Beyond Grief: Sculpture and Wonder in the Gilded Age Cemetery

Beyond Grief: Sculpture and Wonder in the Gilded Age Cemetery

by Cynthia Mills

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Overview

Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder.

Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death.

Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.

Product Details

ISBN-13: 9781935623373
Publisher: Smithsonian Institution Press
Publication date: 09/23/2014
Pages: 288
Product dimensions: 9.90(w) x 7.00(h) x 0.90(d)

About the Author

Cynthia Mills was historian emeritus at the Smithsonian American Art Museum, where she served as executive editor of the scholarly journal American Art and academic programs advisor. She was co-editor of the anthology Monuments to the Lost Cause: Women, Art, and the Landscapes of Southern Memory (2004) and East-West Interchanges in American Art: A Long and Tumultuous Relationship (2012). Her essays and lectures focused on American sculpture in the late nineteenth century.

Table of Contents

Introduction 1

Lost Souls

1 Adams's Quest for Consolation 7

2 The Milmores and the Sphinx 17

3 Angels of Grief across the Sea 25

The Contexts of Mourning

4 Emotional Regulation 39

5 Varieties of Religious Consolation 49

6 Landscapes of Sensation 59

The Artist and The Cemetery

7 Therapeutic Beauty 73

8 Making the Adams Memorial 85

9 Death and the Sculptor 99

10 Duveneck's Lady 115

11 The Cemetery in the Museum 127

Grief and Commerce

12 Public Sorrow 137

13 Cemetery Pirates 151

14 Afterlives 165

Epilogue 179

Acknowledgments 187

Notes 191

Select Bibliography 223

Index 227

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