year
"The greatest book about 1950s literary circles since Joyce Johnson's Minor Characters, Anne Roiphe’s Art and Madness recalls the novelist’s lost years of Paris Review parties and late nights at Elaine’s, years in which she set aside her own ambitions to become a handmaiden of sorts to male artistic genius—at tremendous personal cost."
"To capture the spirit of those prefeminist days Ms. Roiphe ... must write intelligently about a time when, at least in matters of love, sex, marriage, motherhood, career and literary hero worship, she was not very smart at all. Art and Madness accomplishes all this ... Ms. Roiphe is sharply perceptive about the flesh-and-blood people around her. And she is witty about the ones who live in her imagination."
—The New York Times
“Riveting … written in a tone of Didion-like detachment, but saffroned with [Roiphe’s] distinctive, pungent regrets and her curious humility … Brave, revealing.”
—The Daily Beast
“Roiphe’s sharp, dazzling memoir of her literary youth in late 1950s and early 1960s New York City contains a dark story of untenable marriages, alcoholism, and outrageous sexism … She is a masterly writer: her work presents vivid, priceless snapshots of the roiling era of Communist hysteria, faddish homosexuality, male privilege, and the heartbreaking fragility of talented men and their dreams of fame.”
“A sharp, graphic portrayal of bohemian times that thoughtfully reveals the young woman the author once was.”
“Roiphe analyzes the effect of alcohol and crazy lifestyles on the writers as well as their wives, who were supposed to serve as patient muses, her colorful, staccato prose capturing the restless energy of the time.”
“Art and Madness riveted me. It depicted the fifties turning sixties as I too experienced them. Women were expected to be muses not writers. Male sexism and alcoholism were not only indulged but celebrated. The Hemingway myth of the virile, drunken writer destroyed many lives—including the lives of the male writers themselves. Anne Roiphe tells the complex truth about those decades—the longing for fame and how it rots the soul, the pandemic of alcoholism, the attempt to survive and thrive and raise one's children in a world that disdains female accomplishment. This is a valuable inner history of those times.”
—Erica Jong, author of Seducing the Demon: Writing for My Life
“Anne Roiphe's unsparing memoir vividly recaptures a time when writing was everything, a lost world devoted to the hot pursuit of art, of fame. It was an era of male swagger, fueled by booze, when women paid a steep price for attaching themselves to other people's consuming talent and ambition.”
—Morris Dickstein, author of Dancing in the Dark and Gates of Eden
“What an extraordinary memoir Ann Roiphe’s book is, so compelling and immediate. I read it almost in one sitting because I did not want to break the spell . . . When I got to the end I realized how artfully crafted these seemingly random memories are. Art and Madness is an extraordinary evocation of its era. But it’s an even more wonderful portrait of an artist growing her wings inside the chrysalis of that time until at last she bursts forth in glory.”
—Amanda Vaill, author of Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story
"With all the skepticism she lacked at the time, Anne Roiphe revisits her flight into the dazzling bohemia of the fifties-sixties New York. It was a time when women with literary dreams found men to fulfill, and deflower, them and woke up with a giant hangover . . . Roiphe remembers every wincing moment and spasm of that morning-after and has turned it into a superb act of recollection. Here are the Mad Men of literature as seen by one of the pretty little things in their midst who grew up to turn the tables in a razor-sharp testimonial to a time of headspinning delusions."
—Molly Haskell, author of Frankly My Dear: "Gone with the Wind" Revisited
In this bold book, Roiphe (Epilogue: A Memoir), a veteran novelist and memoirist, focuses on her years among the literary icons of the late 1950s and 1960s. Growing up in a wealthy, dysfunctional Jewish family in New York, she looked to artists and writers as her salvation. At 23, she married Jack Richardson, a promising playwright. Putting her own writing ambitions on hold, she typed his manuscripts and patiently tolerated his promiscuity and drunkenness. She stayed with Jack for eight years, all the time worrying what kind of life she was giving her daughter. In addition to providing amusing accounts of George Plimpton's boozy parties, where she often spent her evenings with important writers of the era, from Norman Mailer and Doc Haines to William Styron, Roiphe analyzes the effect of alcohol and crazy lifestyles on the writers as well as their wives, who were supposed to serve as patient muses, her colorful, staccato prose capturing the restless energy of the time. VERDICT This book will appeal to Roiphe's fans, feminists, and memoir lovers.—Nancy R. Ives, SUNY at Geneseo
A crafty, veteran novelist and memoirist (Epilogue, 2008, etc.) recalls her coming-of-age as a sexy smarty-pants.
Roiphe effectively evokes the atmosphere in which a clever, pretty Jewish girl from Park Avenue might aspire to have it all, particularly if she was ready to provide whatever a needy poet, painter or playwright yearned for at the moment. Art, literature, rebellion and angst—that was life. Fresh from the sisterhood of Smith College, the author landed directly in the hot intellectual dormitory that was midcentury New York City. It was a world in which Arthur Kopit and Jack Gelber heatedly discussed Samuel Beckett and Jean Genét, where Terry Southern debated, where George Plimpton held court. Mailer and Styron were there, too. (The author notes that some names are changed in the interest of privacy). The nubile author's postgraduate education in the arts featured encounters, frequently in bed, with such lubricious artistic teachers. They were famous and unknown, wealthy and poor, struggling aspirants and swindling liars, gay, straight, bisexual, soaked in alcohol and mostly oversexed. Roiphe discusses the awkward loss of her virginity and subsequent marriage to a feckless, failed poet and playwright. She eventually had a child and remarried. In the mob of self-centered tricksters, all she wanted was to be a writer, and she succeeded quite pleasingly. The foreword is provided by journalist daughter Katie, who writes that "this book is the record of an idea as it moves through a life: the idea is the supreme and consuming importance of art."
A sharp, graphic potrayal of bohemian times that thoughtfully reveals the young woman the author once was.