It's 1939. The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in between.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.
When the Nazis start running missions with people who have unnatural abilitiesa woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the presentMarsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.
Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, Bitter Seeds by Ian Tregillis is a tale of a twentieth century like ours and also profoundly different.
About the Author
IAN TREGILLIS lives near Santa Fe, New Mexico, where he works as a physicist at Los Alamos National Laboratory. He is a member of the Wild Cards writing collective, directed by George R. R. Martin. Bitter Seeds is his first novel.
Read an Excerpt
By Ian Tregillis, Patrick Nielsen Hayden
Tom Doherty AssociatesCopyright © 2010 Ian Tregillis
All rights reserved.
2 February 1939
Lieutenant-Commander Raybould Marsh, formerly of His Majesty's Royal Navy and currently of the Secret Intelligence Service, rode a flatbed truck through ruined olive groves while a civil war raged not many miles away. He secretly carried two fake passports, two train tickets to Lisbon, vouchers for berths on a steamer bound for Ireland, and one thousand pounds sterling. And he was bored.
He'd been riding all morning. The truck passed yet another of the derelict farmhouses dotting the Catalonian landscape. Some had burned to the ground. Others stared back at him with empty windows for eyes, half-naked where the plaster had sloughed to the ground under erratic rows of bullet holes. Wind sighed through open doorways.
Sometimes the farmers and their families had been buried in the very fields they tended, as evidenced by the mounds. And sometimes they had been left to rot, as evidenced by the birds. Marsh envied the farmers their families, but not their ends.
The land had fared no better than the farmers at the hands of armed factions. Artillery had pocked the fields and rained shrapnel upon centuries-old olive groves. In places, near the largest craters, the tang of cordite still wafted from broken earth.
At one point, the truck had to swerve around the charred hulk of a Soviet- issue T-38 tank straddling the road. It looked like an inverted soup tureen on treads but was based, Marsh noted with pride and amusement, upon the Vickers. It was a common sight. Abandoned Republican matériel littered the countryside. Most of Spain had long since fallen to the Nationalists; now they mounted their final offensive, grinding north through Catalonia to strangle the final Republican strongholds.
Officially, Britain had chosen to stay on the sidelines of the Spanish conflict. But the imminent victory of Franco's Nationalists and their Fascist allies was raising eyebrows back home. Marsh's section within the SIS, or MI6 as some people preferred to call it, was tasked with gathering information about Germany's feverish rearmament over the past few years. So when a defector had contacted the British consulate claiming to have information about something new the Nazis were field-testing in Spain, Marsh got tapped for an "Iberian holiday," as the old man put it.
"Holiday," Marsh repeated to himself. Stephenson had a wry sense of humor.
The truck labored out of the valley into Tarragona, briefly passing through the shadow of a Roman aqueduct that straddled the foothills. A coastal plain spread out before Marsh as they topped the final rise. Orange and pomegranate groves, untended by virtue of winter and war, dotted the seaward slopes of the hills overlooking the city. At the right time of year, the groves might have perfumed the wind with their blossoms. Today the wind smelled of petrol, dust, and the distant sea.
Below the groves sprawled the city: a jumble of bright stucco, wide plazas, and even the occasional gingko-lined avenue left behind by long-dead Romans. One could see where medieval Spanish city planning had collided with and absorbed the remnants of an older empire. On the whole, Tarragona was well-preserved, having fallen to the Nationalists three weeks earlier after token resistance.
Somewhere in that mess waited Marsh's informant.
Between the city and the horizon stretched the great blue-green expanse of the Mediterranean Sea. It sparkled under the winter sun. Most years enjoyed frequent winter rains that tamped down the dust. This season had been too sporadic, and today the winds blew inland, so the breeze coming off the sea spread an ocher haze across the bowl of the city.
Farther west, whitecaps massaged the coastline where a trawler steamed out of port. Marsh was too far away to smell the fear and desperation, to feel the press of bodies, to hear the din on the docks as families clamored for passage to Mexico and South America. Those refugees not willing to risk capture in the Pyrenees while fleeing to France, and who could afford otherwise, instead mobbed the ports. For now, Franco's Nationalists were busy formalizing their control of the country. But when that was done, the reprisals would begin.
The dirt road became cracked macadam as they descended into the city. Marsh shifted his weight when the macadam turned into uneven cobblestones. It had been a long couple of days since he'd crossed the border from Portugal.
His ride pulled to a stop in the shadow of a medieval cathedral. The driver banged his fist on the outside of his door. Marsh grabbed his rucksack and hopped down, gritting his teeth against the twinge of pain in his knee.
"Gracias," he said. He paid the driver the promised amount, a small fortune by the standards of a poor farmer even in peacetime. The driver took the cash and rumbled away without another word, leaving Marsh to cough in a plume of exhaust.
I'd spend it quickly if I were you.
Marsh set off for the cathedral. As far as the driver knew, it was his destination. And so he'd relate, if anybody should happen to ask him about his passenger. The cathedral loomed over the circular Plaza Imperial, and from there it was a short walk to the Hotel Alexandria. Marsh had memorized the layout of the city before leaving London. Walking massaged the ache from his knee.
The narrow side streets were quiet and devoid of crowds, a fact for which he was thankful. He wore the heavy boots of a farmer, a flannel shirt under his overalls, and a kerchief tied around his neck in the local style. But he also wore the skin of an Englishman, colored pale by years of rain, rather than a complexion earned through a life of outdoor labor. But most folks weren't terribly observant. With a little luck and discretion, his garb would plant the proper suggestion in people's eyes; as long as he drew no extra attention to himself, their minds would fill in the expected details.
It was livelier on the plaza. The handfuls of people he passed in the wide open space shuffled through their lives under a cloud of dread and anticipation. Strident Art Deco placards touted General Franco's cause from every available surface. (Unidad! Unidad! Unidad!) The Nationalists' propaganda machine had wasted no time.
The cathedral bells chimed sext: midday. Marsh quickened his pace. The plan was to make contact at noon.
Krasnopolsky, an ethnic Pole born in the German enclave of Danzig, had come to Spain attached to a unit of Fascist forces supporting the Nationalist cause. Whatever his work entailed, he'd done it without protest for years. Until he decided, quite spontaneously, to defect. But the Nationalists' victory was merely a matter of time, meaning that his new enemies had the country locked up tight. Betraying them so late in the game was a bloody stupid move.
Thus he had contacted the British consulate in Lisbon. In return for assistance leaving the country, he'd share his knowledge of a new technology the Schutzstaffel had deployed against the Republicans. Franco, moved by a fit of despotic largesse, had given the Third Reich carte blanche to use Spain as a military proving ground. In that manner, the Luftwaffe had debuted its carpet-bombing technique in Guernica. MI6 wanted to know about anything else the Jerries had developed over the past few years.
Which was why Marsh carried virtually enough money to purchase his own steamer, if it came to that. He'd stay at Krasnopolsky's side all the way back to Great Britain.
The Hotel Alexandria was a narrow five-story building wedged between larger apartment blocks. Its balconies hung over the street in pairs jutting from the canary-yellow façade. The building had only the single entrance. Less than ideal.
The lobby was a mishmash of ugly modernist décor and Spanish imperialism. It looked like the result of a halfhearted makeover. Clean, bare spots high on the yellowed plaster marked the places where paintings had hung, most likely of King Alfonso and his family. Through a doorway to the left, a handful of men and women talked quietly in what passed for the Alexandria's bar.
Marsh threaded his way toward the reception desk through a maze of angular Bauhaus furniture and potted ferns. But he abandoned his intent to ring Krasnopolsky's room when he caught sight of the lone figure sitting at the rear of the lobby, in the shadows of the staircase.
The man perched on the edge of a chaise longue, smoking, with a suitcase next to him and a slim leather valise on his lap. He stamped out his cigarette and lit a new one with shaky hands. Judging by the number of cigarette butts in the ashtray next to the chaise, he'd been waiting there, in public, since well before noon.
Marsh cringed. He'd marked Krasnopolsky instantly. The man was an idiot with no conception of tradecraft.
He purchased a newspaper from the front desk, then took a seat in a high- backed leather chair next to Krasnopolsky's nest. The other man looked at him, did a double take, and shifted his feet.
MI6 had no photographs of Krasnopolsky; they'd had to produce the doctored passport based on the man's description of himself. He'd overstated his looks. He was a tall fellow, even sitting down, and skeleton-thin with an aquiline nose and ears like sails. If he were to stand in the corner of a dark room, Marsh imagined, he might be mistaken for a coatrack.
Marsh paged through the paper, thoroughly ignoring Krasnopolsky. He waited until it looked like the defector wasn't quite so ready to flee.
"Pardon me, sir," said Marsh in Spanish, "but do you happen to know if the trains are running to Seville?"
Krasnopolsky jumped. "Bitte?"
Marsh repeated his question, more quietly, in German.
"Oh. Who knows? They're less reliable every day. The trains, I mean."
"Yes. But General Franco will fix that soon."
"Took you long enough," Krasnopolsky whispered. "I've been waiting all morning."
Marsh responded in kind. "In that case, you're a fool. You were supposed to wait in your room."
"Do you have my papers?"
Marsh took a deep breath. "Look, friend." He tried to clamp down on the irritation creeping into his voice. "Why don't we go back to your room and talk privately. Hmmm?"
Krasnopolsky lit another cigarette from the butt of the previous one. Italian issue. Marsh wondered how anyone could tolerate those acrid little monstrosities.
"I've already checked out. I'm safer in public. I need those papers."
"What do you mean, safer in public?"
Krasnopolsky drew on the cigarette, watching the crowd. Pale discolorations mottled the skin of his fingers.
"Look, we're not a sodding travel agency," said Marsh. "You haven't given me a reason to help you yet."
Krasnopolsky said nothing.
"You're wasting my time." Marsh stood. "I'm leaving."
Krasnopolsky sighed. Plumes of gray smoke jetted from his nostrils. "Karl Heinrich von Westarp."
Marsh sat again, enveloped in a bluish cloud. "What?"
"Not what. Who. Doctor von Westarp."
"He's the reason you left?"
"Not him. His children. Von Westarp's children."
Krasnopolsky shook his head. He opened his mouth to elaborate just as a glass shattered in the bar. His mouth clacked shut. The skin on his knuckles turned pale as he tightened his grip on the valise.
"What was that?"
Dear God. This is hopeless. "You need to relax. Let's get something to calm you down," said Marsh, pointing to the side doorway that led to the bar. He pulled the man to his feet and marshaled him through the lobby.
After getting Krasnopolsky settled at a corner table, Marsh went to the bar and ordered a glass of Spanish red. Then he thought better of it and ordered the entire bottle instead. The barman swept up the last of the broken glass, grumbling about having to retrieve the wine from the cellar.
Marsh waited at the bar, keeping an eye on Krasnopolsky while eavesdropping on conversations. The question on everybody's mind was how things would change once Franco was formally in power.
The barman plunked a bottle in front of Marsh. Marsh was digging cash out of his pocket when he felt the surge of heat wash across his back. Somebody screamed.
A cry went up: "Fuego! Fuego!"
Marsh spun. The rear corner of the hotel bar, steeped in shadows just moments earlier, now shone in the light from flames racing up the walls. No! It can't be —
Marsh dodged the people fleeing the fire, fighting upstream like a salmon. But he stopped in his tracks when he saw the source of the flames.
Krasnopolsky blazed at the center of the conflagration like a human salamander. New flames burst forth from everything he touched as he flailed around the room, wailing like a banshee. Air shimmered in waves around him; it seared the inside of Marsh's nose. The metal snaps on Marsh's overalls scorched his shirt, sizzled against his chest. The room stank of charred pork.
The burning man collapsed in a heap of bone and ash. Marsh glimpsed a half- incinerated valise on the burning floor. He gritted his teeth and kicked it away. The rubber soles of his boots became tacky, squelching on the floor as he danced away from the fire. He tossed aside a fern and dumped the pot of soil on the valise to smother the flames.
Then he snatched what little remained of Krasnopolsky's valise and fled the burning hotel.
3 February 1939
Artillery concussions boomed through the river valleys and almond orchards surrounding Girona. That's the sound of one's enemies caught between the hammer and the anvil, Klaus mused. With pride he added, And we are the anvil.
The besieged stronghold was Franco's final stop on his sweep through Catalonia. Once Girona fell, finishing the ground war would become a mere formality.
"They would have sent fighters after me today, if they had any planes left. I'm sure of it." Rudolf's hair shone like copper in the sun as he chucked Klaus on the shoulder. "Can you imagine that? I wish they did have an air force left. That would look spectacular on film!"
"T-t-t-t —," said Kammler.
"Rudolf running away again? I've already seen that in person. Why would I watch it on film?" Klaus laughed. "The doctor would prefer you actually confront our enemies. Like the rest of us do," he added with a gesture that encompassed himself, Heike, and even drooling Kammler.
Kammler again: "G-g-g —"
"Up yours," said Rudolf. "All of you."
They rode at the vanguard of a small caravan, bouncing along in silence but for the occasional outburst of stuttering nonsense from Kammler. His handler, Hauptsturmführer Buhler, had unbuckled the leash around Kammler's neck, so now the muscle-bound imbecile had reverted to his harmless and somewhat pitiable state. Klaus wondered what the cameramen and technicians in the other trucks talked about in their off-time.
The road back to their farmhouse wended through a vast olive plantation. Rows of trees marched all the way from the edge of the hills overlooking the town to within a dozen yards of the house. The hills themselves had turned brown in spots, owing to a dry winter. Overhead, a fingernail moon hung in a powder-blue sky. A cool, damp breeze gusted up from the river valley.
The north and east sides of the plantation had been shattered by misaimed artillery. The ongoing siege slowly chewed up more of the plantation each time another shell went off course. A shame, thought Klaus. I like olives.
They pulled up in front of a wide two-story farmhouse built in the style of a Roman villa. The family that had owned it must have been rather prosperous. When he had first arrived here, Klaus wondered if the family had also owned the almond groves that blanketed the surrounding hillsides. Not that it mattered. The Reichsbehörde had needed a base of operations from which to field-test Doctor von Westarp's work, and so the family had disappeared.
The others climbed out of the truck and filed into the house. Klaus paused a moment to scan the wide windows on the second floor, hoping to catch a glimpse of his sister. He worried about her when he was gone all day.
Excerpted from Bitter Seeds by Ian Tregillis, Patrick Nielsen Hayden. Copyright © 2010 Ian Tregillis. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
At first, I thought this book was just ok. I hesitated a bit in buying the sequel...but, I was bored, so I did. Wow! You need to read this book, then the sequel (The Coldest War). Then, read this one again. Much that is opaque becomes clear :)
A dark masterpiece! Ian Tregillis successfully fuses slam bang World War II action, breathtaking international espionage, bizarre magic and genuinely evil super human nazis into a taut, exciting thriller. We get an in depth look at the reasons why good men do evil things for a greater good and the consequences of such actions. I thought the two main characters were interesting and believable. And the nazi super humans were as evil as you would expect, but Gretl was something else, scheming, mysterious and utterly depraved. If you're looking for something new in the world of super humans, this is the book for you. I can't wait for the next volume in this trilogy!
Wanting to build a superman and superwoman, German scientist Dr. von Westarp chooses WWI German orphans as his base for his experiments. Although many die and others are deformed, by 1939 the mad scientist has succeed in constructing his master race. However as WW II breaks out, he plans to use them to insure The Third Reich is victorious and remains in power for a thousand years. However, one of the successful test subjects Klaus fears his sister Gretel is using her precognitive skills to manipulate the team, but what agenda is remains unclear. Meanwhile British secret agent Raybould Marsh, who has his own father figure in Stephenson, knows first hand how powerful the enemy supervillains are as the German war machine blitzkriegs through all enemies. He enlists mage Will Beauclerk to help the British side, whose chances of victory seem slim. Will brings on allies from the warlock community including Olivia whom Marsh marries and has a daughter with her. When he ignores the warning not to deal with the mysterious Eidelons who will offer little and demand a lot, Will sees no other hope as the Germans are winning in the air, land and sea due to being the superpower. Although the cast is never fully developed beyond comic book stereotypes, readers will enjoy this entertaining action-packed alternate historical thriller. With homage to Moore's Watchmen, fans of action-packed WWII dramas will appreciate the loaded Bitter Seeds as superpower German warriors battle the mages of Britain for control of the continent and ultimately the world. Harriet Klausner
Rating: one annoyed star of five (p58)I am on record around these parts as disliking books containing Majgicqk. I have caused a slight coolness to come between myself and certain of my friends around here with my barely restrained snorts of derision at Alan Moore and Neil Gaiman and their comic-book-superhero storytelling ilk. What I've said about actual comic books...oh, do pardon, graphic novels...would have led to all-out breach were the advocates of same not bound to my soul with hoops of steel. (Google it, it's a reference.) So what on this goddesses' green earth convinced me to try a book that the publisher markets as "Alan Furst meets Alan Moore?" Alternative history, that's what. A different WWII.Well, that'll learn me. Never again. While I found Mr. Tregillis's writing to be quite deft and pleasant on the eyes, the story he's chosen to tell is just about 180 degrees away from my happy place. This story and I are badly suited, and that makes me feel sad. Superheroes and superpowers and Nazi-fighting...oh nay nay nay, not for this old man.However, and this is important, the storytelling voice here is ripping good stuff, and those without my allergy to stupid supernatural crapola are strongly urged to give Mr. Tregillis's well-written novel a test drive.
This first volume in the new series features a Nazi experimental program that surgically alters children so that, upon adulthood, they have psionic abilities. These German horrors are opposed by a handful of British horrors in the form of aristocrats whose ancestors have passed down the lore for summoning powerful spirits¿provided enough human sacrifices are made. I moderately enjoyed the story, and I'm curious enough that I will pick up the second. However, it could have been a fair bit better.First, the pacing of the book is rather uneven. The beginning is quite well done. There's enough back-story to explain the alternate history and introduce the characters. The conflict is set up nicely. However, it slides downhill from about the midpoint. The action scenes where the German super-soldiers are actively engaged were definitely disappointing in their brevity. Most of all, the ending bothered me. It's clear that Tregillis is setting up for a sequel¿and there's nothing wrong with that¿but absolutely nothing is resolved is this volume, despite the clear pause in the story line with the ending of World War II.The characterizations were also uneven, with the German side much better realized than the British. Klaus, Gretel and the others are individual characters, full of strengths and weaknesses and a whole lot of psychological problems. The British warlocks are largely faceless blurs. Even Will, the one with the best claim to being a main character, never really steps off the flat paper of the book.Still, Tregillis makes the underlying plot concept interesting, and the conflict between Marsh and Gretel is quite intriguing. I think the reviews that use words like stunning and fabulous are way overboard, but I'll try the next volume. Recommended for fans of the genre but not outside that.
I picked this book up off John Scalzi's 'Big Idea' feature almost entirely because the 'big idea' behind this book - exploring a true, unlimited precognitive and what sort of power that /really/ means - absolutely enthralled me.I'm happy to say that the execution is solid. Tregillis is an excellent writer with a good sense of voice and place and time, all helpful when setting this alternate history full of magic and mad science down in WWII.Germany has a house full of orphans with superhuman powers - invisibility, intangibility, telekinesis, pyrokinesis, and, of course, precognition. Our precog, Gretel, is a bit of a loose cannon - she doesn't do what her good doctor wants, and while her intel is invaluable when it's right, many of her suggestions seem mystifying, and her motives are unclear.Britain, catching wind of some of these abilities but not what they are or how they work, forms a secret project, code-named Milkweed, to counteract them. Milkweed turns to warlocks who work their magic and pay terrible blood-prices to keep Britain safe.What's engaging in this book is also what makes it feel a little disappointing - because I was primed for it to be Gretel's story, it felt a bit odd that she's not the front-and-center character (it alternates between two British agents and Gretel's brother, Klaus). Gretel herself seem to perhaps be a bit of a sociopath, or at the very least someone who keeps herself above and apart from the rest of her colleagues (one of the effects of her abilities), which makes her both hard to relate to and hard to read.The largest frustration here is that we never really know Gretel, so we can never really place her loyalties or goals. Which means that while we can suspect,it's difficult to recognize for certain what events in the long chain are a direct result of her long-ranging plan. I suspect that at the end of this series, we may all sit back with our minds blown at the intricacy of it, but in the middle, it's a bit difficult to really grasp.That said, I /do/ recommend this book. It's an engaging read, and it has a wonderful sense of atmosphere. I'll most certainly be watching for the sequel as soon as it comes out, even with my suspicions about when the real payoff will come.
The Nazis have a mad scientist who created younsters with psychic abilities. To fight them, the British recruit warlocks to raise demons. But there is a terrible price.A disquieting picture of an alternate World War II.
Nazi mutants vs british wizards during WWII seems goofy - but it works. It's a good story with actual characters and actual costs and character development and internal struggle.Easy to make fun of - hard to believe it's so good. I will be looking for the rest of the series.
I'm usually not a fan of alternate histories, especially WWII alternate histories. However, the sci-fi/magic way in which this book starts to nudge history out of whack is entertaining and creepy. Fits in nicely beside both Jonathan Strange & Mr Norrell and Naomi Novik's Temeraire series.
Ian Tregillis takes the notion of an alternate history of World War II to new heights in his first novel, Bitter Seeds. Germany and England combat one another not just on the ground and in weaponry, but also in arcane forces that shape their strategy. Germany has developed psychic powers in certain individuals, power by batteries wired into their brains; the powers vary from individual to individual, but include the ability to become invisible and impervious to weapons; the ability to see the future; and the ability to make external objects explode. On the other hand, the English have an ancient route to the inexplicable: a sort of magic that is really access to an alien race that will perform services in exchange for blood. Neither country really understands the forces with which it is reckoning, but neither cares in their desperate effort to win this all-out war.There is much that is different about this war, and plenty that is the same. Churchill is still England¿s prime minister. France is still invaded and conquered in virtually no time. England still suffers from the Blitz. But there doesn¿t appear to be a preoccupation with a Final Solution in Germany; Dunkirk is a disaster for the English; and German bombing is not confined to London. The unraveling of the war is sudden and even shocking.Bitter Seeds is apparently merely the opening of an epic of a supernatural alternate history. And it is clear that this story is incomplete in many ways. There is a threat in England from the Eidolons ¿ the alien race ¿ that is unresolved in one specific as well as in the genuine overall threat posed by these creatures that are omnipresent but on a different plane, creatures who despise us but agree to help the English only to advance their own ends. The lengths to which England will go to develop this dangerous power is only hinted at in the conclusion to the book, but the way it chooses to use the aliens during the war does not bode well. The German scientific approach to psychic powers also seems open to further development, but again, the cost may be more than anyone is willing to pay. In many ways, this may be one of the most anti-war science fiction novels written since Joe Haldeman¿s The Forever War.The writing is more assured that one would expect of a first-time novelist. The plotting is skeletal, given the complexity of the tale, but it is sufficient; I expect that it will be fleshed out in further novels in the series. My only substantial problem with this book was that the characters seemed more like types than full-fledged people. There is the rich dilettante who proves to be the key to a certain strategy, and bravely comes through, surprising all who know him; the dedicated soldier who will do anything for King and Country; the evil German doctor who experiments on children and cavalierly discards those who do not perform to his satisfaction, a Mengele for the psychic set; and an angelic wife who stands by her husband regardless of his ill-treatment of her, understanding his grief and his commitment to his duty without a thought for herself. I¿d like to see more depth in each of these characters, perhaps something unexpected from one of them now and then. That, too, might come in future novels as Tregillis finds his way through his story.This is a promising first novel, a dark story of a dark time in human history, told with a substantial twist that does not change the basic fact that the twentieth century was a bloody one. I¿m curious about what Tregillis will do to history next, and how ¿ and if ¿ his characters will survive.
This is the tale of an alternate Second World War in which the real fight takes place between a pack of damaged children with super powers produced by Nazi mad science versus a cadre of British warlocks capable of invoking the power of aetheric beings; beings that loath Humanity and can only be repaid in blood. The story is less about the course of the war and more about the price exacted by invoking abilities indistinguishable from magic; very bleak reading indeed. It makes the "Laundry" series of Charlie Stross look like a picnic.
Not aa lot of action. Some passages are difficult to understand. Overall entertaining.
Not quite what I was expecting, but still good. I was expecting something a little more action oriented. Which isn't to say that there aren't any action scenes in the book. But it's much more a story of the costs of war and if the ends justify the means than of two unnaturally powered groups of people meeting up on the field of battle and throwing down. Actually, given the rules of the world established in the book, I don't think such a battle would be possible. There's a difference of micro vs. macro power levels here. A Nazi super soldier may have the ability to summon fire or crush a tank with the power of their mind on a moment's notice, where as a British warlock is cutting deals with Lovecraftian style demons to freeze enemy supply lines or sink enemy fleets. It's definitely a darker book than I normally enjoy. It does lose a few points with me for hitting a couple of my personal pet peeves. It sequel baits the reader with the ending, and I feel that it telegraphed a future plot twist so badly that when I eventually get to it my reaction will be less of surprise and more of "about time". But I liked what was here enough that I'll continue with the series.
Gripping story with plenty of interesting characters and action. One of the best parts is that the "super humans" and warlocks have limitations and the use of their powers is very costly. I can't wait to read the sequels.
The prose is lovely; the plot is tense, well-crafted, and page-turning; and I loved to spend time with every character. I sped through this book, hardly able to put it down. The World War II setting feels thoroughly researched and vibrant. The ending was satisfying in its own right, though the authorleft enough balls in the air that I'm eagerly anticipating the sequel. Oh, and what a joy to read a book written by a physicist. Hurray for conservation of momentum!
Bitter Seeds is a great novel. I was pulled in right away by the beautiful prose and the compelling storyline. I couldn’t put it down and read it in three days, wishing I had the time to read it in one. It’s an alternate history set during World War II with fascinating characters and gripping action. This book has received a lot of attention by major writers and reviewers, and deservedly so. There are many positive reviews online and I agree that this is an exceptional book. I was so impressed with the way Tregillis unfolded the plot, and revealed the characters, of which there are three whose point of view we get to see. Raybould Marsh is a British spy right in the middle of things; William is a British nobleman who was secretly taught to be a warlock by his slightly insane father; and Klaus is one of the German’s “supermen” with wraith like abilities. All three add a lot to the novel, and there are quite a few other secondary characters that are quite fascinating as well. The most interesting other character is the sister of Klaus, Gretel, who has also been mutated via diabolical processes and now she can predict the future, and warp it to her will. She’s the most powerful of all of the Nazi “supermen,” and is on the cover of both the mass market and hard cover editions for good reason. I wish Tregillis would have let us into her mind, but that would be too telling I’m sure, as she knows what’s going to happen and would ruin the mystery of what is to come. Every chapter was finely crafted, and the big time span gaps between some chapters really added to the coolness of the story. All the chapters have a date on them: month, day and year, which helped a lot. Anyway, this is not a large book, and only spans about 350 pages, but so much was accomplished. It was so impressive how little Tregillis told about what was happening in the actual wider war, but still incorporated a huge story in between the pages, as he focused on the three main characters and their experiences as wider events played around them. They are a huge part of those larger events, but this is not the alternate history of World War II in detail. There are lots of hints, but Tregillis doesn’t go into detail much at all. I would have liked more about how certain battles were going and such, but those issues weren’t the point of the book. Some of the wider war was actually shown in incredibly written interludes from the point of view of flocks of ravens and crows that feast on the dead after major battles. The interludes from the birds point of view were so awesome. Tregillis has a flare for brilliant description, and his ability to be brief, and yet powerful, is amazing. Bitter Seeds is a little bit X-Men, a little bit James Bond, with a core of brilliant darkness that pulls you in page after page. Highly recommended. Paul Genesse Author of the Iron Dragon Series
I was very pleased at the melding of history and fantasy into a believeable alternative history twist. I eagerly await the other volumes to follow.
GREAT read, dark story. Wish the book was longer. A good sign for picking up the series.
Interesting premise. Disappointed in delays on second novel, but it's not the author's fault.