1838: James and Sadie Goodenough have settled where their wagon got stuck – in the muddy, stagnant swamps of northwest Ohio. They and their five children work relentlessly to tame their patch of land, buying saplings from a local tree man known as John Appleseed so they can cultivate the fifty apple trees required to stake their claim on the property. But the orchard they plant sows the seeds of a long battle. James loves the apples, reminders of an easier life back in Connecticut; while Sadie prefers the applejack they make, an alcoholic refuge from brutal frontier life.
1853: Their youngest child Robert is wandering through Gold Rush California. Restless and haunted by the broken family he left behind, he has made his way alone across the country. In the redwood and giant sequoia groves he finds some solace, collecting seeds for a naturalist who sells plants from the new world to the gardeners of England. But you can run only so far, even in America, and when Robert’s past makes an unexpected appearance he must decide whether to strike out again or stake his own claim to a home at last.
Chevalier tells a fierce, beautifully crafted story in At the Edge of the Orchard, her most graceful and richly imagined work yet.
|Publisher:||Penguin Random House Audio Publishing Group|
|Product dimensions:||5.10(w) x 5.90(h) x 1.20(d)|
About the Author
Tracy Chevalier is the New York Times bestselling author of seven previous novels, including Girl with a Pearl Earring, which has been translated into thirty-nine languages and made into an Oscar-nominated film. Born and raised in Washington, D.C., she lives in London with her husband and son.
Date of Birth:October 19, 1962
Place of Birth:Washington, D.C.
Education:B.A. in English, Oberlin College, 1984; M.A. in creative writing, University of East Anglia, 1994
Read an Excerpt
***This excerpt is from an advance uncorrected proof***
BLACK SWAMP, OHIO
They were fighting over apples again. He wanted to grow more eaters, to eat; she wanted spitters, to drink. It was an argument rehearsed so often that by now they both played their parts perfectly, their words flowing smooth and monotonous around each other since they had heard them enough times not to have to listen anymore.
What made the fight between sweet and sour different this time was not that James Goodenough was tired; he was always tired. It wore a man down, carving out a life from the Black Swamp. It was not that Sadie Goodenough was hung over; she was often hung over. The difference was that John Chapman had been with them the night before. Of all the Goodenoughs, only Sadie stayed up and listened to him talk late into the night, occasionally throwing pinecones onto the fire to make it flare. The spark in his eyes and belly and God knows where else had leapt over to her like a flame finding its true path from one curled wood shaving to another. She was always happier, sassier and surer of herself after John Chapman visited.
Tired as he was, James could not sleep while John Chapman’s voice drilled through the cabin with the persistence of a swamp mosquito. He might have managed if he had joined his children up in the attic, but he did not want to leave the bed across the room from the hearth like an open invitation. After twenty years together, he no longer lusted after Sadie as he once had, particularly since applejack had brought out her vicious side. But when John Chapman came to see the Goodenoughs, James found himself noting the heft of her breasts beneath her threadbare blue dress, and the surprise of her waist, thicker but still intact after ten children. He did not know if John Chapman noticed such things as well—for a man in his sixties, he was still lean and vigorous, despite the iron gray in his unkempt hair. James did not want to find out.
John Chapman was an apple man who paddled up and down Ohio rivers in a double canoe full of apple trees, selling them to settlers. He first appeared when the Goodenoughs were new arrivals in the Black Swamp, bringing his boatload of trees and mildly reminding them that they were expected to grow fifty fruit trees on their claim within three years if they wanted to hold on to it legally. In the law’s eyes an orchard was a clear sign of a settler’s intention to remain. James bought twenty trees on the spot.
He did not want to point a finger at John Chapman for their subsequent misfortunes, but occasionally he was reminded of this initial sale and grimaced. On offer were one-year-old seedlings or three-year-old saplings, which were three times the price of seed- lings but would produce fruit two years sooner. If he had been sensible—and he was sensible!—James would simply have bought fifty cheaper seedlings, cleared a nursery space for them and left them to grow while he methodically cleared land for an orchard whenever he had the time. But it would also have meant going five years without the taste of apples. James Goodenough did not think he could bear that loss for so long—not in the misery of the Black Swamp, with its stagnant water, its stench of rot and mold, its thick black mud that even scrubbing couldn’t get out of skin and cloth. He needed a taste to sweeten the blow of ending up here. Planting saplings meant they would have apples two years sooner. And so he bought twenty saplings he could not really afford, and took the time he did not really have to clear a patch of land for them. That put him behind on planting crops, so that their first harvest was poor, and they got into a debt he was still paying off, nine years on.
“They’re my trees,” Sadie insisted now, laying claim to a row of ten spitters James was planning to graft into eaters. “John Chapman gave ’em to me four years ago. You can ask him when he comes back—he’ll remember. Don’t you dare touch ’em.” She took a knife to a side of ham to cut slices for supper.
“We bought those seedlings from him. He didn’t give them to you. Chapman never gives away trees, only seeds—seedlings and saplings are worth too much for him to give away. Anyway, you’re wrong—those trees are too big to be from seeds planted four years ago. And they’re not yours—they’re the farm’s.” As he spoke, James could see his wife blocking out his words, but he couldn’t help piling sentence upon sentence to try to get her to listen.
It needled him that Sadie would try to lay claim to trees in the orchard when she couldn’t even tell you their history. It was really not that difficult to recall the details of thirty-eight trees. Point at any one of them and James could tell you what year it was planted, from seed or seedling or sapling, or grafted. He could tell you where it came from—a graft from the Goodenough farm back in Connecticut, or a handful of seeds from a Toledo farmer’s Roxbury Russet, or another sapling bought from John Chapman when a bear fur brought in a little money. He could tell you the yield of each tree each year, which week in May each blossomed, when the apples would be ready for picking and whether they should be cooked, dried, pressed or eaten just as they were. He knew which trees had suffered from scab, which from mildew, which from red spider mite and what you did to get rid of each. It was knowledge so basic to James Goodenough that he couldn’t imagine it would not be to others, and so he was constantly astonished at his family’s ignorance concerning their apples. They seemed to think you scattered some seeds and picked the results, with no steps in between. Except for Robert. The youngest Goodenough child was always the exception.
“They’re my trees,” Sadie repeated, her face set to sullen. “You can’t cut ’em down. Good apples from them trees. Good cider. You cut one down and we’ll be losing a barrel of cider. You gonna take cider away from your children?”
“Martha, help your mother.” James could not bear to watch Sadie work with the knife, slicing uneven steaks too thick at one end, too thin at the other, her fingers threatening to be included in their sup- per as well. She was bound to keep cutting steaks until the whole ham was chopped up, or lose interest and stop after only three.
James waited until his daughter—a leaf of a girl with thin hair and pinched gray eyes—continued with the slicing. The Good- enough daughters were used to taking over the making of meals from their mother. “I’m not cutting them down,” he explained once more to Sadie. “I’m grafting them so they’ll produce sweet apples. You know that. We need more Golden Pippins. We lost nine trees this winter, most of them eaters. Now we got thirty-five spitters and just three eaters. If I graft Golden Pippins onto ten of the spitters, that’ll give us thirteen eaters in a few years. We won’t have so many trees producing for a while, but in the long run it will suit our needs better.”
“Your needs. You’re the one with the sweet tooth.”
James could have reminded Sadie that it was she who put sugar in her tea, and noticed when they were running low and nagged James to go to Perrysburg for more. Instead he doggedly set out the numbers as he’d done several times over the last week when he’d announced his intention to graft more trees this year. “That’ll make thirteen eaters and twenty-five spitters. Add to that fifteen of John Chapman’s seedlings he’s bringing us next week, and that takes us to fifty-three trees, three more than we need to satisfy the law. Thirteen eaters and forty spitters, all producing in a few years. Eventually we’ll have more spitters than we do now for cider. And we can always press eaters if we have to.” Secretly he vowed never to waste eaters on making cider.
Slumped at the table, her daughter moving lightly around her as she prepared supper, Sadie watched her husband through her eyebrows. Her eyes were red. “That’s your latest apple plan, is it? You gonna go straight past the magic number fifty to fifty-three?”
James knew he should not have used so many numbers to explain what he wanted to do. They bothered Sadie like wasps, especially when she had applejack in her. “Numbers are a Yankee invention, and we ain’t in Connecticut now,” she often reminded him. “Ohioans don’t care a spit about numbers.” “I don’t want to know exactly how many mouths I got to feed—I jest want to put food on the table.”
But James could not help himself: it comforted him to count his trees, to mull over the number, add another Golden Pippin, remove a mongrel spitter that was a result of one of John Chap- man’s visits. Solid numbers held back the woods surrounding their claim, so dense you could never count all the trees. Numbers made you feel in charge.
Today Sadie’s response to the numbers he laid out in his argument was even blunter. “Fuck your numbers,” she said. “You ain’t never gonna reach fifty, much less fifty-three.”
Disrespect for numbers: that was what made James slap her—though he wouldn’t have if she’d still held the knife.
She responded by going for him with her fists, and got in a jab to the side of his head before he wrestled her back into her seat and slapped her again. At least she didn’t manage to catch an eye, as she had done once; his neighbors enjoyed teasing James about the shiner his wife had given him. Buckeye, they called it, after the chestnuts so common in Ohio. Lots of wives sported buckeyes; not so many husbands.
The second slap split Sadie’s lip. She seemed puzzled by the sight of her own blood, and remained seated, the bright drops spotting her dress like fallen berries.
“Get your mother cleaned up, and call me when supper’s ready,” James said to Martha, who set down the knife and went to get a cloth. Martha was his favorite, being gentle and never challenging him or seeming to laugh at him as some of his other children did. He feared for her each August when the swamp fever arrived. Almost every year one of his children was picked off, to join the row of graves marked with wooden crosses in a slightly higher spot in the woods not far from the cabin. With each grave he’d had to clear maples and ash to make space to dig. He’d learned to do this in July, before anyone died, so that the body did not have to wait for him to wrestle with the trees’ extensive roots. Best to get the wrestling out of the way when he had the time.
I was used to his slaps. Didnt bother me none. Fightin over apples was jest what we did.
Funny, I didnt think much about apples fore we came to the Black Swamp. When I was growin up we had an orchard like every- body else but I didnt pay it no attention cept when the blossom was out in May. Then Id go and lie there smellin some sweet perfume and listenin to the bees hum so happy cause they had flowers to play with. That was where James and I lay our first time together. I shouldve known then he wasnt for me. He was so busy inspectin my familys trees and askin how old each was—like I would know—and what the fruit was like (Juicy like me, I said) that finally I had to unbutton my dress myself. That shut him up a while.
I never was a good picker. Ma said I was too quick, let too many drop and pulled off the stems of the rest. I was quick cause I wanted to get it done. I used two hands to twist and pull two apples and then the third would drop and bruise and wed have to gather all the bruised ones separate and cook em up right away into apple butter. Beginnin of each season Ma and Pa would get me pickin till they remembered about that third apple always droppin. So they put me on to gatherin the windfalls that were bruised and damaged from fallin off the tree. Windfalls werent all bad apples. They could still be stewed or made into cider. Or theyd have me cookin or slicin rings to dry. I liked the slicin. If you cut an apple across the core rather than along it you get the seeds makin flowers or stars in the middle of the circle. I told John Chapman once and he smiled at me. Gods ways, he said. Youre smart to see that, Sadie. Only time anyone ever called me smart.
James wouldnt let me touch the apples on his trees either. His precious thirty-eight trees. (Oh I knew how many he had. He thought I wasnt listenin when he was rattlin through his numbers but drunk or not I heard him cause he repeated himself so much.) When we was married back in Connecticut he learned real quick how many apples I spoiled. So in the Black Swamp he got some of the children to pick em—Martha and Robert and Sal. He wouldnt let Caleb or Nathan pick, said we were all too rough. He was like a little old woman with his trees. Drove me crazy.
James headed out behind the cabin, past the garden they’d begun turning over now the ground was no longer frozen, and out to the orchard. Upon settling in the Black Swamp, the first thing the Goodenoughs had done after building a rough cabin close to the Portage River was to clear land for the orchard so as to plant John Chapman’s apple saplings. Every oak, every hickory, every elm he cut down was an agony of effort. It was hard enough to chop up and haul the trunk and branches to set aside for firewood, or for making bed frames or chairs or wheels or coffins. But extracting the stumps and roots almost killed him each time he hacked and dug and pulled and ground. Prying out a stump reminded him of how deeply a tree clung to the ground, how tenacious a hold it had on a place. Though he was not a sentimental man—he did not cry when his children died, he simply dug the graves and buried them— James was silent each time he killed a tree, thinking of its time spent in that spot. He never did this with the animals he hunted— they were food, and transient, passing through this world and out again, as people did. But trees felt permanent—until you had to cut them down.
He stood in the melting March dusk and surveyed his orchard— five rows of trees, with a small nursery of seedlings in one corner. It was rare to see space around individual trees in the Black Swamp; normally there was either open water or dense woods. The Goodenough orchard was not spectacular, but it was proof to James that he could tame one small patch of land, make the trees do what he wanted. Beyond them, wilderness waited in the tangled under- growth and sudden bogs; you had to take each step with care or find yourself up to your thighs in black stagnant water. After going into the swamp, to hunt or cut wood or visit a neighbor, James was always relieved to step back into the safe order of his orchard.
Now he counted his apple trees, even though he already knew that he had thirty-eight. He had expected the requirement for settling in Ohio of fifty viable fruit trees in three years would be easy to achieve, but he had been assuming apple trees would grow in the swamp as they had done on his father’s farm in Connecticut, where the ground was fertile and well drained. But swamp- land was different: waterlogged and brackish, it rotted roots, encouraged mildew, attracted blackfly. It was surprising that apple trees could survive there at all. There were plenty of other trees: maple was abundant, also ash and elm and hickory and several kinds of oak. But apple trees needed light and dry soil or they could easily not produce fruit. And if they did not produce, the Goodenoughs must go without. The Black Swamp was not like Connecticut, where if your trees had blight or scab or mildew and grew no apples, you could barter or buy from neighbors. Their neighbors here were few and scattered—only the Days two miles away had been there almost as long, though lately others had begun to settle nearby—and had no apples to spare.
James Goodenough was a sensible man, but apples were his weakness. They had been since he was a child and his mother had given him sweet apples as a special treat. Sweetness was a rare taste, for sugar cost dear; but an apple’s tart sweetness was almost free since, once planted, apple trees took little work. He recalled with a shudder their first years in the Black Swamp without apples. He hadn’t realized till he had to go without for over three years how large a part apples had played in his life, how he craved them more than whiskey or tobacco or coffee or sex. That first autumn when, after a lifetime of taking them for granted, James finally under- stood that there would be no apples to pick and store and eat, he went into a kind of mourning that surprised him. His desperation even drove him to pick the tiny fruit from a wild apple tree he came across along one of the Indian trails; it must have grown from a settler’s discarded apple core. He could only manage three before the sourness forced him to stop, and his stomach ached afterwards.
Later, over near Perrysburg, he shamed himself by stealing from a stranger’s orchard, though he took only one apple, and it turned out to be a spitter rather than an eater. He ate it anyway.
In subsequent years he bought more trees from John Chapman— seedlings this time—and grew his own as well from seeds. Trees grown from seeds usually produced sour apples but, as James liked to point out to whoever would listen, one in ten tended to turn out sweet. Like growing anything in the Black Swamp, it took time for the apple trees to thrive, and even those that seemed healthy could easily die over the winter. While the Goodenoughs did have apples within three years of their arrival, they could not be relied on. Some- times the crop was heavy; other times the apples were scarce and tiny. Sometimes disease killed the trees. For several years James struggled to get thirty trees to grow, much less fifty. More recently he’d had more success, and the previous fall had picked apples from forty-seven trees. Over the winter, however, it appeared nine had died, like a punishment for his hubris.
Luckily no one ever came around to count how many trees they had, as it was too hard to get in and out of the Black Swamp for law officials to bother. None of his few neighbors seemed concerned about the fifty-trees rule. Sadie was amused by the number, and enjoyed taunting her husband with it. Sometimes she would whisper “fifty” to him as she passed. But James fretted over it, always expecting someone to show up on the river or along one of the Indian trails that crisscrossed the Black Swamp, and inform him that his farm was no longer his.
I never wanted to live in the Black Swamp. Who would? It aint a name that draws you in. You get stuck there, more like—stuck in the mud and cant go no farther, so you stay cause theres land and no people, which was what we were lookin for. James was second youngest of six healthy sons, so there werent but a little bit of Goodenough farm in Connecticut for us. We managed for a time but James kept reachin for me at night and the children kept comin. Then his father, an old killjoy who never liked me, started hintin about us moving west where we could settle more land. He got the wives of James brothers to talk to their husbands, which they were glad to do cause they didnt like me either. They didnt trust me round their men. I got something they didnt have. So the brothers started pushin James to be more adventurous than he was. Really they shouldve gotten James brother Charlie to go west. Charlie Goodenough was the youngest and by tradition he was the one shouldve gone. Plus he had the gumption in him. Charlie wouldnt of let mud trap him in the swamp. Hed have bust through it and got out into the open where theres good healthy land solid under your feet, with sun and grass and clean water. But everybody loved Charlie, his wife most of all. It was she took against me the worst. Maybe she had reason to. Damned if she werent the nicest of the wives too.
Then all of a sudden Charlie also said James ought to go— though he looked real sorry when we did leave. Stood longer than the rest, watchin our wagon go down the long track away from the Goodenough farm. I bet he wished it was him beside me headin towards a new life.
Turns out lots of Connecticut farmers had gone to Ohio before us. Too many. We went across New York then took a boat on the lake from Buffalo to Cleveland and started lookin, expectin our pick of land to be laid out before us like a nicely made bed, but all we found were other Yankees—most of them war veterans got their allotment from the government. We made a circle round Cleveland, then heard we was better off goin west to the Maumee River, and even into Indiana. After Lower Sandusky we was headed towards Perrysburg when the road—if you can call it that—got worse and worse. That road was where we met our first enemy. Mud. I never saw anything stick so much. It stuck to the wagon wheels and when they turned they collected more mud like a ball of snow gettin bigger and bigger. Got so we had to stop the wagon every fifty feet to scrape it off. Near broke the horses legs. Finally they wouldnt budge and we had to wait till they recovered. Next day we got half a mile before they stopped again. Along that stretch of road there were inns every quarter mile for all the travelers gettin stuck. The inns themselves were set up by settlers who couldnt get no further.
At last we got to the Portage River and decided that was it, we couldnt go no farther so it looked like wed arrived at our Promised Land. By then everything was covered in mud. Wed been wadin through it and couldnt get it off our boots or off our dresses or out from under our toenails. Sometimes the boys would take off their trousers at night and in the morning theyd be standin up by themselves with the mud dried on em. Had to live with it, and wash in the river. John Chapman was a smart one with his canoe glidin up and down the rivers and creeks easy as you like, stayin out of the mud.
After a time we got used to it. Maybe I jest stopped carin. Id hear new settlers complain bout the mud and think, Theres worse things than mud. Jest you wait.
We arrived in the swamp in early April which is a good time to settle cept theres a rush to plant crops and a garden and build a house. And to do any of those things you first got to clear the trees. They was another enemy waitin for us in the Black Swamp. Oh, there were a lot of enemies there.
Damn them trees. I hate em, God love me I do. Back east we didnt have the tree problem the way we did in Ohio. James and I both grew up on farms that had been made some time before, with houses and barns built and cleared fields and gardens. My mother even had flower beds. Thered been settlers in Connecticut for two hundred years, and theyd been the ones breakin their backs to dig up the trees. Every garden, every field, every churchyard and road had to be made by takin out the trees. Wasnt till we was faced with a slice of land full of Ohio trees that we realized how much work we had to do. Well, James had to do, and the older children. I was carryin Robert in my belly and was too big to use an axe or haul wood or pull at those goddamn stumps. There sure wasnt gonna be any flower beds in the Black Swamp. Any clearin had to be done for a better reason than flowers. It was for feedin you and keepin you warm and dry.
Clearin took so much out of my children that sometimes I think thats what killed Jimmy and Patty, weakened em so the swamp fever got em that much easier. Patty died the first summer, Jimmy the next. I never forgave the trees for that, and never will. If I could Id gladly burn down these woods.
Even when we thought wed cleared all the trees we needed to, they kept growin and growin, pressin in on us. We had to keep an eye out for the seedlings that sprung up everywhere. It reminded me of dirty pots or dirty clothes: you scrub and scrub and get em clean, then an hour later youve burnt oatmeal on the bottom of the pot or smeared mud on your apron, and you realize it never ends, theres always gonna be pots and laundry to do. Trees are the same, you clear a field and they start springin up again. At least theyre slower than laundry. But you think youre payin attention, then a year goes by and you find you overlooked a seedling and suddenly its a tree, with roots that dont want to come out.
I heard theres land out west thats got no trees on it at all. Prairie. Lord send me there. I tried to talk to James bout goin there, but he wouldnt listen, said weve made a place for ourselves, hunkered down like toads in the stinkin rottin swamp, and here well stay.
Excerpted from "At the Edge of the Orchard"
Copyright © 2017 Tracy Chevalier.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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“A rich, well-researched novel—it’s the story of one young woman becoming an American.”
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“Irresistible.” —O, The Oprah Magazine
"Evokes entire landscapes...a master of voices."
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"Absorbing...[Chevalier] creates a world reminiscent of a Vermeer interior: suspended in a particular moment, it transcends its time and place."
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“Chevalier admirably weaves historical figures and actual events into a compelling narrative.”
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Reading Group Guide
1. For James, apples are an obsession, a reminder of his family’s home in Connecticut, and for Sadie, they’re both a source of jealousy and of respite from the brutalities of pioneer living. How does that conflict with today, when apples are a homey symbol of America, with “heirloom” varieties nodding to a nostalgia for an earlier time? Discuss James and Sadie’s love for apples as escape, as pleasure, as sweetness—but not really as sustenance—and the ways they tied the Goodenoughs to the land.
2. Sadie’s mistakes and aggressions are the ones that propel the plot in the first half of the book. What did you think about her character? Discuss the ways the author makes Sadie’s behavior more understandable or sympathetic. In what ways is James responsible for the family’s strife? What would this novel be like without Sadie?
3. Imagine burying five children, and spending nine years in constant war with your environment just to keep yourself and your family alive, while being mostly isolated from family and from neighbors. How would you hold up under these circumstances? How would your family have dealt with this life? What would your children do? What would your marriage be like?
4. The Goodenoughs end up in Ohio because they get stuck there and their wagon can go no further. There they face malaria, mud, starvation, bitter familial fighting—this could be seen as a darker Little House on the Prairie (or perhaps simply more realistic—Laura Ingalls Wilder’s diaries were far more gritty than the life her novels portrayed). How do you think these realities shaped our history? How does it differ from our typical narrative of life on the early American frontier?
5. Robert’s and Martha’s letters serve as pivot points for the book. Why do you think the author chose to tell big portions of the story in this way? What effect does it have on the emotional impact of Robert’s decision to leave his family? Of Martha’s life after he does?
6. After Robert does not hear from his family for 17 years, he finally gives up trying to communicate with them. Everything about this communication is foreign to us in an age where technology minimizes great distances. Discuss the real costs of leaving your family in the era this book is set. Would you be able to make this kind of choice?
7. Did Robert make the right choice in leaving the family? What might have become of the Goodenoughs if he had not left? How might Martha’s life be different? What do you think would have happened to him?
8. Our mythology of the American west involves expansion to wide open landscapes on the backs of people—usually young men—seeking riches or adventure. But Robert’s story is about running from something. What other things might people have been running from by moving westward? How has it shaped our national character?
9. Think about all the different migrations in this book: settlers moving west, stopping somewhere to make a home or continuing on to the coast; Johnny Appleseed and William Lobb’s travels; all the different paths taken by the various members of the Goodenough family. We don’t think of trees being as mobile as people, but Johnny Appleseed points out to Sadie at one point how much trees migrate from place to place as well, frequently moved by people. How much of the landscape of where you are now is a product of these types of migrations—of humans, animals, or plants?
10. Discuss the transformation of Robert & Molly’s relationship. At what point does it deepen? Would you have gambled on Robert as Molly does?
11. Robert is shocked at Martha’s strength and capability to travel by herself all the way from Ohio to California. Discuss what you would have done in her situation.
12. Discuss the ending of the novel. Robert’s childhood was clearly traumatic, and his experience of family for most of his life has been full of strife. What does that mean for his new family going forward? What does it mean that he decides to go back to the old world, where his family came from before they set out for the frontier?
13. Tracy Chevalier’s books are all set in a previous time in history. But discuss how the issues here resonate with present day life. So much of the everyday facts of their lives are different than ours, but what is the same? What issues did these characters deal with that are universal?
Most Helpful Customer Reviews
Do you want to learn about different apples? If so, then this is your book. The story and plot are okay but the apple detail really detracts from the book. Jumping about in time was disconcerting.
At the Edge of the Orchard by Tracy Chevalier is not what I expected. James Goodenough and his wife, Sadie leave Connecticut (and the rest of the Goodenough family) to find a farm of their own. They end up in Black Swamp, Ohio (because it was so muddy they could go no further). James and Sadie had ten children (but only five lived because of swamp fever from the mosquitoes). Life is hard in the swamp, but James is determined to make a go of his apple orchard. James and Sadie do not get along. Sadie resents the apples (because her husband pays more attention to the apples than her) and does her best to sabotage the trees. Sadie is a drunk (on applejack) the majority of the time. Things do not end well for the couple and their youngest son, Robert takes off. We then have a series of letters that explain what Robert did for the next seventeen years. Robert ends up working for William Lobb as a plant collector in California. We get to see how his growing up years affected the rest of his life and the choices he makes. At the Edge of the Orchard was okay. I normally love Tracy Chevalier's books, but I was not a fan of this one. It is a slow paced book with unengaging characters. Parts of the book are told in the first person (Sadie and James) point-of-view. Sadie's part is hard to understand with her backwards way of talking (and accent). The rest is told in the third person (about Robert). The descriptions of the apples, the orchards, and the plants/trees in California were lovely and interesting. The pace of the novel, though, is slow (I think apples grow faster). The writing is good, but the story is depressing. There is domestic violence, foul language, sex, and incest in this novel (just fair warning). I give At the Edge of the Orchard 3 out of 5 stars. I received a complimentary copy of the book from NetGalley in exchange for an honest review.
Very entertaining and an engaging read.
Heartbreaking raw story of a pioneer family in Ohio and the son who left for the West. His life there was quite interesting, especially regarding the type of work he did.
Great story. Would highly recommend it.
I think the story is most probably an example of some pioneer families. The times were difficult , poor, no happiness, which could lead to desperation , violence. The California part of the story was very interesting, to me
I liked how each character had his/her own voice. For James, it was the third person voice. For Sadie, it was first person voice. Robert and Martha were also third person but first person when they wrote letters. Many in my book club did not like the book because they could not connect with the characters. I found it interesting how the character development was handled. I did not have lukewarm feelings toward any of them. Robert was my favorite followed by Martha.
You know when you read an amazing book where the landscape becomes one of the characters? You know: the moors in Return of the Native, or the highlands (and the house) in Wuthering Heights. In At the Edge of the Orchard, you have trees. Apple trees, and redwoods, and giant sequoias. The trees and landscape are also metaphors that reflect the lives of the characters. The Black Swamp, where everyone is stuck and it's hard to grow. Some apples are sweet and worth saving, others become bruised and secondary. And grafting trees ("Grafting trees had always seemed a miracle to James...). Grafting requires knowledge and skill and patience and nurturing. Done right and with care, you create a hybrid tree. Two parts coming together to make something new and wonderful. But James and Sadie, two very different people, never quite grafted and ended up with a sadly dysfunctional relationship. They did have a bunch of kids, though, and got two good ones out of the ten: Robert and Martha. And then there are the giant trees of the west: people looking for new lives where the sky is the limit. Anyway. That's how I see it. I am a big fan of Tracy Chevalier and I'm always taken up and swept away by the beautiful writing in her impeccably researched historical fiction novels. Orchard is no exception. It's keen storytelling full of tension. Holy tree-zus! I was on the edge of my seat wondering what would happen to each of these people. It's an amazing journey across the American West, but this ain't no Little House on the Prairie. Get ready for a bumpy wagon ride.
A big waste of time and money! All characters were dark and pathetic, would not recommend to anyone
At The Edge Of The Orchard, Tracy Chevalier, author; Hillary Huber, Mark Bramhall, Kirby Heyborne, Cassandra Morris, narrators It is 1838 and Sadie and James Goodenough, from CT, were traveling west having been asked to leave his family farm. Apparently, it was not big enough for all of the family members. Plagued by wagon troubles, they were forced to stop at the Black Swamp in Ohio, where they staked a claim and began to plant apple trees. It sounds like a terrible place, but the Government guaranteed their claim to the land if they managed to create an orchard with 50 thriving trees. There was conflict immediately between Sadie and James. She liked spitters and he liked eaters. Spitters were good for baking and made apple jack. Sadie loved and became addicted to the apple jack. Eaters were merely for good eating and Sadie rightly believed that James loved those apples more than he loved her. James resented the man, John Chapman, who brought Sadie the apple jack and who disapproved of and criticized his methods of raising and breeding apple trees. James grafted one tree to another to try and create a better apple. Chapman believed that was G-d’s work. Sadie sided with Chapman. She seemed to enjoy making James jealous, but she was really the jealous one. She was often devious and mean, conniving and vengeful. She had birthed 10 children, not all of whom survived, but they all helped in the orchard and witnessed the sometimes violent feud between their parents. James and Sadie were literally at war over the apple trees. She sabotaged his efforts and destroyed his trees when he used part of her spitters to graft to his eaters. After a tragic accident, Robert, barely 9 years old, takes off and does not return. He makes his way, finding all sorts of odd jobs to take care of himself. It was a time when child labor was acceptable and children often made their way on their own, struggling to survive. He sent letters home frequently, explaining how he was getting on, hoping for an answer from someone, but after almost two decades of letters with no response, he stopped. The mail was unreliable and he moved around a lot. His life was not easy, and although lonely, he seemed easy going and satisfied with his simple life. His sister Martha had learned about one of his letters, that her brother had not shared, and began writing her own letters to Robert, hoping for a return response. She told him all about her life and his family. It is through these letters and the voices of Sadie and James that the reader learns about all of the intervening years of tragedy and hardship that befell the family. The author painted a very lucid picture of those days gone by, of the swamp and the swamp fever that struck them down, of the difficulty of surviving and nurturing trees in the foul smelling mud without modern day equipment or technology, of the tragedy that befell each one who lived the hard life of a frontier family. We see Robert’s life turn full circle as he goes from drifter to a man who returns to the trees. Each character was drawn so clearly that the reader easily can picture an image in their minds. There is the vindictive Sadie, the sometimes violent James, the drifter Chapman, the quiet and obedient, thoughtful Robert, the shy and frail Martha who bore the brunt of her mother’s cruelty. At the end, the reader will be left wondering if the future would be full of hope or despair for Robert. The book will hold fast to the reader's attention.
Locations in the novel : At the edge of the Orchard There's something very reassuring and calming about Tracy Chevalier's writing. She has a unique style and passion for what she writes about and you can tell she's really researched her subject well for even simple details are evoked as if she's sat at the table in the cabin with these people observing them. She takes you this time to Black Swamp - a real swamp which covered a great deal of Ohio and describes those living in and near it. The hardship, the lifestyle of the pioneers (Especially Sadie and James in the novel) and the roles of men and women. The land is damp and mosquito-ridden but the Goodenoughs (apt name?) make do as best they can. They are pioneers after all and James is devoted to his sweet apples. Apple cultivation is evoked with every last drop tasted on your tongue as you read. Sadie prefers the applejack which is strong cider made from spitter apples which you cab’t eat. The various kinds of trees in the order, the process of apple cultivation and the daily strains of working in an orchard of this size is evoked with detail right down to the mud, the smell of the apples and the taste. This book immerses you into the dark damp swamp into the trails and tribulations of life on the land, life as a pioneer and at the time of the gold rush in California. This is such an evocative read and it makes you one of the characters as each page is crafted to add another dimension to your experience. These are people you'll care about and a stunning visual journey of agriculture, landscape and people's relationships to it. See the locations on the booktrail.com as it's quite a journey she takes you on!