Besides the Screen: Moving Images through Distribution, Promotion and Curation

Besides the Screen: Moving Images through Distribution, Promotion and Curation

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Besides the Screen: Moving Images through Distribution, Promotion and Curation by V. Crisp

New media technologies impact cinema well beyond the screen. This volume speculates about the changes in modes of accessing, distributing, storing and promoting moving images and how they might affect cinematographic experience, economy and historiography.

Product Details

ISBN-13: 9781349500826
Publisher: Palgrave Macmillan UK
Publication date: 01/01/2015
Edition description: 1st ed. 2015
Pages: 215
Product dimensions: 5.51(w) x 8.50(h) x (d)

About the Author

Jonas Andersson Schwarz, Södertörn University, Sweden
Ana Carvalho, Universidade do Porto, Portugal
Virginia Crisp, Middlesex University, UK
Stefania Haritou, Independent Researcher, Greece
Stephanie Janes, Royal Holloway, University of London, UK
Zlatan Krajina, University of Zagreb, Croatia
Gabriel Menotti Gonring, Federal University of Espírito Santo, Brazil
Ya-Feng Mon, Goldsmiths, University of London, UK
Claudy Op den Kamp, University of Zurich, Switzerland
Alejandro Pardo, University of Navarra, Spain
Elena Papadaki, University of Greenwich, UK
Enrica Picarelli, University of Lisbon, Portugal

Table of Contents

List of Figures List of Tables Notes on Contributors Acknowledgements Introduction: In the Grooves of the Cinematographic Circuit; Gabriel Menotti Gonring and Virginia Crisp PART I: THROUGH MANY CHANNELS: DISTRIBUTION 2. From the Big Screen to the Small Ones: How Digitisation is Transforming the Distribution, Exhibition and Consumption of Movies; Alejandro Pardo 3. Notes on Film Distribution: Networks, Screens and Practices; Stefania Haritou 4. Catering For Whom? The Problematic Ethos Of Audio-Visual Distribution Online; Jonas Andersson-Schwarz PART II: UNDER THE SPOTLIGHTS: PROMOTION 5. 1-18-08 – Viral Marketing Strategies in Hollywood Cinema; Stephanie Janes 6. Terms of Intimacy: Blog Marketing, Experiential Desegregation, and Collaborative Film Value Production; Ya-Feng Mon 7. On The Problematic Productivity Of Hype: Flashforward 's Promotional Campaign; Enrica Picarelli PART III: IN THE FILES AND OUT THERE: CURATION 8. Audiovisual Archives and the Public Domain: Economics of Access, Exclusive Control and the Digital Skew; Claudy Op den Kamp 9. Live Audiovisual Performance And Documentation; Ana Carvalho 10. Public Screenings Beside Screens: A Spatial Perspective; Zlatan Krajina 11. Interactive Video Installations in Public Spaces: Rafael Lozano-Hemmer's Under Scan ; Elena Papadaki Index

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