Taking a post-psychoanalytic, queer-theoretical approach, this book links philosophical and aesthetic issues in two distinct periods through the examination of a variety of imaginative texts, from canonical poetry and fiction to avant-garde music and film.
Taking a fundamentally post-psychoanalytical approach, Bodies at Risk links philosophical and aesthetic issues in two distinct periods, with postmodernism continuing and amplifying the central concerns of Romanticism, including subject formation, the disruptive effects of the human body, and the unique forms of textuality they enable through risky personal and artistic conflicts. Neveldine investigates how the body, designated as queer or otherwise, has placed itself at risk, such that it has questioned dominant notions of what it is to be a human subject in Western society, roughly since the time of the Romantics. Neveldine also explores how certain kinds of artistic conflicts have played themselves out in various texts in the Romantic period and postmodernism and what these conflicts have produced, both corporeally and textually.
From Wordsworth’s poem “Nutting” to Gregg Araki’s film The Living End, from the Marquis de Sade’s prose to the autobiographical fiction of Thomas Bernhard, the artifact radically interrogates our notions of textuality, setting aside forever its status as a mere imitation or representation, and becomes a testimony to the body’s ability to resist oppression and create new types of human being.
About the Author
Robert Burns Neveldine earned his Ph.D. at the University of Washington, where he completed Bodies at Risk and taught as an instructor. He is currently at work on a book about Kurt Cobain, Lee Harvey Oswald, Alan Turing, and Gustav Mahler, as well as a long novel entitled Monster Zero.
Table of Contents
Overture The Limits of Bodies at Risk
Part I Romantic Assemblages
Prelude I Wordsworth, Godwin, and the Shelleys
Chapter One Wordsworth's "Nutting" and the Violent End of Reading
Chapter Two Romantic Fiction Double Feature: Caleb Williams, The Homotextual Adventure Begins , and Frankenstein Meets Pygmalion
Part II Postmodern Virtualities
Prelude II French Theorists, Minimalism, AIDS
Chapter Three On Lacan, Foucault, and Deleuze and Guattari
Chapter Four Music into the Body: Philip Glass and Others
Chapter Five Skeletons in the Closet: Paradox, Resistance, and the Undead Body of the PWA
Epilogue The Virtual Body of Aesthetics