Highway 61 Revisited resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In "Like a Rolling Stone," his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? a composite "type"?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In "Ballad of a Thin Man," the younger generation's confusion is thrown back in the Establishment's face, even as Dylan vents his disgust with the critics who labored to catalogue him. And in "Desolation Row," he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humor, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mourbanful sweetness of Bloomfield's flamenco-inspired fills.
In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects Highway 61 is rock 'n' roll's answer to A Season in Hell.
About the Author
Mark Polizzotti's previous books include the collaborative novel S. (1991), Lautréamont Nomad (1994), Revolution of the Mind: The Life of André Breton (1995), The New Life: Poems (1998), and a study of Luis Buñuel's Los Olvidados for the British Film Institute (2006). His articles, reviews, and poetry have appeared in The New Republic, ARTnews, Parnassus, Partisan Review, and elsewhere. He is also the translator of over thirty books, including works by Gustave Flaubert, Marguerite Duras, André Breton, and Jean Echenoz. He lives in Boston, where he directs the publications program at the Museum of Fine Arts.
Most Helpful Customer Reviews
While this is the best of the 33 1/3 books about famous musicians and one of their distinguishing albums it is still a bore. The are a few highlights of trivia about Dylan but otherwise a lot of guessing. Honestly, how many times can you play semantic mind farts about what your interpretation is over the lyrics, album cover, and the artist's mood. 168 pages that would have been better reduced to 16 at best.