Table of Contents
Introduction
Paul Poplawski . . . . . . . . . . . . . . 1
Small Presses and Little Magazines: A Print Culture Perspective on Modernism
Lynda Prescott . . . . . . . . . . . . . . 13
The Charisma of ‘The Second Coming’
Ronan McDonald . . . . . . . . . . . . . 29
Tristan Tzara, Cabaret Voltaire and Dada: A Theatrical Avant-Garde, 1916–1924
Sue Wilson . . . . . . . . . . . . . . . 44
‘Black obsidian Diana’: Moore, Pound, and the Curation of Race
Fiona Green. . . . . . . . . . . . . . . 61
‘[P]art of the nature of things’: Towards an Archipelagic and Maritime History of Literary Modernism
John Brannigan . . . . . . . . . . . . . . 81
Eisenstein: Revolutionary and International Modernist
Nigel Morris . . . . . . . . . . . . . . 95
Murders in the Cathedral and the Maze: The Case-Books of T. S. Eliot,
J. J. Connington and Others in the Golden Age of Detective Fiction
Alex Davis . . . . . . . . . . . . . . . 116
‘e swing’s the thing’: Literary Legacies of 1920s Jazz
Bethan Jones . . . . . . . . . . . . . . 132
Welsh Modernism and the Arts of Camouflage: Dorothy Edwards and Rhys Davies in the 1920s
Katie Gramich . . . . . . . . . . . . . . 150
The Refusal to work and the Representation of Political Subjectivity in the 1920s and 2020s
Morag Shiach . . . . . . . . . . . . . . 166
‘In Process of Fabrication’: Queer Time and Trans* Selves in Orlando and Transparent
Loretta Stec . . . . . . . . . . . . . . 181