In a time of war and doubt, Gull is an oracle. Daughter of a slave taken from fallen Troy, chosen at the age of seven to be the voice of the Lady of the Dead, she is destined to counsel kings.
When nine black ships appear, captained by an exiled Trojan prince, Gull must decide between the life she was born for and a most perilous adventure - to join the remnant of her mother's people in their desperate flight. From the doomed bastions of the City of Pirates to the temples of Byblos, from the intrigues of the Egyptian court to the haunted caves beneath Mount Vesuvius, only Gull can guide Prince Aeneas on his quest, and only she can dare the gate of the Underworld to lead him to his destiny.
In the last shadowed days of the Age of Bronze, one woman dreams of the world beginning anew. This is her story.
Just as Marion Zimmer Bradley's The Mists of Avalon breathed new life into Arthurian legend, BLACK SHIPS evokes the world of ancient Greece with beautiful, haunting prose, extraordinary imagination, and a profoundly moving story.
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About the Author
Read an Excerpt
By Jo Graham Orbit
Copyright © 2008
All right reserved.
Chapter One PYTHIA
You must know that, despite all else I am, I am of the People. My grandfather was a boatbuilder in the Lower City. He built fishing boats, my mother said, and once worked on one of the great ships that plied the coast and out to the islands. My mother was his only daughter. She was fourteen and newly betrothed when the City fell.
The soldiers took her in the front room of the house while her father's body cooled in the street outside. When they were done with her she was brought out to where the ships were beached outside the ring of our harbor, and the Achaians drew lots for her with the other women of the City.
She fell to the lot of the Old King of Pylos and was brought across the seas before the winter storms made the trip impossible. She was ill on the vessel, but thought it was just the motion of the ship. By the time she got to Pylos it was clear that it was more than that.
King Nestor was old even then, and he had daughters of the great houses of Wilusa to spin and grind meal for him, slaves to his table and loom. He had no use for the daughter of a boatbuilder whose belly already swelled with the seed of an unknown man, so my mother was put to the work of the linen slaves, the women who tend the flax that grows along the river.
I was born there at the height of summer, when the land itself is sleeping and the Great Lady rules over the lands beneath the earth while our world bakes in the sun. I was born on the night of the first rising of Sothis, though I did not know for many years what that meant.
My mother was a boatbuilder's daughter who had lived all her life within the sound of the sea. Now it was a morning's walk away, and she might not go there because of her bondage. Perhaps it was homesickness, or perhaps something in the sound of my newborn mewing cries, that caused her to name me Gull, after the black-winged seabirds that had swooped and cried around the Lower City.
By the time the autumn rains came, I was large enough to be carried in a sling on my mother's back while she worked.
I know it was not that year, but it is my first memory, the green light slanting through the trees that arched over the river, the sound of the water falling over shallow stones, the songs of the women from Wilusa and Lydia as they worked at the flax. I learned their songs as my first tongue, the tongue of the People as women speak it in exile.
There were other children among the linen slaves, though I was the oldest of the ones from Wilusa. There were Lydians older than I, whose mothers had come from far southward down the coast, and a blond Illyrian from north and west of Pylos. Her name was Kyla; she was my childhood friend, the one who paddled with me in the river while our mothers worked. At least until she was also put to work. I knew then what my life would be-the steady rhythm of beating the flax, of harvest and the life of the river. I could imagine no more. The tiny world of the river was still large enough for me.
The summer that I was four was the summer that Triotes came. He was the sister-son of the Old King, tall and blond and handsome as the summer sun. He stopped to water his horses, and talked with my mother. I thought it was odd.
A few days later he came again. I remember watching them talking, Triotes standing at his horses' heads, ankle deep in the river. I remember thinking something was wrong. My mother was not supposed to smile.
He came often after that. And sometimes I was sent to sleep with Kyla and her mother.
My fifth summer was when my brother was born. He had soft, fair baby hair, and his eyes were the clear gray-blue of the sea. I looked at my reflection in the river, at my hair as dark as my mother's, eyes like pools of night. And I understood something new. My brother was different.
Triotes threw him high in the air to make him laugh, showed him to his friends when they led their chariots along the road. He was barely a man himself, and he had no sons before, even by a slave. He brought my mother presents.
One night I heard them talking. He was promising that when my brother was older he would bring him to the palace at Pylos, where he would learn to carry the wine cups for princes, where he would learn to use a sword. He was the son of Triotes, and would be known as such.
Later, when he had gone, I crept in beside my mother. My brother, Aren, was at her breast. I watched him nurse for a few minutes. Then I laid down and put my head on my mother's flat, fair stomach.
"What's the matter, my Gull?" she said.
"I am the daughter of no man," I said.
I do not think she had expected that. I heard her breath catch. "You are the daughter of the People," she said firmly. "You are a daughter of Wilusa. I was born in the shadow of the Great Tower, where the Lower Harbor meets the road. I lived my whole life in the sound of the sea. Your grandfather was a boatbuilder in the Lower City. You are a daughter of Wilusa." My mother stroked my hair with her free hand, the one that did not support Aren. "You were meant to be born there. But the gods intervened."
"Then won't the gods intervene again and take us back?" I asked.
My mother smiled sadly. "I don't think the gods do things like that."
And so I returned to the river. I was old enough to help the women with the flax in the green cool twilight along the water. And this, I knew, was where I would spend my life.
I don't remember the accident that changed all that.
We often played along the road that paralleled the river. It was nothing more than a packed track, rutted from chariots and carts. I remember the chariot, much finer than Triotes', the blood bay horses, the gleaming bronze. I remember staring transfixed. I remember my mother's scream, high and shrill like a gull herself.
It was fortunate that the rains had begun and the road was muddy. The wheel passed over my right leg just above the ankle, snapping the bones cleanly, but not cutting my foot off, as I have seen happen since. The road was muddy, and the surface gave.
I remember little of that winter. I don't remember how long I spent on the pallet in the corner where my mother had given birth to Aren. Perhaps it's childhood distance. Perhaps it's the essence of poppy that the oldest of the slave women gave me for the pain. I vaguely remember picking at the wrappings around my leg and being told to stop. And that is all.
I do remember the Feast of the Descent, when the Lady returns to the world beneath and greets Her beloved. The dry season was beginning, and the poppies were dying in the fields, the river running shallow and slow.
My right leg was half the thickness of my left above the ankle, and my right foot twisted, the toes turned inward and the heel out. I could stand, just. All that long spring I tried to walk again. By the height of summer I could stumble slowly, holding on to things for balance, but it was clear that I would never run or dance again.
More important, it was clear that I would never work all day in the shallows of the river.
I did not know why my mother left Aren sleeping with Kyla's mother and took me walking away from the river, up the long dusty track in a way we had never gone. I asked her over and over where we went, but she did not answer, though she carried me part of the way when the road went steeply uphill. I was light enough for six years old.
There was a turn in the road, and we stopped to rest. My mother brought out a water bottle and we shared it. I looked down and away at the size of the world. The river was a track of green, swirled like a snake across the yellows and browns of the landscape. Behind us, the mountains rose in serrated tiers to peaks as dark and as strange as clouds.
"There," my mother said. "Gull, do you see that?" She pointed to a silver smudge at the end of the river. "There's so much dust in the air, it's hard to see. That's the sea!"
I looked. The world ended, and the silver began.
"Are there gulls there?" I asked.
"Yes," she said. "That's where gulls live."
"Can we go there?" I asked.
"No," she said.
We put the water skin away and kept climbing. It was not much farther to go.
The track ended at a clearing, the great towering cypress trees green and mysterious, tangled among rocks on the mountainside. I thought at first it was a desolate place and deserted. But there was the buzzing of flies and the smell of goat dung. I looked again and saw that there was a shed off to the side of the track and downhill, a steep path leading down to it. There was another that led upward, between the great trees. That is the one we took.
My mother walked slowly now. The loam sank beneath our feet. The air was hushed and humid.
There was a cleft before us, a cave opening twice as tall as wide, a little taller than my mother. Before it stood a polished black stone, rounded and featureless.
My mother called out a greeting, and her voice seemed very loud in the wood.
A woman appeared in the entrance. I had been expecting something frightening, but she had the red, sweaty face of a woman who has been working when it's hot, the mended plain tunic of a servant. "What do you want?" she asked.
"To speak with Pythia," my mother said, squaring her shoulders.
The woman seemed to size her up. "Pythia is very busy. Have you brought an offering? I see no birds or young goat."
"I have brought my daughter," my mother said. "Her name is Gull."
I thought she would tell us to leave, but at that moment I heard a scraping sound just within the entrance. I suppose my eyes went wide. What stood in the doorway was not a woman.
Her hair was as black as night, piled and curled in elaborate pins made of copper. Her long robes were true black. Her face was as white as the moon, her lips black, and her eyes outlined in black as well, like a skull bleached in a field for a long time. She was beautiful and terrifying. Slowly she came toward us. One long white hand reached out and nearly touched my hair. I was frightened, but I did not move. Things would be as they must be.
"Once they brought us princesses, the daughters of kings to serve the Lady of the Dead. Now they bring us the daughters of slaves, girls who are too maimed to work. This is not an honor offering!"
My mother did not look away from her eyes. "She is my daughter, and she is all I have."
Pythia looked at me. I saw her eyes fall on my twisted leg. Her brow furrowed, and I saw the paint on it crack in the heat. And I knew it was paint, not her own face. "They will not let you keep her and feed her if she cannot work."
"Gull is a hard worker," my mother said. "She is courteous and quick to please. She could serve you well."
"This is not a large Shrine," Pythia said. "We are not like some others, with handmaidens who have little to do all day. I need a goatherd, not a girl who cannot walk."
"She could weave," my mother suggested.
One taloned hand fixed beneath my chin, tilting my face up. Her eyes were as black as mine. She was an old woman. But there was something else beneath the paint.
I don't know what she saw in my eyes. I can guess, now, these many years later. But Pythia grunted. She turned with something that was almost a shrug. "Leave her here tonight. We will test her. You can return for her tomorrow."
I saw the tension leave my mother's face. "I will. Gull, be good and please great Pythia."
I embraced her, but did not cling. I understood. There was no food for slaves who could not work. My mother was trying to find another mistress for me.
There was at least food tonight. The servant, whose name was Dolcis, brought me a bowl of the same thin porridge they were eating, Pythia and Dolcis both. It was, I thought, the same porridge we ate in the slave quarters by the river, and I said as much.
The old woman looked at me sharply. "The kings used to have some respect for us. They used to bring us fat goats and fresh fish. They used to bring us the first fruits of the vine. Now we are lucky if the country people bring us apples or meal in thank offerings."
"Why?" I asked.
"They are impious," Pythia said. "They make their sacrifices to the gods of bulls and storms, to Athene the keen-eyed. They do not bring their gifts to the Lady of the Dead." She took a bite of porridge. "Who have you made offering to?"
I had never properly made an offering to anyone, but I thought of the libations I had poured in water, or the thin new well-watered wine we sometimes had. "To the Lady of the Sea," I said.
Pythia grunted. "They are sisters, the Lady of the Dead and the Lady of the Sea. Like sisters will, They quarrel, but always reconcile. It is well."
After we had eaten, Dolcis cleared the things away. Pythia sat before me in the light of the brazier. Shadows danced on the walls of the cave.
"Are you afraid of the dark?" she asked.
"No," I said.
"Good," she said, and smothered the fire with ashes until only a few coals glowed. It was very dark within the cave. I had never been somewhere there was not even starlight. I heard her moving in the dark, the rustling of cloth.
"Sit here," she said, and I felt her putting a cushion at my back. I sat up upon it. It raised me so that I sat, my legs crossed, leaning almost over the brazier. She put another cushion behind me so that I might lean back against the wall.
There was more rustling, and I smelled the acrid scent of herbs crumbled over the coals. Rosemary. Laurel. And something richer, like resin, like pine carpets beneath my feet. Something heady, like smoke.
"There," Pythia said. "Look into the fire and tell me what you see."
My eyes itched. It was hard to keep them open. They watered. The smoke wavered. The tiny glowing lines of coals blurred. I didn't know what to say.
She was still talking, but I wasn't really hearing her. I was looking at the darkness between the glowing lines. At the blackness in the heart of the fire.
"Black ships," I said, and I hardly knew my own voice.
"Where?" Pythia said.
"Black ships," I said. I could see them in the darkness of the coals. "Black ships and a burning city. A great city on a headland. Some of the ships are small, not much more than one sail or a few rowers. But some of them are big. Painted black. They're coming out from land, from the burning city. But there are other ships in the way, between the black ships and the sea."
My voice caught with the emotion of what I saw. "There are so few of them! I can see them coming, rowing hard. The one in front has seven stars on her prow, Seven Sisters, like the constellation. That's her name. The soldiers on the other ships have archers. They're shooting at them."
One of the sailors was struck in the eye by an arrow. He screamed and plunged into the sea. One of the ships' boys was hit in the leg and went down with a high, keening sound, his blood spurting across the deck.
One of the small boats was rammed and capsized.
"There are people in the water. They're not sailors, not on the little boats. Children. Women." I could see them struggling. The archers were shooting them in the water.
"One of the big ships is turning back. She's turning around." I could see the dolphin on her prow, white and red on black.
There was a girl in the water, her slim, naked body cutting through the waves like a dolphin herself. She was almost to the big ship. Now she was there. One of the rowers shipped his oar as she reached for it, stretching her arms up the shaft. She got one foot on the top of the paddle, pulled herself half out of the water. Hands reached down to haul her aboard.
"Seven Sisters has come about," I said. "She's bearing down on one of the ships of archers, and they're hauling at the oars to get out of the way."
Seven Sisters swung past, close enough that I could see the young man at her tiller, his sandy hair pulled back from his face with a leather thong, lips set in concentration, the wind kissing him.
"They have fire arrows," I gasped. "The blockaders. They're lighting them."
One fell hissing into the sea. Another dropped on the foredeck of Dolphin and was quickly extinguished with a bucket of water. A young man with long black hair was hauling one of the children from the fishing boat aboard.
The rest of the fishing boats were either sunk or out to sea, sails spread to catch the land breeze carrying them away.
I heard shouted words, saw the captain of Seven Sisters waving.
A fire arrow struck the captain of Dolphin full in the chest, his beard igniting. He fell away from the tiller, his face on fire and his chest exploding. The young man with black hair swung the child into the shelter of the rowers' rail and leaped for the tiller. Seven Sisters swung away, her course between Dolphin and the nearest blockader.
Dolphin's sail unfurled, red dolphin painted on white. It filled with the land breeze. A moment later Seven Sisters' spread, black stars against white. Behind them the city burned. Ahead was only open sea.
I was aware of a new sound. It was my own sobs.
Pythia lifted me up as lightly as my mother. "Enough, little one. Enough. You have seen enough and more for the first time."
She laid me on a pallet of soft sheepskins and covered me with her own cloak. "Rest, little one. Rest."
And I did, and dreamed no more that night. I did not doubt that I should stay here.
Excerpted from Black Ships by Jo Graham Copyright © 2008 by Jo Graham. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
This is a trully amazing novel. It is so wonderful that after the first page you become part of it... you'll smile, laugh, and cry with the characters. simply, the best you can ever read. It has very interesting plot entangled with Jo Graham's amazing writing style. Anybody would love this novel and want more from Jo Graham.
I am completely shocked at the high ratings for this book. It was horribly written, things happening every page, jumping quickly from one thing to another. The characters would be sailing out to war, and 2 pages later, not only are they back, but something else is happening! The author invested absolutely no time into her characters. I felt nothing for them. Absolutely no depth whatsoever to this story. Not only did it lack depth, but the conversations, the wording, everything was WAY off for this time period. The author basically took a setting, and placed present day conversations into it. Completely unrealistic. Example: The main character, Gull, aka Pythia, made a comment about Egypt, I quote " they have a saying here, Don't fix it if it is not broken" Really? That's an old Egyptian quote?! I do not recommend this book. It was a complete flop!
This is one of my favorite books and this is my second reading of it. Set after the fall of Troy, it follows Gull, who becomes Pythia, from an ignoble birth through trial, triumph and the pain of loss. I think Jo Graham did a fine job of character development and I find no problem with the flow of events. There was a line another reviewer had a problem with, a saying attributed to ancient Egyptians: Don't fix it if it is not broken. The reviewer scoffed at that being ancient. I smiled when I read it, I rather think it exemplifies the ancient Egyptians very well. Also, it is utter hubris to believe that the maxims of modern society are unique and have no historical basis/equivalent.
Love love love the heroine and this new take on the story.
I love this book! I totally believe that the characters are well thought out and exceptionally well written. However i do believe that one would need to read one of the other books by graham to get the full picture and understand the story. The way that the author ties in all her books together with the characters is amazing but the hand of isis should definately be read prior to reading about gull.
Couldnt get into this book, not sure why...I zipped through the pages to find out what happened but I was glad when it ended.