A culturally momentous film directed by a black man, featuring a black lead actor and a predominantly black supporting cast, Marvel Studios' Black Panther is augmented with an album powered by
Kendrick Lamar. It's an unprecedented convergence of the mainstream film industry with an uncompromising musician thriving commercially and artistically. Director
Ryan Coogler sought
Lamar out to contribute to the album, but the artist ended up involved with every track, credited in varying combinations as headliner, featured artist, co-songwriter, and co-producer, with long-term producer
Sounwave a factor in all but three cuts. Subtitled "Music from and Inspired By," this is not a soundtrack in the strictest sense. Indeed, a significant portion of the content -- from whole tracks like the
Travis Scott turn "Big Shot," to the part where
Future quotes
Juicy J's "Slob on My Knob" -- has no relation to the film, though there's a reflectively militant quality to a high percentage of the verses. Elements that are alternately obvious and subtle, including tribal-futuristic drums, audio-logo-like mentions of character names, and ululations (the last instance via
the Weeknd on the despairing but proud finale), are threaded throughout to maintain the connection. They frame
Lamar, a central figure as he proclaims his sovereign rank and examines its pitfalls -- not a stretch for him. The set has a major crossover single bid in the form of "All the Stars," an elegantly crafted
SZA showcase that sounds at once like a defiant hero's anthem and a love theme. Another canny aspect in the album's assemblage is its inclusion of several artists from South Africa. The most notable appearance is made by
Yugen Blakrok, "half-machine" Johannesburg native who boasts of "crushing any system that belittles us," references
Millie Jackson, and leaves a pile of smoldering rubble in her wake.
Lamar also enlists England's
Jorja Smith and
James Blake, and a Stateside crew that includes
Mozzy,
Ab-Soul, and
Anderson Paak, as well as
SOB x RBE, who, like
Coogler, represent the Bay Area. Given the level of the performances, the majority of the guests evidently approached this as a
Kendrick Lamar album, not as a soundtrack.
Black Panther: The Album serves both purposes well. ~ Andy Kellman
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