The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shiftsa transformation most evident in her depictions on screen.
This book traces the figure of the witch through American screen history with an analysis of the entertainment industry’s shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.
|Publisher:||McFarland & Company, Incorporated Publishers|
|Product dimensions:||7.00(w) x 9.90(h) x 0.30(d)|
About the Author
Table of ContentsTable of Contents
A Woman Unleashed: An Introduction 1
One ◆ In the Beginning (1896–1919) 13
Two ◆ Wild Women, Vamps and Green Skin (1919–1939) 36
Three ◆ War and Weird Women (1939–1950) 65
Four ◆ Toward a New Hollywood (1951–1967) 89
Five ◆ Horror and the Fantastic (1968–1982) 119
Six ◆ The Satanic Panic (1983–1999) 149
Seven ◆ A New Witch Order (2000–2016) 180
A Woman Unleashed: Revisited 212
Chapter Notes 215
Most Helpful Customer Reviews
In a well researched and long overdo study of the witch’s place in American entertainment culture Ms. Greene takes us on a sweeping tour from the nascent film industry of the late 1800s to the full up cinematic powers of late 20th century Hollywood, defining the witch’s many character constructions and evolution. It’s about crones, wild women, vamps, Victorian clown witches, teen witches and more who were harmless, sometimes threatening, or fully evil to the core. We go from learning how through a male lens that women who lived on the edges of society were redeemable only through male guidance all the way to modern witches, women in full, fully independent and comfortable with their knowledge and power to express themselves without patriarchal judgment. It’s an important story of feminine self-determination and equality. Ignore first edition typos because it’s a great source for students of film, women’s studies or aficionados of the genre. Enjoy!