The Birth House: A Novel

The Birth House: A Novel

by Ami McKay
The Birth House: A Novel

The Birth House: A Novel

by Ami McKay

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Overview

In this breathtaking debut novel, Ami McKay has created an unforgettable portrait of the struggles that women have faced to control their own bodies and to keep the best parts of tradition alive in the world of modern medicine.

The Birth House is the story of Dora Rare—the first daughter in five generations of Rares. As apprentice to the outspoken Acadian midwife Miss Babineau, Dora learns to assist the women of an isolated Nova Scotian village through infertility, difficult labors, breech births, unwanted pregnancies, and even unfulfilling sex lives. During the turbulent World War I era, uncertainty and upheaval accompany the arrival of a brash new medical doctor and his promises of progress and fast, painless childbirth. Dora soon finds herself fighting to protect the rights of women as well as the wisdom that has been put into her care.

A tale of tradition and science, matriarchy and paternalism, past and future, The Birth House is "a dazzling first novel." (Library Journal), and a story more timely than ever.


Product Details

ISBN-13: 9780061859649
Publisher: HarperCollins
Publication date: 04/16/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 410
Sales rank: 316,587
File size: 2 MB

About the Author

About The Author

Ami McKay is the author of the number–one Canadian bestseller The Birth House, winner of three Canadian Booksellers Association Libris Awards, and a nominee for the International IMPAC Dublin Literary Award, and The Virgin Cure. Originally from Indiana, she now lives with her husband and two sons in Nova Scotia.


Ami McKay is the author of the number–one Canadian bestseller The Birth House, winner of three Canadian Booksellers Association Libris Awards, and a nominee for the International IMPAC Dublin Literary Award, and The Virgin Cure. Originally from Indiana, she now lives with her husband and two sons in Nova Scotia.

Read an Excerpt

The Birth House

A Novel
By Ami McKay

HarperCollins Publishers, Inc.

Copyright © 2006 Ami McKay
All right reserved.

ISBN: 0061135852

Chapter One

Ever since I can remember, people have had more than enough to say about me. As the only daughter in five generations of Rares, most figure I was changed by faeries or not my father's child. Mother works and prays too hard to have anyone but those with the cruellest of tongues doubt her devotion to my father. When there's no good explanation for something, people of the Bay find it easier to believe in mermaids and moss babies, to call it witchery and be done with it. Long after the New England Planters' seed wore the Mi'kmaq out of my family's blood, I was born with coal black hair, cinnamon skin and a caul over my face. A foretelling. A sign. A gift that supposedly allows me to talk to animals, see people's deaths and hear the whisperings of spirits. A charm for protection against drowning.

When one of Laird Jessup's Highland heifers gave birth to a three-legged albino calf, talk followed and people tried to guess what could have made such a creature. In the end, most people blamed me for it. I had witnessed the cow bawling her calf onto the ground. I had been the one who ran to the Jessups' to tell the young farmer about the strange thing that had happened. Dora talked to ghosts, Dora ate bat soup, Dora slit theDevil's throat and flew over the chicken coop. My classmates chanted that verse between the slats of the garden gate, along with all the other words their parents taught them not to say. Of course, there are plenty of schoolyard stories about Miss B. too, most of them ending with, if your cat or your baby goes missing, you'll know where to find the bones. It's talk like that that's made us such good friends. Miss B. says she's glad for gossip. "It keep folks from comin' to places they don't belong."

Most days I wake up and say a prayer. I want, I wish, I wait for something to happen to me. While I thank God for all good things, I don't say this verse to Him, or to Jesus or even to Mary. They are far too busy to be worrying about the affairs and wishes of my heart. No, I say my prayer more to the air than anything else, hoping it might catch on the wind and find its way to anything, to something that's mine. Mother says, a young lady should take care with what she wishes for. I'm beginning to think she's right.

Yesterday was fair for a Saturday in October--warm, with no wind and clear skies--what most people call fool's blue. It's the kind of sky that begs you to sit and look at it all day. Once it's got you, you'll soon forget whatever chores need to be done, and before you know it, the day's gone and you've forgotten the luck that's to be lost when you don't get your laundry and yourself in out of the cold. Mother must not have noticed it . . . before breakfast was over, she'd already washed and hung two baskets of laundry and gotten a bushel of turnips ready for Charlie and me to take to Aunt Fran's. On the way home, I spotted a buggy tearing up the road. Before the thing could run us over, the driver pulled the horses to a stop, kicking up rocks and dust all over the place. Tom Ketch was driving, and Miss Babineau sat in the seat next to him. She called out to me, "Goin' out to Deer Glen to catch a baby and I needs an extra pair of hands. Come on, Dora."

Even though I'd been visiting her since I was a little girl (stopping by to talk to her while she gardened, or bringing her packages up from the post), I was surprised she'd asked me to come along. When my younger brothers were born and Miss B. came to the house, I begged to stay, but my parents sent me to Aunt Fran's instead. Outside of watching farmyard animals and a few litters of pups, I didn't have much experience with birthing. I shook my head and refused. "You should ask someone else. I've never attended a birth . . ."

She scowled at me. "How old are you now, fifteen, sixteen?"

"Seventeen."

She laughed and reached out her wrinkled hand to me. "Mary-be. I was half your age when I first started helpin' to catch babies. You've been pesterin' me about everything under the sun since you were old enough to talk. You'll do just fine."

Marie Babineau's voice carries the sound of two places: the dancing, Cajun truth of her Louisiana past and the quiet-steady way of talk that comes from always working at something, from living in the Bay. Some say she's a witch, others say she's more of an angel. Either way, most of the girls in the Bay (including me) have the middle initial of M, for Marie. She's not a blood relative to anyone here, but we've always done our part to help take care of her. My brothers chop her firewood and put it up for the winter while Father makes sure her windows and the roof on her cabin are sound. Whenever we have extra preserves, or a loaf of bread, or a basket of apples, Mother sends me to deliver them to Miss B. "She helped bring all you children into this world, and she saved your life, Dora. Brought your fever down when there was nothing else I could do. Anything we have is hers. Anything she asks, we do."

Continues...


Excerpted from The Birth House by Ami McKay Copyright © 2006 by Ami McKay. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

1. Early in the novel, Dora’s Aunt Fran quotes from The Science of a New Life: "It is almost impossible for a woman to read the current 'love and murder' literature of the day and have pure thoughts, and when the reading of such literature is associated with idleness – as it almost invariably is – a woman’s thoughts and feelings cannot be other than impure and sensual." How does reading shape Dora’s view of the world? How does her love of books play into her relationship with her father? With Miss B.? With Archer?

2. Dora makes the following observation after attending her first birth: "How a mother comes to love her child, her caring at all for this thing that’s made her heavy, lopsided and slow, this thing that made her wish she were dead … that’s the miracle." What do you think she meant? Do you feel this is true?

3. Folklore, home remedies, women’s traditions, herbalism, and a belief in the divine feminine are all part of Miss B.’s way of life. She is determined to pass these things along to Dora. Does Dora try hard enough to preserve them? Should she let them go? In your own life, what traditions matter most to you (and why)?

4. According to medical texts and advertisements of the early 1900’s, women who were prone to "emotional behaviour" were often labeled as hysterical. A poster in Dr. Thomas's office reads:

Feeling Anxious? Tired? Weepy? You are not alone. The modernization of society has brought about an increase in neurasthenia, greensickness and hysteria. Symptoms of Neurasthenia include: Weeping, melancholy, anxiety, irritability, depression, outrageousness, insomnia, mental and physical weariness, idle talking, sudden fevers, morbid fears, frequent titillation, forgetfulness, palpitations of the heart, headaches, writing cramps, mental confusion, constant worry and fear of impending insanity. Talk to your physician. He can help.

Do we see this kind of questioning today?
Are women's emotions still targeted by advertisers?

5. When Archer asks Dora to marry him, he tells her that "love takes care of herself." Dora chooses to say yes. What does Dora’s decision say about her situation and station in life? Do you think she should have chosen to follow in Miss B.'s footsteps instead?

6. Through a visit to Dr. Thomas’s office, Dora discovers that women’s sexual pleasure (specifically orgasm) is considered to be a medical function (or dysfunction). Ads of the time, such as the one for the White Cross Vibrator, reinforced this notion. How does Dora come to terms with these ideas? What kinds of taboos, if any, surround women’s sexuality today?

7. Miss B. says this about Mabel’s home birth: “The scent of a good groanin’ cake, a cuppa hot Mother’s Tea and time. Most times that’s all a mama needs on the day her baby comes.” She later says this to Dr. Thomas: "Science don’t know kindness. It don’t know kindness from cabbage." Dr. Thomas replies, "Science is neither kind nor unkind, Miss Babineau. Science is exact." How do these statements show the differences between Miss B. and Dr. Thomas? In moving the birthing experience from homes and birth houses to hospitals, what have women lost? What have they gained?

8. After Dora discovers Aunt Fran’s affair with Reverend Norton, she writes: "He’s been seeing her. He's noticed her so much that now she's his." Why do you think Dora decided to keep it a secret? Should she have told someone? What would you have done?

9. Dora says this about her mother: "Everything I’ve learned from Mother, every bit of her truth, has been said while her hands were moving." What does this say about her relationship with her mother? Is this kind of communication still an important part of women’s lives?

10. The author includes ephemera from Dora's life (invitations, news articles, sections from The Willow Book, folk tales, advertisements, etc.) throughout the novel. How did this affect your reading experience? Do you have a favourite from them?

11. There are many mentions of birthing folklore and techniques, from groaning cake to mother's tea, from Miss B. turning Ginny's breech baby to quilling. What wives' tales about pregnancy and birth have you heard? Are there any that you'd swear by?

12. The sisters of the Occasional Knitters Society support Dora throughout the book (keeping the secret of Wrennie's birth, taking care of Wrennie when Dora goes to Boston, meeting together for conversations and sisterhood). What makes their friendship so strong? Do you think friendships like that are still possible today?

13. Mrs. Ketch comes to her house for help, Dora feels conflicted. Given Dora's history with Mrs. Ketch, why do you think she chose to assist her in helping her "lose" her baby?

14. Maxine is unlike anyone Dora has ever met before. Boston is very different from Scots Bay. What do Maxine and Boston bring to Dora's life? Have you ever made a change in location or met someone who immediately changed your life?

15. In both the prologue and the epilogue, we see how, over time, life has changed in Scots Bay. Other towns in other places have changed too – some have disappeared forever. What do you think we have gained with these changes? What have we lost?

16. After Dora and Hart become lovers, he talks of marriage and she refuses. Why do you think she is so determined not to marry him?

17. In the epilogue, Dora reflects on her past and what the birth house has meant to her and to the community. There is a sense of change, but also a sense of traditions preserved and lessons learned. What thoughts will you take away from The Birth House?

Foreword

1. Early in the novel, Dora’s Aunt Fran quotes from The Science of a New Life: "It is almost impossible for a woman to read the current 'love and murder' literature of the day and have pure thoughts, and when the reading of such literature is associated with idleness – as it almost invariably is – a woman’s thoughts and feelings cannot be other than impure and sensual." How does reading shape Dora’s view of the world? How does her love of books play into her relationship with her father? With Miss B.? With Archer?

2. Dora makes the following observation after attending her first birth: "How a mother comes to love her child, her caring at all for this thing that’s made her heavy, lopsided and slow, this thing that made her wish she were dead … that’s the miracle." What do you think she meant? Do you feel this is true?

3. Folklore, home remedies, women’s traditions, herbalism, and a belief in the divine feminine are all part of Miss B.’s way of life. She is determined to pass these things along to Dora. Does Dora try hard enough to preserve them? Should she let them go? In your own life, what traditions matter most to you (and why)?

4. According to medical texts and advertisements of the early 1900’s, women who were prone to "emotional behaviour" were often labeled as hysterical. A poster in Dr. Thomas's office reads:

Feeling Anxious? Tired? Weepy? You are not alone. The modernization of society has brought about an increase in neurasthenia, greensickness and hysteria. Symptoms of Neurasthenia include: Weeping, melancholy, anxiety,irritability, depression, outrageousness, insomnia, mental and physical weariness, idle talking, sudden fevers, morbid fears, frequent titillation, forgetfulness, palpitations of the heart, headaches, writing cramps, mental confusion, constant worry and fear of impending insanity. Talk to your physician. He can help.

Do we see this kind of questioning today?
Are women's emotions still targeted by advertisers?

5. When Archer asks Dora to marry him, he tells her that "love takes care of herself." Dora chooses to say yes. What does Dora’s decision say about her situation and station in life? Do you think she should have chosen to follow in Miss B.'s footsteps instead?

6. Through a visit to Dr. Thomas’s office, Dora discovers that women’s sexual pleasure (specifically orgasm) is considered to be a medical function (or dysfunction). Ads of the time, such as the one for the White Cross Vibrator, reinforced this notion. How does Dora come to terms with these ideas? What kinds of taboos, if any, surround women’s sexuality today?

7. Miss B. says this about Mabel’s home birth: “The scent of a good groanin’ cake, a cuppa hot Mother’s Tea and time. Most times that’s all a mama needs on the day her baby comes.” She later says this to Dr. Thomas: "Science don’t know kindness. It don’t know kindness from cabbage." Dr. Thomas replies, "Science is neither kind nor unkind, Miss Babineau. Science is exact." How do these statements show the differences between Miss B. and Dr. Thomas? In moving the birthing experience from homes and birth houses to hospitals, what have women lost? What have they gained?

8. After Dora discovers Aunt Fran’s affair with Reverend Norton, she writes: "He’s been seeing her. He's noticed her so much that now she's his." Why do you think Dora decided to keep it a secret? Should she have told someone? What would you have done?

9. Dora says this about her mother: "Everything I’ve learned from Mother, every bit of her truth, has been said while her hands were moving." What does this say about her relationship with her mother? Is this kind of communication still an important part of women’s lives?

10. The author includes ephemera from Dora's life (invitations, news articles, sections from The Willow Book, folk tales, advertisements, etc.) throughout the novel. How did this affect your reading experience? Do you have a favourite from them?

11. There are many mentions of birthing folklore and techniques, from groaning cake to mother's tea, from Miss B. turning Ginny's breech baby to quilling. What wives' tales about pregnancy and birth have you heard? Are there any that you'd swear by?

12. The sisters of the Occasional Knitters Society support Dora throughout the book (keeping the secret of Wrennie's birth, taking care of Wrennie when Dora goes to Boston, meeting together for conversations and sisterhood). What makes their friendship so strong? Do you think friendships like that are still possible today?

13. Mrs. Ketch comes to her house for help, Dora feels conflicted. Given Dora's history with Mrs. Ketch, why do you think she chose to assist her in helping her "lose" her baby?

14. Maxine is unlike anyone Dora has ever met before. Boston is very different from Scots Bay. What do Maxine and Boston bring to Dora's life? Have you ever made a change in location or met someone who immediately changed your life?

15. In both the prologue and the epilogue, we see how, over time, life has changed in Scots Bay. Other towns in other places have changed too – some have disappeared forever. What do you think we have gained with these changes? What have we lost?

16. After Dora and Hart become lovers, he talks of marriage and she refuses. Why do you think she is so determined not to marry him?

17. In the epilogue, Dora reflects on her past and what the birth house has meant to her and to the community. There is a sense of change, but also a sense of traditions preserved and lessons learned. What thoughts will you take away from The Birth House?

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