Before the rise of private homes as we now understand them, the realm of personal, private, and local relations in England was the parish, which was also the sphere of poverty management. Between the 1740s and the 1790s, legislators, political economists, reformers, and novelists transferred the parish system’s functions to another institution that promised self-sufficient prosperity: the laborer’s cottage. Expanding its scope beyond the parameters of literary history and previous studies of domesticity, Be It Ever So Humble posits that the modern middle-class home was conceived during the eighteenth century in England, and that its first inhabitants were the poor.
Over the course of the eighteenth century, many participants in discussions about poverty management came to believe that private family dwellings could turn England's indigent, unemployed, and discontent into a self-sufficient, productive, and patriotic labor force. Writers and thinkers involved in these debates produced copious descriptions of what a private home was and how it related to the collective national home. In this body of texts, Scott MacKenzie pursues the origins of the modern middle-class home through an extensive set of discoursesincluding philosophy, law, religion, economics, and aestheticsall of which brush up against and often spill over into literary representations.
Through close readings, the author substantiates his claim that the private home was first invented for the poor and that only later did the middle class appropriate it to themselves. Thus, the late eighteenth century proves to be a watershed moment in home's conceptual life, one that produced a remarkably rich and complex set of cultural ideas and images.
A 2014 CHOICE Outstanding Academic Title
|Publisher:||University of Virginia Press|
|Product dimensions:||6.20(w) x 9.20(h) x 1.00(d)|
|Age Range:||18 Years|
About the Author
Scott R. MacKenzie is Assistant Professor of English at the University of British Columbia.
Table of Contents
Introduction: There's No Case Like Home 1
1 "Stock the Parish with Beauties": Henry Fielding's Parochial Vision 40
2 An Englishwoman's Workhouse Is Her Castle: Poverty Management and the Radcliffean Gothic 83
3 Home and Away: Hegemony and Naturalization 125
4 There's No Home-Like Place: Out of Doors in Scotland 170
Conclusion: This Home Is Not a House 215
Works Cited 261