Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property.
Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.
About the Author
Ryan Thomas Skinner is assistant professor of ethnomusicology at the Ohio State University. He is the author and illustrator of a children’s book, Sidikiba’s Kora Lesson, and an accomplished kora player.
Table of Contents
Introduction: A Sense of Urban Africa1. Representing Bamako2. Artistiya3. Ethics and Aesthetics4. A Pious Poetics of Place5. Money Trouble6. Afropolitan PatriotismConclusion: An Africanist’s QueryAcknowledgmentsNotesBibliographyIndex