From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” (Booklist).Otto Penzler selected and wrote introductions to the best of the best, the darkest of these dark, vintage stories for the collection The Black Lizard Big Book of Black Mask Stories. Now that collection is available for the first time on audio.Includes:“The Black Bottle” by Whitman Chambers; read by Bart Tinapp“The Corpse Didn't Kick” by Milton K. Ozaki; read by Bart Tinapp“Try the Girl” by Raymond Chandler; read by Scott Brick“Don't You Cry for Me” by Norbert Davis; read by Eric Conger“T. McGuirk Steals a Diamond” by Ray Cummings; read by Alan Winter“Wait for Me” by Steve Fisher; read by Carol Monda“Ask Me Another” by Frank Gruber; read by Jeff Woodman
About the Author
CAROL MONDA is a two-time Audie® Award-winning narrator, with over 15 years of experience. She is also a veteran actress and voiceover artist for stage, radio, television, and film.
OTTO PENZLER has edited numerous mystery anthologies including The Encyclopedia of Mystery and Detection (with Chris Steinbrunner) and The Lineup, both Edgar Award winners. He is the proprietor of the Mysterious Bookshop in Manhattan and founder of the Mysterious Press, now a Grove/Atlantic imprint.
ALAN WINTER has performed as an actor regionally and off-Broadway. A former member of Chicago’s Second City touring company, Alan currently resides in New York.
JEFF WOODMAN originated the title role in Tennessee Williams' "The Notebook of Trigorin" and won the san Francisco Critics' circle Award for his performance in "an Ideal Husband" In addition to numerous Off-Broadway credits, his TV appearances include Law & Order, Sex and the City, and Cosby. His more than 200 audiobook narrations has earned him numerous awards, including a People magazine "Annual Top Five" citation and a spot in AudioFile magazine's "Top Fifty Voices of the Century".
Actor, screenwriter and audiobook narrator, SCOTT BRICK definitely gives new meaning to a hyphenate career with credits in film, television, stage and radio. He studied both acting and writing at UCLA, spent ten years with a traveling Shakespearean company, and then went on to become a freelance writer. In 2000, Brick ventured into narrating audiobooks and quickly found himself embraced by the audio world. He’s won numerous Earphones Awards for his narrating skills, as well as Audie Awards. AudioFile Magazine named Brick “one of the fastest-rising stars in the audiobook galaxy,” and proclaimed him a Golden Voice.
What People are Saying About This
“Hardboiled crime fiction was never better than in the pages of Black Mask magazine, and Black Mask has never been better than in these vibrant, exciting audio editions. Close your eyes and you can practically smell the gunfire and whiskey.”
“The stories of Black Mask and the audio book are a love-match as inevitable and passionate and entrancing as a private eye and a femme fatale. This is a series that will make you want to get in your car in the middle of a rainy night and drive around listening.”
Robert Olen Butler, author of The Hot Country, a Christopher Marlowe Cobb Thriller
“Pitch-perfect performances of stories that are as rollicking as they are artful. I drove from Delaware to Mississippi on one long Black Mask bender, and if it weren’t for the Gulf of Mexico I’d still be driving.”
Michael Kardos, author of The Three-Day Affair
“The Black Mask Audio Series from Otto Penzler is a tribute to early pulp mystery and detective fiction that was highly entertaining, exciting and terrifically written. But this collection is far more than a nostalgic salute to the past, it’s downright fun to enjoy in the present.”