In the long tradition of biography-in-poetry collections, Annie Boutelle’s first collection probes the layered life of one of nineteenth-century America’s most popular poets, who is now almost forgotten. The Celia Thaxter who speaks these poems disturbs the placid myth created around her public persona, and focuses on the fierce mysteries and ironies that frame her. Boutelle carefully reveals Thaxter’s childhood on the stark Isles of Shoals off the New Hampshire coast; the trap of a Victorian marriage; the struggle to invent herself as writer and painter; her celebrated circle of friends, including Nathaniel Hawthorne and Childe Hassam; and the hard-won serenity of her last decade. Clear, airy, crystalline, these poems move us into an elemental world where “nothing is left but water, / air, and the uncertain space between.” With restraint and lyric tenderness, Boutelle leads us toward a woman who shifts from pose to necessary pose, who survives in these pages with intelligence and grace: “The grave / flesh melts. What’s left / is light as bone.”
|Publisher:||University of Arkansas Press|
|Product dimensions:||5.50(w) x 8.50(h) x 0.30(d)|
About the Author
Annie Boutelle is a senior lecturer at Smith College, where she founded the Poetry Center. She was a finalist for the 1999 Walt Whitman Award from the Academy of American Poets, the 2000 Kathryn Morton Award, and the 2002 Philip Levine Prize. Her poems have appeared in a number of journals and magazines. She is the author of a forthcoming poetry collection, Nest of Thistles, and lives in Florence, Massachusetts.
Table of Contents"Like whaler's scrimshaw, images incised on shell and bone, Annie Boutelle's lines seem etched, indelible -a laser-like intensity transmuting the most intractable materials. In a language spare, exact, essential as necessity itself, past flattering chatter, hypocrisies lush as weed on harbor rock,' Annie Boutelle tears aside the flowery veils of feminine concealment of another age, to give voice to the inner life of an islanded soul, the 19th century writer Celia Thaxter."
author of The Girl with Bees in Her Hair and Reversing the Spell: New and Selected Poems
What People are Saying About This
"This is a magnificent secret history -of a time we now know very little, in
spite of its closeness, and of a remarkable spirit who lived in that time
and is now forgotten. The poems are stark, original, lovely, the poetic
knowledge terrific. I am convinced that Annie Boutelle is Celia Thaxter;
only she (Annie) will not be forgotten. Read this fine book."
author of Everything is Burning and American Sonnets
"Annie Boutelle has chosen, in a re-imagining of Thaxter's own voice, to
dramatize hints, silences, and the sea. White spaces surround these
suggestive poems like the waves crashing around a lighthouse -or as Boutelle
writes in Thaxter's persona, winds haul themselves, weeping,/against its
flanks.' The sorrows and victories of Thaxter's life are conveyed with
sensual, sonorous richness and yet understatement. To the very few effective
poems about childbirth I know, I would add Boutelle's three brief, intense
poems here about the birth of each of Thaxter's children. After the death of
her husband, she is pictured wrapped// in mourning, a thick black/speck on
an unwritten page.' And yet, if much of her inner life -like that of so many
women (some of them writers) -went unwritten for a time, Becoming Bone has
redressed the blankness with empathy, depth, and a keen intelligence."
author of Open Shutters: Poems and A Kiss in Space: Poems