"Fans of the previous titles or Arthurian legend in general will thoroughly enjoy Sir Dinadan, but it stands on its own as a lighthearted introduction to the period." School Library Journal, Starred
“Morris interweaves action with sophisticated, wry humor and deft characterization to bring to life yet another medieval tale.” VOYA (Voice of Youth Advocates)
“A witty tale of adventure and reflection, this is another rewarding entry in the series that began with the Squire’s Tale.” Booklist, ALA
“Morris creates in Dinadan one of his most appealing protagonists. Written in accessible prose and laced with occasional magic, the novel moves at a quick pace and showcases a continually maturing hero.” Horn Book
Young Dinadan has no wish to joust or quest or save damsels in distress or do any of the knightly things expected of him. He’d rather be a minstrel, playing his rebec and writing ballads. But he was born to be a knight, and knights, of course, have adventures.
So after his father forces his knighthood upon him, he wanders toward King Arthur’s court, in the company of a misguided young Welsh lad named Culloch. There Dinadan meets Sir Kai and Sir Bedivere, and the three find themselves accompanying Culloch on the worst sort of quest. Along the way, Dinadan writes his own ballads, singing of honor, bravery, loyalty, and courtly love—and becomes a player in the pathetic love story of Tristram and Iseult. He meets the Moorish knight Palomides, the clever but often exasperating Lady Brangienne, and an elvin musician named Sylvanus, along with an unusual collection of recreant knights and dimwitted defenders of chivalry. He learns that while minstrels sing of spectacular heroic deeds, honor is often found in simpler, quieter ways.