The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them a girl, and trap the other in the body of a swan.
But when two local boys become drawn into the game, the swans’ spell intertwines with the strange and unpredictable magic lacing the woods, and all four of their fates depend on facing truths that could either save or destroy them. Blanca & Roja is the captivating story of sisters, friendship, love, hatred, and the price we pay to protect our hearts.
|Publisher:||Feiwel & Friends|
|Product dimensions:||5.70(w) x 8.30(h) x 1.40(d)|
|Age Range:||13 - 18 Years|
About the Author
Read an Excerpt
Everyone has their own way of telling our story.
Some say it began generations ago, with a girl lured by the white birds in the woods. The moment she reached out a small hand toward their wind-fluffed feathers, a swan bit her, poisoning her blood.
Others say it started with a flock of swans gliding over our great-great-great-grandmother's house. They flew overhead at just the right moment to hear her cursing her own family's blood. So the swans cursed her, and all the daughters after her.
Some insist it was two sisters, squabbling for years over who was more beautiful. A bevy of swans in a nearby pond grew so weary of all the noise, and struck them with a spell that would take one of each of their daughters.
The worst one tells it this way: Once, a del Cisne woman — probably one of our great-great-great-grandmothers — stole a groom from his bride on their wedding day. The bride's family hated our bisabuela and her name so deeply they cursed her brown skin and her dark hair to become white feathers, and for the same fate to befall a del Cisne daughter every generation after.
These are the stories they tell, tales of winter storms or spiteful witches. Because when there is a family in which one of every two daughters grows an ink-black bill and a pale-feathered neck and snow-bright wings, people like to think they know why.
Few think to ask us.
This is the story we believe to be true:
A mother once raised her daughter among swans, hoping they would teach her their grace and beauty. And this daughter, with the swans for her sisters, grew lovely in both appearance and manner. When she married, she bore only sons, three and then five and then ten sons. And though she loved her sons, she wanted a daughter, so that she, too, could raise a girl with the grace of swans.
So she went to the swans she had once called her sisters.
"Please," she told them. "All I want is one daughter."
"We will give you better than one. You will have two," they said, with a magnanimous bow of their necks. "There will always be two daughters. But we will always take one back."
"Which will you take?" the woman asked.
They lowered their wings. "That will be for us to decide."
There may be as many versions of the story as there are daughters our family has lost to it. But this is the one my sister and I know. A woman wanting something so badly she did not understand the weight of the swans' pronouncement.
There will always be two daughters. But we will always take one back. The swans would take not just one of the woman's daughters, but one of her daughter's daughters, and one of her daughters, and one of hers. There would always be one daughter taken, and one left watching the sky in winter, wondering if a far-off flick of white was a coming snow or her lost sister.
Even when there were sons, there were always daughters alongside them, two sisters, whether they had brothers or not. Always two, always enough that the swans could take one and leave behind the other. My bisabuela had already raised three sons, sure she was too old for more children, when her daughters arrived. My great-great-aunt, intent on having one child, delivered, to her surprise, twin daughters. My second cousin thought she had defied the swans by having a single son and a single daughter, until the child thought to be a boy declared herself as the girl she had always been.
The way our aunt and our great-aunts tell it, our family never knows which daughter the swans will take.
But I've always known it would be me.
If I wanted to, I could believe everything was decided when we were born.
But I've always known it was earlier than that. And not just because the colors of girls are decided before they're born, though that's something I know to be true.
What I believe instead is that, in the moments of my sister and me becoming our own little lives, it was already written into us.
In the wisp of blood and not-yet-breath that was Blanca before she was born, there were already the beginnings of how her hair would grow as gold as October leaves.
Her eyes would be brown, the same as the rest of us, and that was something our mother would consider a great misfortune. But they were a brown as light as acacia honey, like amber. A brown that could be forgiven.
A few months after Blanca was born, I was a new wisp of blood and not-yet-breath. My own colors were already waiting. By then, Blanca had grown a crown of hair as fine and blond as a duckling's down. Her tiny hands patted the growing round of my mother's belly, where I was, slowly, becoming.
While my sister had a face as fair as the almonds my mother blanched each fall, mine would turn out as brown as the almond's skin, dark and delicate, that my mother swept off the counters. I would have eyes and hair as dark as the coffee grounds my father spread over his roses in winter.
My hair grew not only dark as those coffee grounds, but red. Not the copper or strawberry of green-eyed girls, but deep red, a red so dark it looked wet. It was a red that wouldn't take dye, not even the black walnut the señoras gave my mother. "Blood-soaked hair," they called it, my mother shuddering at the words, my father saying them back with as much pride as if they were a new knife, fine and just sharpened.
My father counted it as such a point of pride that he named me for it, setting his hand on my small forehead and declaring me Roja while my mother slept off a birth fever. The kind of birth fever, the señoras reminded me on my birthday every year, that Blanca hadn't given her.
If I wanted to, I could believe it was our colors that decided Blanca would be the gentle sister, pure and obliging, and I would be the cruel one, wicked and difficult. She would be the blessed daughter, the one the swans would spare. And I would be the one the swans would take.
But my sister saw our story ending another way.CHAPTER 2
I was five, maybe six when I first saw the swans. I remember because Roja was still having her tantrums, so she couldn't have been older than four. Our parents were trying to train them out of her, our mother by clutching her arm when she wailed for more than a few minutes, our father by crouching to meet her eyes and talking in a voice that was low, and neither harsh nor gentle.
"You can scream and cry if you want," he said. "But what you have in you is power."
His words were so level and sure, they made Roja quiet. Her tears froze on her cheeks.
"You let it wring you and throw you around like you're a doll," Papá said. "And if that's all you let it do, you'll be a fool forever. Because that power, that anger in you, that is the best thing you have." He gave her a nod as proud as if she were a son. "So claim it. Pick yourself up and use it."
My mother pulled me into the kitchen. Not like I was seeing something I shouldn't. More like she wanted to guard me from my sister. As though Roja might throw off shards of glass that would catch me if I got too close.
The kitchen still smelled like pomegranates from when my mother and I had split open the rinds that afternoon, spilling the jewels inside. Mamá had seemed happy, the two of us sitting at the table, her legs crossed at the ankles, my bare feet swinging off the chair. She was patient when my pudgy fingers squished the pith into the fruit. She laughed, rubbing sprays of red juice off my forehead and showing me how cutting the fruit into quarters and then plunging them into water made them give up their seeds.
Now Mamá stopped a few steps from the back door.
"Do you want to see them?" she asked.
I didn't know what she meant. I nodded anyway, nervous but thrilled by the promise of a grown-up secret.
From the living room came the flat sound of my sister driving her fists into the carpet. She wasn't crying anymore. Her face was against the floor. She had worn herself out.
The sound of her fist on the braided rug was as familiar as my own voice. I could almost smell the salt of her tears. The warmth of the wool under her flailing body. The thick vanilla of the hierbas in my father's pipe, which he lit as though to say he had nothing but bored patience, that he'd wait all night for her to pick herself up off the floor.
All these things smothered the pomegranate smell like a blanket over a flame.
My mother took me outside with her. The night air was a little sweet from the Ashbys' flowering trees, waking up from winter and turning blush-pink.
My mother must have smelled the swans' feathers on the air, because we had just set our feet onto the chilled ground when their shapes crossed the moon. The flashes of their silhouettes flickered over the gleaming round, and then they were gone.
They did not fly lower. They did not sweep down into the trees and toward our corner of the woods.
That, according to our great-aunts, would not be until Roja turned fifteen.
Then the swans would come for us. Los cisnes, birds as beautiful as they were terrifying. Their arrival always marked the season when they would decide which daughter would remain a girl, and which they would take.
From where my mother and I stood, those swans looked as distant as if they lived on the moon. That was what Roja and I would be to each other one day, after los cisnes finished with us. One of us would stay rooted to the ground, the other bound to the sky.
The thought of it felt like my veins being ripped from my heart. Roja was not just my blood. She was the sister who chased garden lizards like they were kittens, but hid in her bed every time a cricket got into our room. She saw my fear during thunderstorms and told me lightning was nothing but ribbons, no different from the ones we set in our hair, just made of stars.
I could not let that kind of distance spread between me and the girl I'd mapped the woods with, both of us learning them as well as each other's faces.
The next morning was still pale silver when I got Roja up out of bed. I buttoned her into the berry-red coat our father had bought her for Christmas, and I put on the cream wool one my mother had picked out for me. I brought her outside, and from the garden we took everything I thought might save us. White roses and red ones. Sour berries and sweet. Herbs with every kind of leaf.
We started with the herbs. I gave Roja the ones with rounded leaves, to smooth her out. I ate the ones with prickly edges that looked like ripped paper, so I'd grow sharper edges, too. Then the berries; I gave my sister the ripest ones while I let the sourest pucker my tongue, to make her the sweeter one.
And last, the roses. We slipped the petals onto our tongues like the communion wafers at church. I swallowed the red ones, and Roja the white, each of us eating the opposite of our names.
"Why are we doing this?" my sister asked. Not impatient. Not whining. Just because Papá had taught her to ask questions.
"If the swans can't tell us apart," I said, "they can't decide which of us to take."CHAPTER 3
I'd heard how everyone talked about the del Cisne girls. At best, they whispered about them with a storyteller's thrall, like they might have about a lake filled with vicious mermaids.
The feathers are in them already; they're born with them under their skin. That's why their mother took them out of school last year, so everyone wouldn't see their wings coming in.
I heard when the moon's full their father doesn't sleep. That's how he gets all his work done.
Don't ever go into their house. Angel's trumpet and bittersweet berries grow through their floorboards.
At worst, they blamed the del Cisnes. If lavender bushes didn't take, or jam didn't thicken, mothers threw their hands up, shrugging that it must be swan season. If blond, water-eyed girls' barrel ringlets fell out before dances or ballet recitals, they hissed the name del Cisne.
I saw one of the del Cisne girls out in the woods once, after they weren't going to our school anymore.
She had hair almost like mine, but the yellow of hers was so vivid and rich that I couldn't think of it as anything but gold. It had weight and warmth, like the last threads of sunlight before the sky deepened.
But it wasn't her hair that stopped me.
It was her eyes, a brown so shining and deep I found their glint from across the forest pond. They caught the light even in the trees' shadows. Like blueberry honey, or the topaz on my mother's favorite bracelet. A hundred facets, brown and glimmering.
I watched her through the aspen leaves, their flickering yellow hiding and unveiling her.
She was looking out over the pond. I couldn't tell why. I kept waiting for her to skip stones or throw pennies in for wishes.
It got cooler and darker, and she buttoned the extra buttons on her sweater. When she crossed her arms over her chest like she was still cold, I knew she was about to go inside. Her family didn't live far. I didn't know that from following her. Everyone knew that, how the del Cisne girls lived in a house deep in the trees.
I waited for her to turn away from the pond, her hair fanning out in a sweep of gold.
But then her gaze lifted off the water. Her eyes moved across the screen of trees.
They stopped where I stood.
That brown caught me. Against the aspen-yellow of her hair, the color was as startling as it was beautiful. This girl was her own woods, gold and brown.
She didn't flinch. She didn't glare at me.
Her gaze didn't break even as leaves fluttered between us. Heat spread over the back of my neck, and I wondered if she'd known I was here the whole time.CHAPTER 4
The first time I ever talked to Page Ashby was when he found me in back of the school and hit me in the jaw.
He did it fast, no warning, and he did it while saying words my brain was too rattled to register. Something about how my grandmother had besmirched the honor of his grandmother. I didn't catch everything he said but I caught that much. He really did say it like that, too. Besmirched her honor. I half expected Page to pull out a glove, slap me in the face with it, and challenge me to a duel.
What, exactly, could Grandma Tess have done to besmirch anyone? Let alone Lynn Ashby. The only thing I could think of was something about the fruit the Ashbys grew. The best apples for a hundred miles came from their trees, and everyone knew it. Any insult to them was grave as cursing their mothers.
But Grandma Tess liked them as much as anyone else, and if she ever didn't, she wouldn't have mentioned it. Not worth it all around, she would've said.
Page Ashby stood in front of me, waiting. He was small, even adjusting for how I had two years on him, fourteen to his twelve. Under his overalls, he wore a plain shirt — white, cotton, the kind my mother said should never be seen in public because they were underwear. It darkened at the sleeve hems, the tint of dust and dirt off his family's orchard. His hair was light as the unfinished wood of the apple crates. It looked like he'd cut it himself, a try at a nondescript boy's cut that didn't look half bad in the front but went uneven in the back.
He stood with his hands in the pockets of his overalls. Unafraid, like he either knew I wouldn't fight back or was ready for it.
"You call that a hit?" I asked.
Sure, it had hurt at first, but the pain landed shallow, and faded fast. It was all snap and first impact. There was no force behind it, no solid path.
I wondered if the insult would make him hit me again, but he just blinked at me.
"Come on." I stood next to him. "Let's teach you to do this right."
"You're going to show me how to hit you better?" he asked.
"I hope not," I said. "But I can't let you go around doing that again."
He looked too surprised to argue.
"Show me how you make a fist."
"Do you want to break your thumb?" I asked.
"Then don't put it inside your fist."
He slipped it out and set it alongside his curled fingers.
"Didn't your father teach you this?" I asked.
"He's not really the fighting kind."
"Lucky you." My laugh was supposed to sound thoughtless, like shrugging something off, but it came out bitter. "Okay, now imagine going past whatever you're trying to hit. If it's me, you're not aiming for me, you're aiming for the brick behind me."
That was a trick Liam had taught me. Good of him, too, since he was usually the one I was trying to punch through.
Page charged his fist into the air in front of him, slow, but I could see him imagining it.
"Throw from your shoulder, not your arm," I said. "If you think too much about your hand, you end up bending your wrist."
He squared up his stance, unrounding his shoulders.
I stood in front of him. "Feel like trying again?"
"You want me to hit you in the face again?" he asked.
"How about you go for my arm?"
"What if I hurt you?"
That was a nice change from two minutes earlier. If Liam and I could have shut down our fights this fast, we would've both had time to learn the violin.
I touched my sleeve halfway between my shoulder and elbow. "You won't."
He did it. It hurt, the pain spreading out through the muscle in my arm.
"Better," I said.
He heard it in my voice, that pain I held at the back of my throat and the pride of knowing I'd taught him to do that.(Continues…)
Excerpted from "Blanca & Roja"
Copyright © 2018 Anna-Marie McLemore.
Excerpted by permission of Feiwel and Friends.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Part One: October Boys,
Part Two: Rose & Snow,
Part Three: Woods, Feathers, Frost,
Part Four: The Swan & Her Sister,
Part Five: Those of Us with Wings,
Also by Anna-Marie McLemore,
About the Author,
Most Helpful Customer Reviews
READ THIS BOOK! It touches on so many important topics and themes-- familism, colorism, gender identity, abuse, love, and sisterhood to name a few-- and handles them thoughtfully, wrapped in beautiful and haunting prose.
I didn't know much about this book besides the synopsis so I didn't have any preconceived ideas when I started to read it. I also knew little to nothing about Snow White and Rose Red and Swan Lake which inspired this book. I found the story interesting, it kept me compelled to read more. It was more than the relationship between the sisters and in turn, their relationship with those around them. It was definitely a lesson in believing you are more than what others tell you, you are. It was fast paced, and while told from different perspectives, it still flowed well and provided interesting and compelling viewpoints. It is a book that would recommend to anyone who loves the original fairy tales and those who love fantasy and/or stories of the strengths of love between sisters.
I’ve been enamored with Anna-Marie McLemore’s writing since her debut The Weight of Feathers. With each novel she has written, I have fallen even more in love, not with just her words but with her ability to weave together stories where sadness and hope, magic and reality meet as though they were two sides of the same coin. In Blanca & Roja, a novel inspired by the fairy tale Snow-White and Rose-Red, two sisters have grown up knowing that a bargain made by their ancestor means one day the los cisnes, the swans, will come to claim one of them as their own, as they have done with each generation of their family. Their love for one another has kept them from falling into the same trap sisters before them have, allowing the fear of being taken from this world to overpower their love for one another. The del Cisne girls have always been viewed by outsiders as something more akin to witches, these strange and unknowable sisters who live in the woods and whose very existence they blame whenever anything goes wrong in town. With each passing day los cisnes do not come to claim one of them, Blanca and Roja grow more confident that they have outsmarted them. But the swans are not to be cheated and when two boys disappear into the woods, they are inexplicable lured into a story that could break both them and the de Cisne sisters. Blanca & Roja alternates between four different perspectives: the del Cisne sisters and the two boys whose stories collide with theirs. Blanca and Roja are as different as night and day. Blanca has always been viewed as the more gentle of the two, her golden hair and lighter skin have made it easier for her to move around in the world, for people to see her as otherworldly and blessed, rather than feared. She instinctively protects her younger sister, wanting to save her from being taken by los cisnes. Blanca has done her best to keep her sister close, to not allow any discord to grow between them. She’s tried to harden her edges, to make herself a little more like her sister while also helping Roja become softer, so when los cisnes comes to claim one of them, the sisters would be too much alike for the swans to lay claim to either. But her fear that Roja has already been marked as the “bad” sister leads her to decisions that will inevitably cause a rift between the two. Roja has never been an easy child. When she was younger her temper always got the better of her. Though prized by her father for her unwavering curiosity, there aren’t many others who’ve seen Roja as anything other than a foil to her sister. Unlike Blanca, Roja has all but accepted that she will be the sister taken. She knows that fairy tale stories are never about the darker of the two sisters, the one with brown skin and sharp edges. Both sisters are desperate to save the other, but secrets have a way of sowing distrust and when you grow up being told you are only allowed to be one thing while your sister is another, resentment inevitable follows. This is as much Page Ashby and Barclay Holt’s story as it is the title characters’. Page is non-binary and has fought to claim himself in a world where everyone wants to attach one name to him and be done with it. Barclay becomes the first person to accept Page as he is, but it is Blanca who becomes the first person to ask. Page does not have a preference when it comes to pronouns, sometimes “he” feels right and sometimes “she” (McLemore uses both pronouns for Page throughout the novel), the most important t
The plot of this book follows two sisters, Blanca and Roja Del Cisne. One of the sisters is destined to turn into a swan by the time the younger sister reaches her 15th birthday. These sisters are determined to change their fate, despite the fact that they have been told all there lives to be prepared to lose each other. The story is told from four perspectives, including Blanca and Roja, as well as two more main characters. This is so beautiful. Like, soooo beautiful. I'm already a fan of Anna-Marie McLemore's writing style from reading Wild Beauty, so I could already anticipate the general tone and writing style of this book. This kind of writing is not for everybody. It's not very direct and it's fluffy; meaning she uses a lot of pretty words to describe something that she could describe in only a few. For me, her writing is an experience along with the plot. If you just want a straight forward plot with concrete descriptions, this might not be for you. There are points where I was confused as to what was happening because she didn't actually directly say what happened. This wasn't something that I could speed read, I really had to take my time to take in her work. I would recommend this to people who enjoyed Wild Beauty or who like young adult contemporary with aspects of magical realism. I'm not sure if this is considered young adult fantasy, but I would personally say that this leans more contemporary with magical realism and a bit of fantasy sprinkled in.
Rating: 4.5 stars I've dabbled in magical realism a bit, but Blanca y Roja is easily the most enchanting, luscious book I've read in the genre yet. If you love Laini Taylor or any books with lyrical, descriptive writing, you should definitely add Anna-Marie McLemore to your TBR! Blanca y Roja is a loose retelling of Swan Lake (but really, it's a retelling of the Latinx fairy tale Snow-White and Rose-Red), that surrounds two sisters and their struggle to remain united when one is cursed to turn into a swan. I absolutely loved how this book focuses so strongly on sisterhood, it keeps that focus throughout the story and portrays the ups-and-downs of their relationship perfectly. Both Blanca and Roja are incredibly well-developed characters, and personally I was able to relate to Roja in a big way. Her firecracker personality mixed with self-doubt, insecurity, and fearlessness reminded me of a lot of teenage girls I know. Blanca, who supposedly is the soft, demure sister that works to please everyone, is much more of an enigma than at first glance. Her intelligence and determination end up playing a huge role throughout the course of the story. This book is told through four POVs, and I find myself rarely saying this, but it totally worked. There wasn't one POV I found myself dreading to read, or a lag in certain chapters before we got back to the action. I think the alternation between perspectives made the story way more intriguing and heartfelt, I got to know the four protagonists intimately, which made turning the last page way harder on my soul. The only thing about this book that I didn't care for was the pacing, and I think that's more a personal preference of mine when it comes to the genre than a flaw in the storytelling. Overall, this is just a slow book. Not in a bad sense, but just in the way that you're meant to mull over each sentence in your head like you savor wine. It's not as much about the action or the plot than the way the world is painted through descriptions and imagery, so if you're in the mood for an action-packed adventure, this really isn't it. That being said, all the woodland-y and forest-y descriptions made Blanca y Roja absolutely perfect for the fall season! The ideal way to read this book would be sitting on a cabin porch on the top of a mountain, a chilly breeze blowing past with a warm cup of tea and a soft blanket. Actually, that might be the ideal way to read any book. And damn if Anna-Marie didn't grab my heart with her sweet, soft, breakable boys that would do anything for the del Cisne sisters. But while I'd usually take this part of my review to squeal and fangirl over hot dudes, I actually want to talk about the fact that the author took these side characters and did ridiculously amazing things with them. While Blanca and Roja's characters primarily illustrate the danger of certain stereotypes and the false narratives they create within ourselves, McLemore used Yearling and Page to highlight just as important issues when it comes to having a disability, surviving abuse, and being transgender/identifying as non-binary. Overall, if you love: complicated girls with deep hearts; complicated boys with very very cute personalities; viscous swans that might kill you or transform you into one of them (take your pick); nature, trees, bears, that kind of thing; or stories about friendship, sisterhood, love, and sacrifice - meet your favorite fall read of 2018.