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Overview
Laura Bartone anticipates her annual family reunion in Minnesota with a mixture of excitement and wariness. Yet this year’s gathering will prove to be much more trying than either she or her siblings imagined. As soon as she arrives, Laura realizes that something is not right with her sister. Forever wrapped up in events of long ago, Caroline is the family’s restless black sheep. When Caroline confronts Laura and their brother, Steve, with devastating allegations about their mother, the three have a difficult time reconciling their varying experiences in the same house. But a sudden misfortune will lead them all to face the past, their own culpability, and their common need for love and forgiveness.
Readers have come to love Elizabeth Berg for the “lucent beauty of [her] prose, the verity of her insights, and the tenderness of her regard for her fellow human” (Booklist). In The Art of Mending, her most profound and emotionally satisfying novel to date, she confronts some of the deepest mysteries of life, as she explores how even the largest sins can be forgiven by the smallest gestures, and how grace can come to many through the trials of one.
BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You.
Product Details
| ISBN-13: | 9781588363879 |
|---|---|
| Publisher: | Random House Publishing Group |
| Publication date: | 04/13/2004 |
| Sold by: | Random House |
| Format: | eBook |
| Pages: | 256 |
| Sales rank: | 379,268 |
| File size: | 1 MB |
About the Author
Hometown:
Chicago, IllinoisDate of Birth:
December 2, 1948Place of Birth:
St. Paul, MinnesotaEducation:
Attended the University of Minnesota; St. Mary¿s College, A.A.S.Read an Excerpt
Chapter 1
this is the minnesota state fair i remember most:
It was 1960, a Saturday morning when I was eleven years old, and I was the first one up. I had brought my mayonnaise jar stuffed with dollar bills and coins into the living room, spilled the money out onto the carpet, and then stepped over it to turn the television on to a low volume. I was going to watch The Three Stooges while I sorted my fortune.
I had just finished counting when my father came into the room. He was wearing a pair of trousers and a T-shirt and his battered old leather slippers speckled with paint the color of my bedroom walls. His blond crew cut was damp; you could see the glistening of water in it, making him look anointed, and he smelled of a citrusy aftershave. He was headed for the kitchen, where he would make coffee and bacon. This was his Saturday routine: He'd take a cup of coffee up to my mother in bed, prepared the way
she liked it, with an eighth of a cup of cream and three level teaspoons of sugar. Then she would come down in one of her silk robes and make pancakes to go with the bacon.
I always hoped she would wear her peach-colored robe. It was my favorite, for its generous yardage and elaborate ruffled trim. Seeing what my mother wore was always interesting to me, whether it was the three-quarter-sleeve blouses she wore with the collars up, or the full skirts, tightly belted, or the pastel-colored cashmere sweater sets, or one of her many bathing suits, works of art designed to showcase her spectacular figure. Those suits came complete with cunning little skirts and jackets to wear over them, and broad-brimmed sun hats trimmed with fabric bands in coordinating colors. Before she was married, my mother worked for several years for an upscale department store, parading beautiful clothes before rich men's wives. She inspired more sales than any other model before or after her; everyone wanted to look like her, though of course no one did. Think Grace Kelly with red hair and green eyes-that was my mother. But it wasn't just her model's training that made it so interesting to see what she wore, it was a quality inside herself. Charisma, my father said, but it seemed to me to be more than that. Other people had charisma. No one had what my mother did.
She had a large collection of jewelry, too; sometimes she allowed me to take one necklace at a time over to her bed, where I would lay it out and turn it this way and that, making it shine hard in the sunlight. "Are these real diamonds?" I once asked, and she said, "Why have them if they're not?"
That Saturday morning, my father saw me sitting on the floor and came over to survey my neat stack of dollar bills, my coins piled high. "How much have you got there?" he asked.
"Forty-seven dollars and eighty-three cents." I kept my smile tight to hold back my pride and stuck all my fingers between all my toes for the low pull of pleasure.
My father whistled between his teeth in a falling-bomb way I greatly admired and could not emulate despite hours of practice. He took his glasses off to polish them on the bottom of his T-shirt, then held them up for inspection: still dirty-he never managed to get them completely clear. "How'd you get that much?" He resettled his glasses on his face, pushing them up snug against his nose, a gesture I associated so strongly with him that I reflexively took issue with others doing it.
I said I'd been saving for a long time. I told him about the groceries I'd carried in for Mrs. Riley, "Mrs. Five Operations," my mother called her, for her incessant replaying of the laminectomies she'd endured. I'd pulled weeds for Muriel and Helen Lockerby, the two wild-haired old-lady sisters who lived around the corner. I'd babysat for little Rachel Thompson every Thursday after school while her mother went to run errands, and I'd occasionally walked their dog, an arthritic old German shepherd named Heintz, who seemed to me to grimace every time he lifted his leg. I'd made pot holders and sold them around the neighborhood-once, a man who answered the door in his bathrobe had bought my entire week's inventory, which made him in my eyes equally wonderful and weird. Also, though I did not tell my father this, I'd recently found a ten-dollar bill on the street, and I'd made no effort whatsoever to find the owner.
My father told me to wait for just a minute and disappeared. I sat immobile, my high spirits on hold, because I thought he was going to consult with my mother about how much I'd have to share with my eight-year-old sister, Caroline, who had saved little, and my seven-year-old brother, Steve, who had saved nothing at all. But that's not what happened. Instead, my father reappeared, holding his wallet. He took out a twenty-dollar bill and handed it to me. Mutely, I put it on the bottom of my pile, so no one would see. But I found out later that each of us kids had received the same gift.
I still remember what I brought home from the fair that day: a lantern that glowed Gatsby green in the dark, which I intended to take under the covers with me to read by; a bag of Tom Thumb doughnuts so redolent with the scent of cinnamon sugar it nearly levitated me; a poster of a brown mare and her foal, lying in a field full of daisies. The rest of the money I'd spent on rides and on chances to win something big on the midway. Over and over I tried, and over and over the carnies at the tacky wooden booths smiled and said, "Sorry. Want to try again?" They knew what I'd say. From the time I was quite small, I had about me a certain air of heedless determination.
When my funds were gone, I went to the blanket my parents had spread out near the edge of the fairgrounds. This was our meeting place, our refueling station-our family went to the fair once a year and stayed there all day. We kept a cooler filled with drinks and sandwiches and fruit, deli containers of various salads, Oreos and Chips Ahoy!-all this though we knew we would be gorging on fair food. There were also pillows and Band-Aids, suntan lotion and insect repellent, aspirin and a couple of Ace bandages. My parents took turns manning the station, sitting in a lawn chair and amusing themselves in their own way-my mother flipping through fashion magazines or crocheting, my father doing crossword puzzles or reading one of the historical tomes he so enjoyed. He tried often to interest us kids in history, saying it was invaluable for putting things into perspective. "You think something's really great?" he'd say. "A long time ago, there was something just as good or better. You think something's really bad? Look in the past-you'll find something worse. Think something can never happen again? Wrong! History repeats itself-that's what you can be sure of." But we, like most children, did not resonate much to things beyond the day at hand. History had nothing to do with us.
My father also liked people-watching-he could sit for hours and stare at all the fairgoers who passed by him and feel perfectly entertained. He just got a charge out of people, their frailties and foolishness as much as their more admirable characteristics. I remember once lying in bed and overhearing an argument between my parents. This was a rare thing; they almost never crossed each other. But that night my mother was yelling: "Is everything just fine with you, then?" After a moment, I heard him say simply, Yes, everything was. An accusatory silence followed. I rose up on one arm and leaned toward my parents' bedroom wall. I heard the ticking of my bedside clock; the movement of night air in the trees outside my window; then, finally, the even, comical sounds of my father snoring. I lay back down and fingered the buttons on my nightgown, and contemplated the disturbing possibility that my parents were not perfect.
On that day at the fair when I came back to the blanket, my mother was off with my brother and my sister was with a new neighbor her own age whom we'd brought along in the desperate hope that Caroline and she would become friends. My father was alone. I sat on the blanket beside his chair, and he gave my shoulder a little squeeze. Then he moved out of the chair to sit beside me. He looked at me for a long moment then asked, "How are you doing, Laura?"
I held my hands out, palms up. "I spent it all."
"Yes," he said. "But I meant, how are you doing in general? Is there . . . well, how's life treating you?"
I smiled. I thought he might be kidding. Sometimes he would ask me about politics in the same false and jocular way. "How about that Eisenhower?" he would say. And I would shrug and say, "I don't know." But his expression now was serious; he asked me again how I was, so I said, "Good, I guess." Then, feeling this was not enough, I described my excitement at finding out I'd be getting the teacher I wanted that year at school: Mrs. Lindemeyer, who was old as the hills, and an easy grader.
My father nodded. "So you're okay, then, are you? You're happy?" The question was odd to me-I didn't ever really think about whether or not I was happy-but I said yes. It seemed he was looking for something he couldn't name and I couldn't decipher, and the closest I could come to satisfying us both was for me to say I was fine; I was "happy." He returned to his chair, and we sat in uneasy silence until the others returned.
My brother, his mouth rimmed with red from a candy apple he'd just eaten, had spent all his money too. My sister had spent none. I remember being astounded at this; angry, too, that Caroline would be left with so much when I now had nothing. "How can you have fun if you don't even spend any money?" I asked her.
A pleated caramel-apple wrapper skittered by, and she captured it beneath her shoe. "I had fun."
I snorted. "How?"
She looked up at me, an irritating calmness in her eyes. "I watched." The new neighbor, Linda Carmichael, confirmed this: While Linda rose high up in the sky on the Ferris wheel, Caroline stood watching and waving from below.
"That's retarded," I said. I could tell Linda agreed with me, and I remember thinking that she and Caroline would never be friends; here was yet another opportunity Caroline had lost.
"You mind your own business, Laura," my mother said quietly. That's what she said when I told Caroline she was stupid not to eat the treats that were handed out at various classroom celebrations, too. Every time there was a party at school, Caroline ate nothing. No candy corn at Halloween, no message hearts on Valentine's Day, no red- and green-sprinkled spritz cookies at Christmas, no garishly decorated cupcakes brought in because someone in class was having a birthday. Instead, anything she ever got she tented with paper towels and then carefully carried home on the school bus. As soon as she walked in the door, she presented it to my mother and my mother
ate it.
I never understood this about Caroline. Now I do. It's all clear now: the times Caroline, as a small child, lay in the hall outside the bathroom door while my mother bathed. The presents she later bought for her with babysitting money: barrettes, scarves, lipsticks. Paperback books and velvet roses. "Brownnoser!" I once whispered after she'd given my mother a bottle of dime-store perfume. Caroline ignored me; she sat at the kitchen table where I was doing homework and began pulling books and papers out of her schoolbag. She was in sixth grade then, and I in eighth. "Brownnoser!" I said again, out loud.
"Laura," my mother said, and I returned to my homework. There was a tiny smile on Caroline's face, and I kicked her under the table. She did not kick me back; rather, she moved away to another chair and straightened with pinched-nose efficiency a stack of notebook paper that did not need straightening. She cocked her head slightly to the left and the right as she did it. I hated it. I glared at her between narrowed lids; I believed I could feel heat coming from my eyeballs. All this was to no avail; Caroline looked at her schoolwork only.
Then came a gift I remember particularly well, something given to my mother by Caroline the Christmas she was sixteen. It was the last gift opened that year, and it was a framed photograph, an 8-by-10. My mother stared at it briefly, murmured a low thanks, and started to put the picture back in the box.
"What is it?" I said. "Let me see!" I snatched it away. The picture was of Caroline wearing one of my mother's slinky evening gowns, her hand on her hip. Caroline's auburn hair, the same color as my mother's, was styled in a twist like the one my mother always wore. Her makeup was heavily applied in a style exactly my mother's own, and she stared unsmilingly into the camera. It was chilling, the look on Caroline's face: the flat eyes, the hard line of mouth, the remove. I had never seen such a look. "What is this supposed to be?" I asked.
My brother took the photo from me and looked at it. He burst into laughter, the goofy adolescent-boy kind, and Caroline grabbed the picture from him and threw it onto the floor. "It isn't for you," she said. She turned to stare at my mother, who did not look back at her, and then left the room.
"Caroline!" my father called after her. "Come back here!" But she did not return. My father rose, as though to go after her. Then he saw the picture, and he sat back down.
This I understand now, too-as well as what my father meant that long-ago day at the fair, when what he was really asking was if I knew.
Reading Group Guide
1. The mother in The Art of Mending treated her children very differently from one another. Do you think this was caused by events in the mother’s own life? Her personality? The personalities of individual children? Does any mother love all of her children equally?
2. Laura was not aware that her mother had treated her sister differently from the way she treated Laura, during their childhood. Why do you think Laura missed this?
3. Though Laura didn’t know what occurred between her mother and her sister, she does seem to have been aware that something was amiss in her family. How did she handle this, both as a child and as an adult? How does this relate to Laura’s creating her own miniature home in the basement of their house? Do you think it is related to Laura’s eventual choice of a career?
4. Once a parent reaches a certain age, is it sill “fair” to confront them, or should a wronged child seek resolution and peace another way?
5. Laura and her brother Steve have trouble believing their sister Caroline’s revelations about her childhood, partly because Caroline has always seemed difficult to deal with. In what ways is she difficult? Does this contribute to her unhappiness?
6. Is it ever possible to believe both people in a dispute when they are saying opposite things? How and why does this occur in the novel?
7. Laura learns of very significant events in her family long after they have occurred, and is forced to deal with them, long afterwards. What does she do? How do you feel about her solutions?
8. When Laura acknowledges her own culpability, she says, of her family, “We are all guilty.” Do you agree?
9. Do any of these characters have false expectations of what forgiveness is and/or what it should do for them? What is your own definition of forgiveness — of oneself and of others?
10. When Caroline forgives her mother, it is, in Laura’s eyes, with astounding ease. But is it really with ease? What contributed to Caroline’s being able to forgive and start now to move on? What was she really after from her family? Did she get what she wanted?
11. Humor seems to play a significant role in the marriage of Laura and Pete. So do pleasant, playful daily rituals. Explore their relationship and what they each provide for one another.
12. Laura’s father knows what happened between his wife and Caroline but he did not do anything about it. Why not? How did his feelings for his wife affect his choices as a father?
13. Laura’s mother is described as being a beautiful woman. Do you think her narcissism is related to a dependence on seeing herself as beautiful? Is the narcissism in part responsible for her inability to see what she is doing to Caroline?
14. Laura reacts strongly to her mother’s treatment of Laura’s daughter, Hannah, after the babysitting incident. What do you think about Laura’s reaction? Do you think Laura’s mother’s reaction to the babysitting incident — to react as if it were Hannah’s fault, and to see Hannah as guilty -- helped Laura gain clarity about what happened to Caroline?
15. Laura’s reaction to move against the repression of her daughter following the babysitting incident affects the resolution of the novel. In what way does Laura’s reaction change her mother?
16. Can the painful events of the past be mended, and if so, how? Caroline’s “art of mending” is to forgive her mother, and to move towards creating a loving outing together. Do you agree with this way of “mending” the past? How important was it, that Caroline could air her feelings with Laura and Steve, to enable this move toward a peaceful solution?
17. The epigraph comments on finding love by way of the truth, and the truth by way of love. How do these notions play out in The Art of Mending?
18. How much of the way Laura interacts with her husband and children is a direct reaction to or against the family in which she grew up? Can we ever truly escape our upbringing?
From the Hardcover edition.
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