The Beach House: A Novel

The Beach House: A Novel

by Jane Green


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Product Details

ISBN-13: 9780452295384
Publisher: Penguin Publishing Group
Publication date: 05/26/2009
Edition description: Reprint
Pages: 352
Sales rank: 224,798
Product dimensions: 5.30(w) x 7.90(h) x 0.80(d)
Age Range: 18 Years

About the Author

A former journalist in the U.K. and a graduate of the International Culinary Center in New York, Jane Green is a New York Times bestselling author whose novels have been published in more than twenty-five languages. She has more than ten million books in print worldwide.


Westport, Connecticut

Date of Birth:

May 31, 1968

Place of Birth:

London, England


"Managed to drop out of Fine Art Degree at University."

Read an Excerpt

The bike crunches along the gravel path, weaving around the potholes that could present danger to someone who didn't know the road like the back of their hand.

The woman on the bike raises her head and looks at the ski, sniffs, smiles to herself. A foggy day in Nantucket, but she has lived here long enough to know this is merely a morning fog, and the bright early-June sunshine will burn it off by midday, leaving a beautiful afternoon.

Good. She is planning lunch on the deck today, is on her way into town via her neighbor's house, where she has spent the last hour or so cutting the large blue mophead hydrangeas and stuffing them into the basket on the front of the bike. She doesn't really know these neighbors — so strange to live in the same house you have lived in for forty-five years, a house in a town where once you knew everyone, until one day you wake up and realize you don't know people anymore — but she has guessed from the drawn blinds and absence of cars they are not yet here, and they will not miss a couple of dozen hydrangea heads.

The gate to their rear garden was open, and she had heard around town they had brought in some super-swanky garden designer. She had to look. And the pool had been open, the water was so blue, so inviting, it was practically begging her to strip off and jump in, which of course she did, her body still slim and strong, her legs tan and muscled from the daily hours on the bike.

She dried off naturally, walking naked around the garden, popping strawberries and peas into her mouth in the kitchen garden, admiring the roses that were just starting, and climbing back into her clothes with a contented sigh when she was quite dry.

These are the reasons Nan has come to have a reputation for being slightly eccentric. A reputation she is well aware of, and a reputation she welcomes, for it affords her freedom, allows her to do the things she really wants to do, the things other people don't dare, and because she is thought of as eccentric, exceptions are always made.

It is, she thinks wryly, one of the beautiful things about growing old, so necessary when there is so much else that is painful. At sixty-five she still feels thirty, and on occasion, twenty, but she has long ago left behind the insecurities she had at twenty and thirty, those niggling fears: that her beauty wasn't enough, not enough for the Powell family; that she had somehow managed to trick Everett Powell into marrying her; that once her looks started to fade, they would all realize she wasn't anyone, wasn't anything, and would then treat her as she had always expected when she first married into this illustrious family... as nothing.

Her looks had served her well. Continue to serve her well. She is tall, skinny and strong, her white hair is glossy and sleek, pulled back in a chignon, her cheekbones still high, her green eyes still twinkling with amusement under perfectly arched brows.

Nan's is a beauty that is rarely seen these days, a natural elegance and style that prevailed throughout the fifties, but as mostly disappeared today, although Nan doesn't see it, not anymore

Now when she looks in the mirror she sees the lines, her cheeks concave under her cheekbones, the skin so thin it sometimes seems that she can see her bones. She covers as many of the imperfections as she can with makeup, still feels that she cannot leave her house without full makeup, her trademark scarlet lipstick the first thing she puts on every morning, before her underwear even, before her bath.

But these days her makeup is sometimes patchy, her lipstick smudging over the lines in her lips, lines that they warned her about in the eighties, when her son tried to get her to stop smoking, holding up photographs in magazines of women with dead, leathery skin.

"I can't give up smoking," she would say, frowning. "I enjoy it too much, but I promise you, as soon as I stop enjoying it, I'll give it up."

The day is yet to come.

Thirty years younger and she would never have dared trespass, swim naked in an empty swimming pool without permission. Thirty years younger and she would have cared too much what people thought, wouldn't have cut flowers or carefully dug up a few strawberry plants that would certainly not be missed, to replant them in her own garden.

But thirty years younger and perhaps, if she had dared and had been caught, she would have got away with it. She would have apologized, would have invited the couple back for a drink, and the husband would have flirted with her, would have taken the pitcher of rum punch out of her hand and insisted on pouring it for her as she bent her head down to light her cigarette, looking up at him through those astonishing green eyes, flicking her blond hair ever so slightly and making him feel like the most important man in the room, hell, the only man in the room, the wife be damned.

Thirty years younger and the women might have ignored her, but not, as they do now, because they think she's the crazy woman in the big old house on the bluff, but because they were threatened, because they were terrified that she might actually have the power to take their men, ruin their lives. And they were right.

Not that she ever did.

Not back then.

Of course there have been a few affairs, but Nan was never out to steal a man from someone else, she just wanted some fun, and after Everett died, after years of being on her own, she came to realize that sometimes sex was, after all, just sex, and sometimes you just had to take it where you could find it.

What People are Saying About This

From the Publisher

"Green gives you a clear sense of Nantucket's weathered splendor and offers up a refreshing summertime read on a deck chair somewhere."
-Chicago Sun-Times

"A sweetly memorable summer story, capturing the relaxing, renewing quality of life at the shore. . ."
-New Orleans Times-Picayune

"Breezy...deeply appealing."
-Connecticut Post

"Green's best novel in years, a compelling, unputdownable read."

Reading Group Guide


Fearless and free-spirited, Nan is not your typical sixty-five-year-old woman. Living alone in Windermere, her grand but ramshackle home on Nantucket, Nan indulges her eccentricities and doesn't care what anyone thinks. Lately, however, Nan has been growing nostalgic for the days when her home was filled with family and fun. When she receives news that the savings she depends on have wasted away to nothing, Nan hits upon a solution that will solve both her problems. She decides, with a little pluck and a lot of determination, to bring in summer lodgers. Little does she know that as much as she needs these house guests, they need her, too. Soon, three arrivals are welcomed into Nan's open arms: Daff, a long-suffering single mother who feels the lingering effects of a painful divorce; Daniel, who is coming to terms with a long-buried secret about himself; and, finally, Michael, Nan's own son, returning home with a broken heart and a heavy conscience. With Windermere now bursting with life, Nan and her guests discover that just when you think one phase of your life is over, a new and exciting one can begin.

Author Jane Green is known for her charming heroines, and the willful, independent Nan is no exception. Green weaves Nan's story together with those of a cast of compelling characters, demonstrating her celebrated warmth and wit on every page. From Daniel's search for identity to Daff's journey to love again, Green has created a group of individuals who meet at a pivotal moment in each of their lives, and in Nan she has created a memorable and moving character to anchor the entire story. Nan has an intuitive ability to understand her guests' needs and desires, and her carefully planned efforts help make those desires a reality. Happily, by helping others, Nan's own desires are fulfilled, as she is surrounded by the laughter and love she so craves. Yet, surprises lurk around every corner of Green's fast-paced plot. As soon as the summer in Windermere seems perfect, an unexpected guest brings both joy and heartache—and binds the characters more closely than they ever imagined possible.

Honest and heartwarming, The Beach House is an intimate read but large enough in scope to contain all the pains and pleasures that are a part of real life: infidelity and family drama, romance and real estate schemes, and so much more. Each character is on a journey of self-discovery and a personal search for truth, and as Green teaches her characters to forgive, accept, and embrace themselves and others, she shows that life is filled with surprises as well as love from the most unexpected places.



Jane Green is the internationally bestselling author of The Other Woman, Swapping Lives, and Second Chance. Before achieving great success with her first novel, Straight Talking, Green worked as a journalist in the United Kingdom. A mother of four, she currently resides in Connecticut with her partner and children. This is her tenth novel.


Q. Where did you find your inspiration for this particular book? Is Nan based on anyone in your own life?

When I first moved into my tiny cottage by the beach the summer of my divorce, I found myself falling slowly in love with my landlord (we now live together, in a bigger house a couple of blocks away). Part of our courtship involved long walks by the beach at midnight, and there was a fabulously glamorous woman of a certain age whom we used to see riding her bike, cigarette in hand, at one or two in the morning. I was fascinated by her, and certainly held that image of her while I was creating Nan.

Q. Throughout your work, you've created a number of memorable heroines. Is it possible to read Nan as an older version of any of the younger heroines you've written about in earlier books? Are there any different considerations necessary when writing about an older character?

I think my characters all share similar sensibilities, and perhaps the only real difference with Nan is that age has given her a wisdom and an acceptance that some of the younger characters might not have. I don't ever stop to analyze whether something makes sense—when I'm writing characters, and particularly someone as vivid as Nan, they become their own people, and I allow them, as pretentious as it may sound, to dictate their own behavior.

Q. The women in The Beach House could be seen as existing on the same plane of female experience but at different points in their lives: daughters, mistresses, wives, single parents, widows. What connections, if any, did you intend the reader to draw between these characters?

I'm not sure I intend my readers to draw connections between the characters, but more to draw connections between each of the characters and their own lives. While we may not have been mistresses, widows, single parents, etc., my hope is always that their truths resonate with us—that we are able to understand their plight because it could so easily be ours.

Q. At Windermere, the characters are able to be true to themselves in ways that their former lives didn't permit, for in order to be good spouses, parents, or employees, it is often necessary to suppress or sacrifice aspects of one's identity. Has this ever been true in your own life?

Ah yes. I was married at thirty, and very much shoehorned myself into who I thought I was expected to be. Like many women, I am something of a chameleon, but as I have grown older I have come to realize that it is necessary to be all things at all times, and that when we try to suppress a part of ourselves for any length of time, it can only lead to unhappiness. I played a part during my marriage, revealing only the side of my character that fitted in with the role I was expected to play, and it is only now, post-divorce, with a new love, that I am able to be fully myself.

Q. The issue of infidelity appears repeatedly in the novel, and from a number of different perspectives. Why did you decide to use that as a recurring theme? As an author, how did you manage to stay sympathetic to both the victims and guilty parties involved in the affairs?

I have always been fascinated by the notion of infidelity, by what makes people commit this ultimate betrayal, by how so many seem to be able to compartmentalize their lives. On the one hand, they have families, children, people they love, and on the other, they are able to sleep with other people, believing it to be just physical, or somehow quite separate from their family life. I have been around infidelity, and I suspect keep writing about it in a quest for some understanding.

Q. You are known for presenting romance in a realistic light, flaws and all. Why is that important to you? Is it difficult to present realistic romantic relationships while maintaining optimism and enthusiasm? How do you believe the storybook images of romance presented in books and films today affect women's expectations of love?

My answer today is very different from my answer of ten years ago. Ten years ago I didn't believe in storybook romance, confused lust and passion with love, had no real understanding of what it meant, and consequently settled for less than I deserved. Ten years on, I now know what love is—that it is, as I wrote in my first novel, Straight Talking, passion, admiration, and respect. But that it is also kindness, consideration, and peace. I absolutely believe that romance is alive and thriving and that it is absolutely possible to have the great relationships we see in movies, but that they may not come in the form we expect.

Q. You created a large cast of characters in The Beach House—which character is your favorite?

I think I probably adore Nan most of all—her love of life and acceptance of life on life's terms, but Daniel is also close to my heart. He was perhaps the most frightening to write—his story, after all, is clearly not mine—but I love his journey and seeing him find himself.

Q. The Beach House moves through a number of characters' plot lines and yet the narrative is always clear and the stories blend seamlessly. What are some of the difficulties specific to managing multiple narratives? How do you keep all the characters' stories clear during the writing process?

Whoever your inspiration, whatever you have drawn upon to create their characters, when you get it right they very quickly become their own people, with distinctive voices, quirks, and actions. I so often feel like I am watching a movie in my head, simply putting down on the page what I see my characters do, with no conscious direction from me.

Q. As a writer, what is it about the female experience you find so intriguing and rich in material? Would you ever consider writing a novel entirely from a male perspective?

I am intrigued by our chameleon-like qualities, by our people-pleasing, by our intuition and strength. I haven't yet wanted to write a novel from a male point of view, but who knows what will happen.

Q. What experience or emotions do you hope your readers take away from The Beach House? Do you have a particular message or lesson at the core of your novels?

When I look back over the novels I wrote during my marriage, I realize how many of my female protagonists were married and unhappy, or lonely, or searching. From Sam in Babyville to Amber in Swapping Lives, I think those women were reflective of where I was, but couldn't face. I have written for a long time about women on a journey to find happiness. But I realized only recently that happiness comes in the form of peace, and now, at the core of my novels, I would say is the quest for peace, for home.

Q. Your novels are very popular both in the U.S. and in the U.K., you have very loyal fans, and you maintain an active Web site. What are some of the most surprising, touching, or memorable responses you've had to your work so far?

My readers continue to astound me with extraordinary and heartfelt letters. Writing is such a solitary life, and every one of those letters touches me and inspires me to carry on.


  • Nan finds a certain freedom in her old age that most women don't even have in their youth. In what ways can old age be liberating for a woman? Do you know anyone like Nan? Do you hope to be like Nan?
  • For Nan, family extends beyond blood relations, from Sarah to the summer guests. Who in your own life do you recognize as family even if you're not related? How and why do these relationships develop? Which relationships are stronger—those we have by birth or those we make during the course of our lives?
  • Choose the two characters you found the most compelling and map out their respective journeys through the course of the novel. What were the turning points in their stories? Why did you find these characters the most affecting?
  • Daff is conflicted by her love for her daughter and her enjoyment in their spending time apart from each other, and the same feeling, although not as delicately articulated, is clearly true for Jess as well. What is your opinion of Daff as a mother? Have you ever wanted to get away from your own family?
  • Identify each character's major flaw as well as his or her most redeeming quality. What examples from the book best illustrate these traits?
  • Discuss the struggle each character experiences with fidelity; remember that fidelity is not only a romantic concern. What does it mean to be faithful? What are the differences (and, sometimes, conflicts) between being faithful to one's self and to another person?
  • Both Daff and Daniel are returning to the singles scene after being married for many years, although they do so for different reasons. Contrast Daniel's and Daff's first attempts at romance. Does either of their experiences connect with your own?
  • Location can have great emotional significance, bringing us back to a memory or helping us become someone new. What does Windermere represent for each of the characters? Is there a place in the world that is meaningful for you in the same way?
  • Imagine you are writing another chapter of The Beach House that takes place five years after the novel ends. What would you include? What more would you like to know about these characters?
  • If you could ask Jane Green one question, what would it be?
  • Customer Reviews

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    Beach House 3.9 out of 5 based on 0 ratings. 159 reviews.
    leenie1965 More than 1 year ago
    This book was a lovely read. Perhaps it fits with the time of year? Perhaps it fit with my mood? Who knows? I can only say that I loved this book and have already leant it out to someone to read. The characters are searching without looking, seeking without realizing... and perhaps that theme speaks to me. From the main character, Nan, who has spent a lifetime in a home preserving memories of a life that turns out to be not what she expected... To a little lost 13 year old girl whose life is turned upside down by her parents divorce... All the characters touched my heart. I hope you will read and enjoy as much as I did.
    PBWriter36 More than 1 year ago
    I read this book in about a week, I was intrigued by the main character who resembled my mother-in-law and the concept of having to rent out rooms in one's house (what a great idea for a lonely widow). The story line was a bit outlandish at points with everything/everyone coming together-seemed a little orchestrated. I would say this is an easy read with an unusual story line that pays off in the end. The Characters are enjoyable but could've been more detailed if this book wasn't soo short and a quick read...I'm sure it wasn't meant to be an epic novel; however, it would become a nice movie. I enjoyed the reader's style of writing for this type of book.
    Lannie More than 1 year ago
    Nan Powell is a bit of an eccentric 65 year old widow, who has lived alone for twenty years in her huge home in Nantucket. Rather than selling her home because of mounting debts, she decides to rent out some of the rooms for the summer. The book is about the people who come to live with her, each with his or her own baggage and secrets. In sorting out and trying to manage her new situation, Nan is reborn and discovers a part of herself that she thought she'd lost years ago. Then something unexpected happens, and she has to reinvent herself yet again. Fun read!
    bookwormmamaNE More than 1 year ago
    This is one of those stories that must be read in the summer (on the beach if you can swing it). It fits the season, its not too in depth, characters are intersting. The setting is by far the best part of the book, the island and the house draw you in. I liked the main character the best. Lots of different storylines going on at the beginning, but you can see how they all tie in at the end. No one is left hanging, the author does a good job of finishing each characters situation. Some surprises at the end, the romance connections between the characters are a little predictable, but overall its a good summer read!
    Anonymous More than 1 year ago
    The beginning was a slow start, but once you get into its a great novel. The characters are heart-warming, and the twists in the plot gives the story an added depth. Overall this novel is a great story.
    Anonymous More than 1 year ago
    Very enjoyable reading. For me, slow to start, but picked up once characters were established. Plot line was interesting although somewhat fanciful. Enjoyed the characters, especially Nan and Del (who I could relate to). Overall a most enjoyable read and would recommend for bookclubs.
    Guest More than 1 year ago
    Jane Green¿s newest novel, The Beach House, is an exquisite blend of the harsh realities of life coupled with the rewards of finding yourself. Full of complex characters, each facing everyday situations like divorce, separation, parenting and discovering whom they really are. Jane Green tells the story of each persons struggle and eventual trip to Windermere, a huge costal home in Nantucket that breathes new life and friendship to an unlikely cast of characters. The owner of the property is Nan, the community eccentric, who has a real grasp on reality and clearly defines the emotions of those she comes across. Facing the truth of her own money troubles, Nan decides to rent out some of the rooms of her home to guest for the summer in order to keep the home she cherishes. She finds new tenants in Daniel, Daff, and her own son Michael who are going through their own personal struggles. She offers them not only the comfort of a home, but the wisdom that comes wish age and the inspiration of hope that they each lack in their own lives. The build up and foundation of The Beach House is sporadic and lengthy, but later on the in-depth character definitions only add to the complex and twisting plot. Filled with an array of emotions that mimics the real world every person will be touched and inspired with hope by the end. Jane Green is truly at the top of her game and continues to push out amazing novels like The Beach House. Valerie Jones
    Jewelcaz More than 1 year ago
    I love Jane Green's books. I was glad I paid full price to read this book. I usually only trade but was tired of waiting for a trade. This story pulled me in and wrapped me up in the character lives. I thought I knew what would happen or guess the ending like most books but the ending was plesantly surprising and I loved it. Easy read and I highly recommend this book.
    Lindsie More than 1 year ago
    I loved this book. It is my favorite book by Jane Green for sure. Shes an amazing writer and all of her books touch people in many different ways. The characters were fabulous, their problems were real and you felt like you really got to know them. People question their lives all the time, some change the things they cannot face anymore while others go on just pretending. Daniel did the right thing, as well as michael and Nan. Great book. I recommend it to all fans of chick lit!
    Anonymous More than 1 year ago
    I loved this book, the beginning was a little slow..however, I didn't want to put it down . .it just kept getting better and better...
    happyreaderKK More than 1 year ago
    I ma not a Jane Green fan but this book was a really good beach read. The characters are so different and all of their problems surface as they live in this bed and breakfast. Nan grows on you too. Worth the effort.
    harstan More than 1 year ago
    Sixty-five years old eccentric widow Nan owns THE BEACH HOUSE on Nantucket Island. Although she knows her neighbors would disapprove, needing money and not caring what anyone else thinks as she is a sexagenarian who buried her husband, the feisty Nan decides to rent rooms during the summer.------------- Her summer renters come to the island to think and escape. Separated from her husband Richard following his affair, Daff must decide what she wants beyond her two roles of mother to teen Jess and wife or perhaps ex wife. Therapist Dr. Posner helps, some might say hinders, Bee and Daniel to face the inconvenient truth that is destroying their relationship. As he faces middle age, Michael wonders if he will ever find the right woman for him as every female he meets turns out wrong.------------ THE BEACH HOUSE is a well written character study in which each of the visitors and Nan has issues to confront over the summer. Each of the cast members is fully developed and seems like a real person as they struggle with their respective issues. Although the resolution is too simplistic in such a short time, fans will enjoy the most wonderful summer.------------ Harriet Klausner
    bachaney on LibraryThing 11 months ago
    Jane Green's latest, "The Beach House" is what I would call a fluffy summer read. The book is set at the titular beach house on Nantucket, owned by Nan Powell, a widow who is known as an eccentric about town. When Nan discovers she has financial problems, she decides to open her house to renters. A cast of characters both on and off Nantucket is introduced at the beginning of the novel foreshadowing this decision, and although some of the characters are likable, they are all pretty flat, even though they are all dealing with major life challenges. Despite the lack of real character development you can identify with the problems these people are having and you are happy when they all make it to Nan's house on Nantucket, where their lives all end with the inevitable happy and predictably neat endings. This is a good summer beach read. It's not too deep, doesn't really require much though, and reads fairly quickly. Pick it up if you want to read something light under an umbrella at the beach this summer--but skip it if you're looking for something a bit less sugar coated and simple.
    harperhaven on LibraryThing 11 months ago
    This was definitely a quick summer read. Nothing extraordinary but it still kept my interest. The plots were pretty predictable and the characters not overly developed. She did capture the flavor of Nantucket life and the difference between New England wealth and the wealth in places like the Hamptons.
    InsatiableB on LibraryThing 11 months ago
    Goodness, I seem to be giving out a lot of three-star ratings lately. Maybe I'm just dissatisfied...Anyway, The Beach House is set on Nantucket. Which I loved. It was full of interesting characters and lovely parties and ancient bicycles. Which I also loved. It was set in a decaying old beach house that was grand and enviable at one time. Loved that too.Here's an Amazon overview:Known in Nantucket as the crazy woman who lives in the rambling house atop the bluff, Nan doesn¿t care what people think. At sixty-five-years old, her husband died twenty years ago, her beauty has faded, and her family has flown. If her neighbors are away, why shouldn¿t she skinny dip in their swimming pools and help herself to their flowers? But when she discovers the money she thought would last forever is dwindling and she could lose her beloved house, Nan knows she has to make drastic changes.So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach. Slowly, people start moving into the house, filling it with noise, with laughter, and with tears. As the house comes alive again, Nan finds her family expanding. Her son comes home for the summer, and then an unexpected visitor turns all their lives upside-down. I really loved the character of Nan. I wish that she had been featured more in the story. She really was just sort of an anchor to the whole thing. The part of the story that took it down a notch was the emphasis on divorce and unhappiness and affairs and brokenness and on and on and on. I am aware that a story has to have some sort of conflict to make it work but, Lordy!This was a nice summer read. Not fantastic; not terrible. But I can say, it left me yearning for a beach home on the east coast.
    Jaie22 on LibraryThing 11 months ago
    Compulsively readable, like all of Green's novels. Not her best, but that hardly matters.
    stephaniechase on LibraryThing 11 months ago
    Light, pleasant read, and better than some of Green's recent novels. Problems perfectly wrapped up = nice read for an afternoon, whether at the beach or on a dreary day.
    blufordgill2 on LibraryThing 11 months ago
    Beach bag read with a quirky older lady and her beloved home.I liked the way the characters stories wove together. Minor characters had more substance than in most books of this genre.
    ajewell on LibraryThing 11 months ago
    I absolutely love Jane Green, and this is by far her best title to date. I love the whole premise of the story. Nan, in financial dire straights, rents out her house on Nantucket to complete strangers, much like a Bed and Breakfast. The people that she meets and the lessons that all of these people learn is beyond what they ever expected. Such a wonderful story of life, love, happiness, sadness, and every emotion inbetween in an old beach house on Nantucket. Jane Green knows people so well and writes characters you identify with immediately.
    shelleyraec on LibraryThing 11 months ago
    Some books just make you sigh happily and I am a sucker for a happy ending. Nan is a feisty sixty five who skinny dips in the neighbours pool and rides her bicycle back and forth into town. She pulls you into this sweet story before we are introduced to Nan's commitmentphobe son, Michael and a cast of unhappy individuals who take a room in Nan's beautiful Nantucket house for the summer.The Beach House is a light, quick read despite superficially tackling some difficult subjects like adultery, sexual identity and gambling. The story has a satisfying predictability with just enough conflict to maintain interest. Each of the characters Green introduces has their own story, and all of them are presented sympathetically. It's may well be a bit melodramatic but nevertheless its a great escape read with a happily ever after.Just a note: I took a look at the reviews and noticed many commented on the voice not being authentically American (Green is British). I din't pick up on it at all because being Australian our language is so heavily influenced by both English and American media that the mix of language doesn't seem out of place at all. Just thought that ws interesting.
    kysmom02 on LibraryThing 11 months ago
    What a wonderful story! The house on Nantucket is near and dear to folks who live in Nantucket, and the people that grew up in it. Nan, the houses owner lives there alone after losing her husband to suicide many years prior. The house is big and sometimes lonely, so Nan decides to begin renting out rooms, a bed and breakfast idea, for the summer. The tenants become her best friends and also a project. Nan begins to play matchmaker, as well as activity planner.Totally a 'chick' book! I found myself smiling and laughing throughout the book, and it had an ending that just makes the reader "feel good." I'll admit that I had a hard time when I first began with this one. It seemed to drag a little at the beginning while introducing the many characters of the plot. I also found that I'd be reading along and suddenly notice that the writer had switched characters and places on me with not much warning. I'd have to go back and reread a few paragraphs to get back on the same page. But, as I got accustomed to the writing, and began to know the characters, the pages just flew by because I couldn't stand not being a part of these peoples lives.
    Izanne on LibraryThing 11 months ago
    Just really superficial...
    bearette24 on LibraryThing 11 months ago
    This was the first Jane Green book I've loved in a while. Swapping Lives and Second Chances didn't make much of an impression. The Beach House, on the other hand, has the warmth and coziness that marked my earlier favorites -- Babyville, Jemima J, Bookends, etc.The Beach House has an extensive cast of characters who all come together when Nan, an elderly eccentric, opens up her aging Nantucket home as a bed-and-breakfast in an effort to scrape up some money. Green does interlocking stories like no one else, and the way the characters come together truly warms the heart.
    AuthorMarion on LibraryThing 11 months ago
    When I hear the phrase "easy read" or "beach read" I usually hesitate to pick up the book so described. But the premise of an eccentric, free-spirit older woman who turns her home on Nantucket into a bed and breakfast called to me. I should have let that call go unanswered. I agree with another reviewer that each of the sub-plots had plenty of potential and I wanted to learn more about how Dee dealt with the death of her marriage and her father's death happening in such a close time frame. I'm positive that there is a story of its own there waiting to be told. However, this author chose to give us a "beach read" in the truest sense of the phrase. There's no need to put on your thinking cap for this one - just go with the flow and you won't be disappointed. But if you'd like to explore each of the story lines in depth then pass this one by. You won't get so lost in the story that you'll forget about lunch. Nice setting, variety of characters, and clean writing garner a strong 2.5 stars from this reviewer.
    lahochstetler on LibraryThing 11 months ago
    Reading Jane Green is like putting on a comfortable old shoe. The reader knows exactly what she's going to get, but it's reassuring and pleasant. The reader understands the formula, but there's still something enjoyable about the reading. This book certainly fits the Green pattern, and those who have enjoyed her other books will likely want to read this one. This volume centers on an old house on Nantucket, Windermere, and its aging owner, Nan. Faced with money and upkeep problems Nan decides to rent out rooms in the old house. Among the takers are a sad and confused bunch, mourning divorces, coming to terms with their sexuality, dealing with recalcitrant children, and burgeoning romances. By the end there are a few surprises, and the ending is certainly what one expects of Jane Green. It's necessary to suspend some disbelief when reading this book. There's probably no chance that opening up one's home to strangers would ever work out as well as this experiment did. Still, this is a comforting read, good when one needs a break from more harrowing literature.