Praise for Away
PRAISE FOR AWAY
“AWAY is a modest name for a book as gloriously transporting as Amy Bloom’s new novel. Alive with incident and unforgettable characters, it sparkles and illuminates as brilliantly as it entertains… AWAY is a literary triumph, a book-club must and a popular novel destined for wide readership. It is accessible to the point of pure enthrallment without compromising its eloquence or thematic strength. Yet it is also a classic page-turner, one that delivers a relentlessly good read.”
–NEW YORK TIMES
“Amy Bloom knows the urgency of love. As a practicing psychotherapist, she must have heard that urgency in her patients’ stories, and in 1993 when she broke onto the literary scene with Come To Me, we heard it in hers. She has never strayed from that theme…Bloom writes with extraordinary care about people caught in emotional and physical crosswinds: desires they can’t satisfy, illnesses they can’t survive, and–always–love that exceeds the boundaries of this world…this whole novel reads like dry wood bursting into flame: desperate and impassioned, erotic and moving–absolutely hypnotic.”
–COVER OF WASHINGTON POST BOOK WORLD
“With her sly sense of humor and flair for precise, elegant language, acclaimed author Bloom fashions a spellbinding story of courage and unwavering optimism in the face of daunting odds.”
“Her execution is exquisite, and exquisite execution is rare–not only in books but (alas) in almost any undertaking…The pleasures of AWAY are the ordinary pleasures of extraordinary novels: finely wrought prose, vivid characters, delectable details. There’s a soft-smile, along-the-way humor…A practicing psychotherapist, this author combines eloquence with insight.”
–COVER OF THE LOS ANGELES TIMES BOOK WORLD
“By the end of this memorable, panoramic novel, Bloom transforms the musts in Lillian’s life into a Scheherazade-like procession of cans that encapsulate all the cultural richness that newcomers contributed to this nation of immigrants in the early part of the 20th century. Grade: A”
“Far and away one of the best books of the year… Once in a great while, a work of art–a poem, a painting, a book–will register in the chest cavity, producing an ache of recognition and pleasure. AWAY by Amy Bloom is such a book… a surprising, tough and incandescent book.”
–CLEVELAND PLAIN DEALER
“Amy Bloom is blessed with a generous heart and a brilliant imagination, which is evident once again in her fifth and best book so far, AWAY…The vividness and tenderness with which Bloom tells this story is stunning. Bloom, who teaches writing at Yale University and is also a practicing psychotherapist, has an innate understanding of the complexity of the human heart and in Lillian, she has created her most compelling character yet.”
“So vivid and engaging, so delicious in tone, that a reader experiences an immediate thrill, the all-too-rare one that signals: I am in excellent hands here… The language that Bloom employs to tell Lillian’s story is immediate, colorful, and unafraid to be plain…It’s not easy to be lyrical, funny, and brilliant all at once, and Bloom is.”
“Rousing, utterly absorbing… a compact epic, an adventure story, a survival tale and an incredible journey wrapped up in a historical novel cloaked in a love story… exquisitely unsentimental novel about exile, hope and love in its various incarnations — maternal, romantic, sexual, platonic, inconvenient, unruly, unreasonable, abiding.”
–SAN FRANCISCO CHRONICLE
“A powerful new novel of loss and love, of hope and struggle…amazing…AWAY is a short novel, but it feels packed to the rafters with fully-realized character, with America, with all the things that don’t fit inside the vessel we’ve taken to calling the American Dream…unforgettable.”
–LOUISVILLE COURIER JOURNAL
“Blom executes Lillian’s tale with the same fresh eye with which a master cinematographer captures a familiar landscape…In just 248 pages of astonishing prose, Bloom covers vast emotional (and geographic) terrain, giving a familiar story epic proportions.”
–NEW YORK DAILY NEWS
“Fascinating…a tough, engaging book.”
“Outstanding…A sweeping saga of endurance and rebirth. Encompassing prison, prostitution and poetry, Yiddish humor and Yukon settings, Bloom’s tale offers linguistic twists, startling imagery, sharp wit and a compelling vision of the past. Bloom has created an extraordinary range of characters, settings and emotions. Absolutely stunning.”
–PUBLISHERS WEEKLY, STARRED REVIEW
“Summary doesn’t do justice to this compact epic’s richness of episode and characterization, nor to the exemplary skill with which Bloom increases her story’s resonance through dramatic foreshadowing of what lies ahead for her grifters and whores and romantic visionaries and stubborn, hard-bitten adventurers. Echoes of Ragtime, Cold Mountain and Irving Howe’s World of Our Fathers, in an amazingly dense, impressively original novel.”
– KIRKUS REVIEWS, STARRED REVIEW
“A masterly second novel…the writing is spare and tender, with revelatory doses of irony….A novel this gorgeous doesn’t need humor, but what’s better than laughing off a good cry? AWAY is a story to sink your heart into.”
“Bloom attempts a sweeping historical epic and succeeds…Haunting.”
“A novel laced with heartache, but also a strong thread of hope.”
“This beautiful, effulgent book sped me forward word by word, out of the room I was in and into Amy Bloom’s world. This is a wonderful novel, a cosmos that transcends its time period and grabs us without compromise. Lillian’s astonishing journey, driven by a mother’s love, will be with me for a long, long time.”
–Ron Carlson, author of The Speed of Light
“I haven’t read a novel in a long time that I genuinely wanted to get back to, just to sit down and read for the pure joy of it. Away is a book full of tender wisdom, brawling insight, sharp-edged humor and–if it’s possible–a lovely, wayward precision. Amy Bloom has created an unforgettable cast of characters. Lillian, the heroine, or anti-heroine, somehow always manages to do what great journeys always do–continue. A marvelous book.”
–Colum McCann, author of Zoli
“Raunchy, funny, and touching, Away is an elegant window into the perils of self-invention and reinvention in New York in the 1920s. Amy Bloom’s heroine, Lillian, is an unforgettable young woman on a quest to make her life whole and to belong in an unstable, yet fascinating, new American world.”
–Caryl Phillips, author of A Distant Shore
“Amy Bloom’s work has always revolved around what love and desire can make us do. In Away, she paints filial love on an immense geographic and historical canvas. The result, a story of loss and survival, is gripping.”
–Christopher Tilghman, author of Roads of the Heart
t…this whole novel reads like dry wood bursting into flame: desperate and impassioned, erotic and movingabsolutely hypnotic…nobody wastes any time in this novel, particularly the author. The whole saga hurtles along, a rush of horrible, remarkable ordeals: One minute Lillian is jumping into a deadly menage a trois, the next she's beating a porcupine to death with her shoe and eating it. Not every woman could pull that off. Each chapter reads like a compressed novel, a form that works only because Bloom can establish new characters and grab our sympathies so quickly. One of her most striking techniques is the way she periodically lets little tendrils of the story push ahead, shooting into the future to spin out the stories of characters Lillian encounters along the way. Lives bloom or wither in these asides, and then we're back with Lillian once more as she trudges on, inexorably, toward her daughter. And so what begins as a paean to the immigrant spirit in a city of millions is ultimately a gasp of wonder at the persistence of love, even in the remotest spot on earth. Hang on.
The Washington Post
Away is a modest name for a book as gloriously transporting as Amy Bloom's new novel. Alive with incident and unforgettable characters, it sparkles and illuminates as brilliantly as it entertains. The accomplishment is even more remarkable given the seeming drabness of the story Ms. Bloom tells. She offers a ridiculously beautiful account of a 1926 transcontinental schlep by an immigrant Jewish seamstress from New York toward Siberia in search of her young daughter…To the extent that a work of fiction can be all things to all people, this one is remarkably versatile. Away is a literary triumph, a book-club must and a popular novel destined for wide readership. It is accessible to the point of pure enthrallment without compromising its eloquence or thematic strength. Yet it is also a classic page-turner, one that delivers a relentlessly good read.
The New York Times
Rosenblat, who has narrated hundreds of books over the past 15 years, has a deep, clear, engaging voice and a mastery of cadence and inflection that projects wit and nuanced meaning. Rosenblat is renowned for her proficiency with accents-an important skill for Bloom's fifth novel, which includes all sorts of wonderfully complex human beings: Reuben and Meyer Burstein, scions of the 1920s Lower East Side Yiddish theater; Midwestern WASPS; and Seattle's "colored" lumpen. Lillian Leyb, a 22-year-old Yiddish-speaking immigrant whose parents and husband were brutally slaughtered during a Russian pogrom, is searching for her missing three-year-old daughter, Sophie. In New York, Lillian hears that Sophie has been seen with a family in Siberia. With her dictionary, thesaurus and a map, she sets out on her journey across America. Bloom's graphic, often witty and erotic descriptions of Lillian's adventures include a blow job exchanged for a free ride in the broom closet of a train; her odd friendship with Gumdrop, a "colored" prostitute whose pimp they accidentally murder; and, finally, her moving redemption through care and love. Awayis a remarkable saga best experienced through Rosenblat's masterly interpretation. Simultaneous release with the Random House hardcover (Reviews, June 18, 2003). (July)Copyright 2007 Reed Business Information
A Russian Jewish woman's struggles to survive in America, then recapture the past brutally stolen from her, are recorded with eloquent compression in this striking second novel from NBA nominee Bloom (Normal: Transsexual CEOs, Crossdressing Cops, and Hermaphrodites with Attitude, 2002, etc.). In a brisk narrative of the events of two crowded years (1924-26), we encounter immigrant Lillian Leyb working as a seamstress on New York's Lower East Side, and becoming mistress to both theater owner Reuben Burstein and his homosexual son Meyer (a popular matinee idol). Lillian's stoicism masks the terror that haunts her in recurring dreams-of the massacre of her family by "goyim" revenging themselves on Jews sharing the meager resources of their village (Turov) and of the reported subsequent death of her beloved daughter Sophie. When another relative newly arrived in America reports that Sophie lives (having been rescued by a family that moved on to Siberia), Lillian embarks on a complex pilgrimage that takes her to Seattle and points north. She survives being robbed and beaten, bonds with a resourceful black prostitute, is sent for her own safety to a women's work farm by the one man (widowed constable Arthur Gilpin) who seems not to have sexual designs on her, then makes her way across the Yukon to the Alaskan coast, encountering a refugee exiled following an accidental killing, John Bishop, who will be either her last best hope of finding Sophie or the alternative to a life of ceaseless wandering and suffering. Summary doesn't do justice to this compact epic's richness of episode and characterization, nor to the exemplary skill with which Bloom increases her story's resonance through dramaticforeshadowing of what lies ahead for her grifters and whores and romantic visionaries and stubborn, hard-bitten adventurers. Echoes of Ragtime, Cold Mountain and Irving Howe's World of Our Fathers, in an amazingly dense, impressively original novel. Agent: Phyllis Wender/Rosenstone/Wender
"Away is a modest name for a book as gloriously transporting as Amy Bloom's new novel. Alive with incident and unforgettable characters, it sparkles and illuminates as brilliantly as it entertains."
—Janet Maslin, New York Times
"The pleasures of Away are the ordinary pleasures of extraordinary novels: finely wrought prose, vivid characters, delectable details."
—The Los Angeles Times
"Any new book by Amy Bloom is a cause for celebration."
—The Times (London)
"Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."
"...reads like dry wood bursting into flame: desperate and impassioned, erotic and moving—absolutely hypnotic. [W]hat begins as a paean to the immigrant spirit in a city of millions is ultimately a gasp of wonder at the persistence of love, even in the remotest spot on earth."
—The Washington Post
“Bloom is a first-rate story-teller . . .” [starred review]