- Für Alina, for piano
- Symphony No. 1 ("Polyphonic"), Op. 9: Second Movement
- Cantus in Memory of Benjamin Britten, for string orchestra & bell
- Passio, for tenor, bass, vocal quartet, chorus, oboe, bassoon, violin, cello & organ: Passio Domini Nostri Jesu Christi secundum Joannem
- Berliner Messe, for SATB chorus & string orchestra: Kyrie
- Fratres, for cello & piano
- Magnificat, for chorus
- Summa, for string orchestra
- Passio, for tenor, bass, vocal quartet, chorus, oboe, bassoon, violin, cello & organ: Unde es tu? Jesus autem responsum non dedit ei
- Berliner Messe, for SATB chorus & string orchestra: Credo
- The Beatitudes, for chorus & organ
- Annum per annum, for organ
- Fratres, for strings & percussion
- Collage over B-A-C-H, for strings, oboe, harpsichord & piano
- Pro et contra, concerto for cello & orchestra
- Symphony No. 3: Third Movement
- Cantate Domino, for SATB chorus or soloists & organ
- Spiegel im Spiegel for violin & piano
- Triodion, for chorus
- Tabula rasa, concerto for 2 violins (or violin & viola), prepared piano & string orchestra: Ludus
- Passio, for tenor, bass, vocal quartet, chorus, oboe, bassoon, violin, cello & organ: Et ex illa hora accepit eam discipulus in sua
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This double-disc survey of Arvo Pärt's distinctive oeuvre covers his most popular choral pieces, but also presents enough of his early work to provide a reasonably accurate portrait of a composer who has passed through several eventful decades and made several adjustments in his style. A few of Pärt's more experimental pieces are presented here, as well as examples of his later, more familiar sacred works employing the tintinnabular method. Yet even when it is most dissonant or atonal (e.g., in the second movement of the "Symphony No. 1"), Pärt's music always seems to point toward a modal hierarchy of tones based on major or minor triads. The "ringing of changes" on these chords is most evident in the later choral works, represented by excerpts from the "Berliner Messe," "Passio," and whole presentations of the "Magnificat," "The Beatitudes," and the "Triodion." Also, "Cantus in memoriam Benjamin Britten," "Fratres," and "Tabula Rasa" are representative of Pärt's skillful writing for strings in this layered, shimmering style. An informative, illustrated booklet comes with this comprehensive package, and Naxos has taken exceptional care in balancing the sound of all the selections, including the licensed tracks, taken from albums previously issued by BIS, Nimbus, and Claudio Records.