As You Like It (Arden Shakespeare, Third Series) / Edition 3

by William Shakespeare, Juliet Dusinberre, Ann Thompson, David Scott Kastan, H. R. Woudhuysen

Overview

With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberredemonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania

Product Details

ISBN-13:	9781904271222
Publisher:	Bloomsbury Academic
Publication date:	07/25/2006
Series:	Arden Shakespeare Series
Edition description:	Third Edition
Pages:	472
Product dimensions:	5.15(w) x 7.75(h) x 1.10(d)

About the Author

William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all time.

ANN THOMPSON is Emeritus Professor in English at King' s College London UK.

David Scott Kastan is the George M. Bodman Professor of English at Yale University, USA.

Henry Woudhuysen is Rector of Lincoln College, Oxford, UK.

Professor Richard Proudfoot served as Senior General Editor of the Arden Shakespeare for 35 years, until his retirement from King's in 1999. In 2001 The Arden Shakespeare published Proudfoot's Shakespeare: Text, Stage and Canon a critical overview of the scholarly achievements made in the field of Shakespeare studies by the end of the twentieth century.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Editorial Reviews

Arden editions have traditionally served as primary texts for many scholars...an Arden editor must present an overview of the play's criticism [and] must also take into account the play's ongoing dissemination through performance on stage and screen. Despite these arduous demands, Dusinberre's edition, with its editorial apparatus, its substantial introduction (142 pages), its notes, and its various appendices, fulfills the above requirements admirably...Dusinberre addresses a theater history that bears witness to the impact that various social movements, especially feminism and gay/lesbian (and now queer) activism, have had on the performance of one of Shakespeare's most gender-bending plays...It inscribes the feminist, queer, and historicist criticism of the past thirty years into the historical memory of Shakespeare studies.” —Shakespeare Quarterly

From the Publisher