In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception.
Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film.
|Publisher:||Columbia University Press|
|Product dimensions:||8.25(w) x 5.40(h) x (d)|
|Age Range:||18 Years|
About the Author
Table of ContentsThe Audiovisual Contract
Projections of Sound on Image
The Three Listening Modes
Beyond Sounds and Images
Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations
The Audiovisual Scene
The Real and the Rendered
Sound Film--Worthy of the Name
Television, Video Art, Music Video
Toward an Audiologovisual Poetics
Introduction to Audiovisual Analysis
What People are Saying About This
Michel Chion is the leading French cinema scholar to study the sound track...I know of no writer in any language to have published as much in the area, and of such uniformly high quality, as he.