When Prosper homegirl turned big-city businesswoman Priss Porter returns to town with a body in her trunk, she calls Stella Hardesty to dispose of it. Her uppity ways don't convince Stella to take the job, and Priss attempts to blackmail her with a snapshot of Stella doing what she does best: curing woman-beaters by the use of force.
Stella refuses to cooperate and goes home, only to hear later that Priss and her brother, Liman, have gone missing after calling in a disturbance. Stella is implicated when Sheriff "Goat" Jones discovers the scarf she left behind at the house. He warns her to stay local but Stella and her partner, Chrissy Shaw, go looking for Priss in Kansas City, where they discover that she runs an unusual business. When Priss herselfalong with two other bodiesturns up in a pond belonging to one of Stella's ex-clients, Stella must investigate a host of suspects, including a crooked but libidinous female judge, a coterie of jealous male escorts, and a Marxist ex-professor.
A Bad Day for Scandal is the third in Sophie Littlefield's award-winning, critically acclaimed series. Written with passion, humor, and guts, this is a mystery to be savored.
About the Author
Sophie Littlefield grew up in rural Missouri. Her first novel, A Bad Day for Sorry, won an Anthony Award for Best First Novel and an RT Book Award for Best First Mystery. It was also shortlisted for Edgar, Barry, Crimespree, and Macavity Awards. The second in the series, A Bad Day for Pretty, was named a New York Times Notable Book. Sophie lives near San Francisco, California.
Read an Excerpt
“I believe I’d like to stick my face right smack in the middle of your pie,” Sheriff Goat Jones said in his whiskey-over-gravel voice, causing Stella Hardesty to nearly drop the pan she was holding.
Instead, she glanced quickly around the kitchen to make sure they were alone and took a nervous step backwards, tripping over her mutt, Roxy, who was prowling for crumbs that might have fallen from the dinner dishes.
“Easy there,” Goat cautioned, his voice going even smokier. Without asking, he took the grasshopper mint pie—which Stella had carefully removed from its bakery box and planted in her mama’s old pie tin, to make sure that when the moment came to present her would-be boyfriend with his Saint Patrick’s Day dessert, he would be suitably impressed—and set it aside as though it were a plate of stale saltines. “You’re as skittish as a filly wantin’ broke.”
“Oh, my.” Stella managed to breathe shakily before Goat backed her into the corner of the countertop and settled his big hands on her hips. He let them slide slowly down to cup her ass, which she had jammed into a Spanx Hide & Sleek Hi-Rise Panty before slipping on the slinky purple faux-wrap dress that her daughter, Noelle, had given her as a surviving-being-held-at-gunpoint-together gift the prior fall. Stella was fairly sure she would enjoy the sensation of Goat’s strong fingers kneading her flesh if it hadn’t gone numb in its fierce polyester–Lycra prison hours ago.
She tilted up her face and let her eyes flutter closed and waited for what sure looked like it was about to be the third time the sheriff kissed her. She might be a bit long in the tooth to be called a filly—in fact, she would probably be on the glue factory side of midlife, in terms of horse metaphors—but if this law enforcement bad boy wanted to break her, well, sign her right up for being broke.
His hot, soft, gorgeous mouth had just brushed against hers when there was a clomping of heavy, clumsy feet and Todd Groffe’s disgusted adolescent voice cleaved through the beautiful moment like a split melon.
“Hey, get a room! There’s kids here!”
Stella wriggled out of Goat’s grasp, yanking at her skirt to make sure it hadn’t somehow followed her thoughts and slipped scandalously up her thighs.
“Todd,” she said as sternly as she could manage, “the sheriff was just helping me with—”
“I don’t guess you need to tell me what-all kind a help you was gettin’,” Todd snapped, hands fisted on his skinny hips. “Only you might just want to keep things PG in here for Melly and Glory.”
On cue, two little blond-pigtailed girls dashed into the room carrying a woven bread basket between them. Dinner rolls bounced and flew from the basket, causing Roxy to abandon her search for scraps under the kitchen table and lope across the room, ears flying. Her powerful tail whipped in delight, and as she skidded to a graceless stop, snout colliding midair with an escaped roll, she managed to take out both little girls at once. They went down in a heap of matching pink jumpers and blond curls and patent-leather Mary Janes, and sent up an impressive wailing duet.
“Now you done it,” Todd muttered as he stepped away from the fracas. “I just wash my hands of y’all. You’re gonna have to deal with Mom.”
Stella glanced at Goat and saw that his cornflower blue eyes glinted pure mischief. He managed to give her ass a surreptitious little squeeze just as the mother of the three children came dashing into view, which Stella figured was just as well, since her odds for getting any more action seemed slim. Her best bet now was probably to settle everyone’s nerves with dessert.
* * *
Goat helped serve while Sherilee Groffe got the kids sorted and soothed, and before too long, everyone had an enormous slice of pie in front of them. Saturdays usually meant a visit from Stella’s daughter, Noelle, who lived half an hour away in Coffey and often brought her brimming baskets of laundry and stayed for dinner. Saint Pat’s Day was merely an excuse to turn laundry-and-pizza night into a party, and Stella had fixed her mother’s corned beef and cut out paper shamrocks for the little girls to color. As for Goat, a recent easing of a tense situation in the sheriff’s department had given him his first free day in months, an opportunity Stella was not about to let slip by.
“I think me and Joy have something to say,” Noelle said as Stella slid into her seat. Twin pink spots stood out on Noelle’s smooth porcelain cheeks, and Stella smiled. She hadn’t seen the girl so happy in years, and since they’d only recently ironed out a few rough spots in their relationship, she had learned to cherish every moment they were together.
Tonight, Noelle had styled her short fuchsia hair, which she usually gelled into spikes, into a sort of 1940s starlet upswept do. Thick black eyeliner heightened the effect of a screen siren, as did the vintage empire-waisted dress that nearly concealed the trumpet vine tattoos that wound across her shoulders and collarbones. Stella sighed with happiness—her baby girl was looking as fresh and lovely as a ripe peach.
“I ain’t got nothin’ to say,” the young woman seated next to Noelle said, blushing. Joy was a new friend—at least, new to Stella. Unlike many of Noelle’s friends from the salon where she worked, Joy appeared to have given about as much thought to personal grooming as Todd, and in fact, her plaid flannel shirt and baggy jeans looked like she might have borrowed them from the boy. “And I don’t think—”
“We’re gay,” Noelle blurted, beaming.
Joy colored even further. “Ain’t it a little early to be lettin’ that cat out of the bag?” she stage-whispered. “I mean, since you and I ain’t hardly—”
“Excuse me?” Stella asked, unsure she had heard right. As far as she knew, her daughter had always preferred men—just not nice ones. Noelle had an unfortunate track record of dating the sort of sorry woman-hurting scum that Stella routinely dealt with professionally, but after dumping the last in a line of such losers last fall, Noelle had seen the light and made a vow to be single for the rest of her natural life.
Noelle’s grin slipped a little. “What I mean is, we’re about to be gay. Mama don’t need to know the details,” she added for Joy’s benefit.
“Mrs. Hardesty, I’m real sorry, I sure don’t want to make you feel uncomfortable.” Joy didn’t quite meet Stella’s eyes. “I know it must be kind of a surprise. I told Noelle this is the kind of thing most folks like to hear in a private-type setting. I mean, my folks are still kind of getting used to the idea, and I told them I liked girls back in the third grade.”
“Oh, dear,” Sherilee said. “Todd, take the girls and watch some TV in Stella’s bedroom.”
“I know what gay is,” Todd retorted.
“What’s gay?” one of the twins piped up, taking a giant bite of pie, half of it tumbling onto her jumper.
“It’s where a couple a guys or a couple a girls—”
“Not that there’s anything wrong with it, of course,” Sherilee cut him off firmly.
Stella saw Todd wince in pain as his mother’s high-heeled shoe connected with his shin under the table. He sighed heavily and yanked his little sisters out of their chairs and dragged them, complaining loudly, down the hall.
“’Course, I’m bi,” Joy continued, taking a delicate sip of her coffee, which Stella had liberally spiked with Kahlúa. “I’m only, like, maybe a half or two-thirds or possibly three-quarters gay.”
Noelle shook her head in besotted amazement. “And ain’t that just a regular wonder, seein’ as you look gayer than anyone else I know.”
“That don’t really have all that much to do with it,” Joy said. “The face a person shows the world—why, it’s like a little window onto the soul. But maybe with curtains or miniblinds or something like that on it. That’s what I’ve learned about myself, anyhow.”
“Whipped cream?” Stella asked faintly. She was having trouble keeping up with the conversation, and she wasn’t sure she was up for further revelations at the moment, especially after having her make-out session with Goat cut short.
“I do have a strong feeling you’re my type,” Noelle said, ignoring Stella and gazing at Joy like she was a cupcake in a bakery window. “I think it’s safe to say I’m going to be the pretty one, and you’re the, you know.… Is it okay to say butch? I mean, I’m new at this—is that like an insult or something?”
“How long have you two known each other?” Goat asked politely. He didn’t look the least bit ruffled by the strange turn the conversation had taken.
“A little while,” Noelle said at the very same moment Joy murmured “Not long.” They looked at each other and giggled.
“Well!” Stella said brightly, trying to figure out some new direction to take the conversation. The effort was cut short by the ringing of her cell phone from where Stella had left it on the kitchen counter—Todd had set her up with some new screaming metal band’s latest abomination as her ringtone. “Excuse me.”
The phone was always on, charged, and at hand, because Stella’s side business, though secret, was never closed. Her clients were as likely to need her on weekends and in the dead of night as not. More likely, as a general rule.
“Stella here,” she answered, putting the phone to her ear and jogging down the hall to the bathroom, the only place she could be guaranteed a little privacy. As she pushed the door shut and locked it, a voice she hadn’t heard in years came on the other end.
“This is Priscilla Porter,” the caller said, managing to convey in those few syllables the sort of frosty condescension that implied she was doing Stella a favor merely by talking to her. “It seems I’ll be requiring your services.”
Copyright © 2011 by Sophie Littlefield
Most Helpful Customer Reviews
Another fun book from Sophie. The "only" thing I have to say is I sure hope she's not taking a page from Janet Evanovich and eeking out this relationship with Goat until we're all frustrated. Let's get it on!
A good day for readingA Bad Day for Scandal is Sophie Littlefield¿s third mystery featuring Prosper, Missouri¿s answer to¿ I want to say Clint Eastwood, but that¿s not right. Stella Hardesty is one tough lady. Don¿t let the sewing machine shop fool you; it¿s a cover. Her real calling is meting out justice and vengeance, often in equal parts. Ever since she emancipated herself¿permanently¿from her abusive husband, she¿s been helping out other ladies in the same boat.Therefore, it really isn¿t that unusual when Stella¿s phone rings in the middle of a social gathering. Like so many professionals, she¿s on call 24/7. Priss Porter¿s timing couldn¿t be much worse, though. Stella was entertaining, among others, the one man she should be keeping her distance from, Sheriff ¿Goat¿ Jones, and for once, things seem to be moving forward between the two of them. But Priss is over at her brother¿s, in town from Kansas City, insisting that she needs to see Stella immediately.It has been said that friends will help you move, and that really good friends will help you move bodies. Well, rest assured, Stella and Priss aren¿t THAT close. Stella wants nothing to do with the little problem decomposing in Priss¿s trunk. When Stella proves to be unbuyable, Priss moves on to blackmail to elicit her help. That doesn¿t work either. Unfortunately, before Stella can get a feel for how to handle Priss, both she and her brother turn up missing. The Sheriff is looking at Stella askance. And Stella and her associates again find themselves following a convoluted path in search of answers.What I described above are the opening scenes of an enjoyable enough mystery, but unusually for the genre, it¿s not the plots that make this series. The mysteries are well-plotted, fast-paced, and complex enough that I¿ve never come near to figuring out who done it on my own. Perhaps more impressively, Ms. Littlefield hasn¿t fallen back on the same structure or type of story, though the series¿ premise suggests she would or could. Nonetheless, each outing finds Stella in a different kettle of fish. Still, for me, these stories are all about character. I¿ve always been able to hear Stella¿s distinctive voice in my head, but it was delightful to finally hear it in audiobook form, read by the talented Barbara Rosenblat. Ms. Littlefield strikes a perfect balance between the light elements and the dark ones in her novels, and Ms. Rosenblat gets this balance just right, too. There¿s no denying that these books are exceedingly funny, but there¿s nothing cute about them. Ms. Rosenblat mines all the humor while still bringing every character realistically to life. It¿s worth noting that she does an unusually good job with the male characters. And while Stella is at the center of this universe, over the course of three novels, her world has been fully peopled with individuals that jump off the page. There¿s her sidekick, Chrissy; Todd, the teenager across the street; and the Green Hat Ladies¿to name but a few. I guess you could jump into this series with any of the books, but when reading such delicious characters, personally, I think you¿d get more pleasure starting at the beginning and watching the relationship and character arcs develop. Both Littlefield and Hardesty seem to be improving with each tale. So far, I¿m three for three with Sophie and Stella. I¿ve read them on paper, on my Kindle, and now on audio. As far as I can tell, there¿s no wrong way to enjoy these novels.
Loved the series. I am waiting for the next book, A BAD DAY FOR MERCY on 6/19/12.
Kansas City based businesswoman Priss Porter returns home to Prosper, Missouri, aware of Stella Hardesty's reputation for dealing with spousal abuser; Priss demands Stella dispose of a murdered corpse lying inside her car trunk. Stella refuses. Without blinking, Priss shows Stella incriminating photos that could end her new fragile relationship with Sheriff Goat Jones and worse spend time in prison. When Priss, her brother Liman, the dead guy and the flash drive containing the photos disappear; Stella knows she will soon be the prime suspect. Stella and her assistant Chrissy Shaw try to retrieve the damaging pictures, but run into a judicial problem and a Kansas City male escort service that may need their infiltration. The eccentric cast makes for a wonderful amateur sleuth tale as Stella knows that any day is A Bad Day for Scandal. The story line is fast-paced from the opening pie and rolls sequence to the final denouement. Readers will relish this super regional thriller and seek Stella's previous Bad day capers (see A Bad Day for Sorry and A Bad Day for Pretty) as she and her assistant try to clean up the mess that Priss the tornado brought to town. Harriet Klausner