Rod Serling, strolling through a gallery of distorted portraits, should introduce Rivka Galchen's first novel. Atmospheric Disturbances takes place in the twilight zone of Leo Liebenstein's highly rational but utterly deluded mind. He's a middle-aged psychiatrist confounded by a strange problem: "A woman entered my apartment who looked exactly like my wife," he tells us on the opening page. "Same everything, but it wasn't Rema." This "impostress" or "simulacrum," as he refers to her throughout the novel, looks exactly like his young wife, imitates her Argentine accent perfectly and possesses all her memories and attitudes. But he knows she isn't Rema…This sounds weird, of course, and it isdeliciously sobut on another level, it's common: After all, lots of people eventually conclude that their spouse isn't the person they once married…What Galchen has done is play out that sad realization in the mind of a psychotic psychiatrist, a man thoroughly versed in others' delusions but unable to perceive his own.
The Washington Post
Galchen's inventive narrative strategies call to mind the playful techniques of Jonathan Lethem, Franz Kafka, Primo Levi and Thomas Pynchon. But she also, quite deliberately, echoes the Argentine giant Jorge Luis Borges…You don't have to be a weatherman to see that Galchen's brainteasing book, whatever its pretexts, is an exploration of the mutability of romantic love. Although she has intellectualized and mystified her subject, intentionally obscuring it in a dry-ice fog of pseudoscience, the emotional peaks beneath her cloud retain their definition…Anyone who has suffered the everyday calamity of the lessening of love, the infinitesimal diminutions of regard that drain a relationship of its power, knows what a relief it would be to blame science fiction. This cerebral, demanding, original new writer helps make the charges stick.
The New York Times
In this enthralling debut, psychiatrist Dr. Leo Liebenstein sets off to find his wife, Rema, who he believes has been replaced by a simulacrum. Also missing is one of Leo's patients, Harvey, who is convinced he receives coded messages (via Page Six in the New York Post) from the Royal Academy of Meteorology to control the weather. At Rema's urging, Leo pretends during his sessions with Harvey to be a Royal Academy agent (she thinks the fib could help break through to Harvey), and once Re- ma and Leo disappear, Leo turns to actual Royal Academy member Tzvi Gal-Chen's meteorological work to guide him in his search for his wife. Leo's quest takes him through Buenos Aires and Patagonia, and as he becomes increasingly delusional and erratic, Galchen adeptly reveals the actual situation to readers, including Rema's anguish and anger at her husband. Leo's devotion to the "real" Rema is heartbreaking and maddening; he cannot see that the woman he seeks has been with him all along. Don't be surprised if this gives you a Crying of Lot 49nostalgia hit. (June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
To Dr. Leo Liebenstein, a New York psychiatrist, it's the puppy that gives it away. His much younger "real" wife, Rema, does not like dogs, so this woman who looks like Rema and smells like Rema and has brought him the puppy must be a simulacrum. Leo tells the faux Rema that he's on to her and wants his real wife back. Leo also believes that his missing patient, Harvey, is tied to the mystery. And what of the Royal Academy of Meteorology (RAM), which Harvey says has employed him as a secret agent? The real Rema convinced Leo to impersonate RAM staff member Tzvi Gal-Chen in his therapy work with Harvey, and now Leo is calling Gal-Chen on his Blackberry from across the ocean. But could Leo be talking to a dead man? Galchen's astonishing debut is rich in detail and scientific exploration and a kind of dreamy psychological dissembling that keeps the reader as baffled as Leo right to the end. This dense, brilliant novel should be much in demand, especially for book groups eager for the challenge of dissecting and reconstructing the clues in a search for the solution. Highly recommended. [See Prepub Alert, LJ3/1/08.]
Beth E. Andersen
Everything is other than it appears to be in Galchen's assured debut-an intricate puzzle powered by an urgently beating heart. That organ and the brain sustained by it are the property of Galchen's narrator, New York psychiatrist Leo Liebenstein-who immediately informs us that his South American-born wife Rema has disappeared and been replaced by a "simulacrum" only superficially similar to the woman he loves. Leo's paranoid suspicions seem no more bizarre than the claims of another missing person: his delusional patient Harvey, who insists he is "employed as a secret agent for the Royal Academy of Meteorology," assigned to control the weather and to foil the nefarious 49 Quantum Fathers, whose experiments threaten the climate's very survival. What's really going on in Leo's crowded mind is hinted at in several allusions to T.S. Eliot's "Four Quartets" and in a pattern of metaphors that link the relative predictability of human behavior with Doppler radar, triangulation and similar up-to-the-minute climatological measuring and verification techniques. With immense subtlety, Galchen assembles a deeply moving picture of a lover plaintively seeking permanence in a context of inexorable relativity, instability and change. And, in provocative glancing reference to "the disappeared" victims of Argentina's 1970s "Dirty War," there is perhaps a buried allusion to Rima the bird girl, the lost loved one of W.H. Hudson's romantic classic Green Mansions. A superb first novel. Agent: Bill Clegg/William Morris Agency
“A relentless exploration of how a man could fail to see clearly the woman he loves . . . [A novel] that knows how to move from the comic to the painful . . . Galchen has a knack for taking a thread and fraying it, so that a sentence never quite ends up where you expect.” James Wood, The New Yorker
“At once mournful and playful . . . [a] droll, exquisite first novel.” Laura Miller, Salon.com
“There are passages so achingly beautiful in Galchen's strange puzzle of a book--about love, resilience, and perception.” Jennifer Reese, Entertainment Weekly (Grade A)
“A dense, fractally complex first novel by the conspicuously talented Rivka Galchen.” Lev Grossman, Time
“Galchen's dark and comical mystery is a clever take on the ways love, longing and overanalysis can drive you absolutely nuts.” Marie Claire
“Genuinely suspenseful . . . Ms. Galchen is a writer to be watched.” The Economist