The Body on the Beach (Fethering Series #1)

The Body on the Beach (Fethering Series #1)

by Simon Brett

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Overview

In the seaside hamlet of Fethering, Carole Seddon maintains a quiet and sensible life. She doesn’t have the time or the tolerance to deal with her new bohemian neighbor, Jude, whose outgoing personality contrasts with that of the prim and proper Carole. But her new neighbor doesn’t seem so bad when Carole discovers another addition to the neighborhood—a dead body on the beach bearing two wounds on its neck. Then unable to find the body, the police dismiss Carole’s story.
 
But when a stranger warns her to keep quiet or else, Carole does the unthinkable and confides in Jude—who suggests that if the police cannot be bothered to catch a killer, then they should do it themselves.

Product Details

ISBN-13: 9781101203972
Publisher: Penguin Publishing Group
Publication date: 09/01/2001
Series: Fethering Series , #1
Sold by: Penguin Group
Format: NOOK Book
Pages: 320
Sales rank: 381,305
File size: 511 KB

About the Author

Simon Brett, called by The Baltimore Sun "one of the wittiest mystery writers around," is the author of the Mrs. Pargeter Mystery series, the Fatherine Mystery series, and the creator of the Charles Paris Mystery series. A former president of Britain’s Crime Writers’ Association and chair of the Society of Authors, he lives in the south of England with his family.

Read an Excerpt



Chapter One

Fethering is on the South Coast, not far from Tarring. Though calling itself a village, Fethering isn't what that word immediately brings to the minds of people nostalgic for an idealized, simpler England. Despite the presence of many components of a village—one church, one shop, one pub, one petrol station and a whole bunch of people who reckon they're the squire—Fethering is in fact quite a large residential conurbation.

    The core is its High Street, some of whose flint-faced cottages date back to the early eighteenth century. The peasant simplicities of these buildings, sufficient for their original fishermen owners, have been enhanced by mains drainage, gas central heating, sealed-unit leaded windows, and very high price tags.

    Out from the High Street, during the last century and a half, have spread, in a semicircle whose diameter is the sea, wave after wave of new developments. The late Victorians and Edwardians added a ring of solid, respectable family homes. Beyond these, in the 1930s, an arc of large, unimaginative slabs sprang up, soon to be surrounded by an infestation of bungalows. In the postwar period some regimented blocks of council housing were built in an area to the north of the village and named, by planners devoid of irony, Downside. Then in the late 1950s there burgeoned an expensive, private estate of vast houses backing on to the sea. This compound, called Shorelands, was circumscribed by stern walls and sterner regulations. From that time on, stricter planning laws and a growing sense of its own exclusivity had virtually stopped any furtherdevelopment in Fethering.

    The roads into the village are all regularly interrupted by speed humps. Though tourism plays a significant part in the local economy, strangers to the area are never quite allowed to feel welcome.

    Because of its seaside location, the village boasts a Yacht Club, a cluster of seafront cafés and a small but tasteful amusements arcade. During the winter, of these the Yacht Club alone remains open, and to members only. But open all the year round along the front are the rectangles of glass-sided shelters, havens by day to swaddled pensioners killing a little time, and by night to amorous local teenagers. In spite of the overpowering gentility of the area, and ferociously deterrent notices about vandalism, the glass of the shelters gets broken on a regular basis.

    Fethering is set at the mouth of the Fether. Though called a "river," it would be little more than a stream but for the effects of the tides, which twice a day turn a lethargic trickle into a torrent of surprising malevolence. A sea wall, stretching out beyond the low-water mark, protects the beach from the Fether's turbulence. This wall abuts the Fethering Yacht Club, which controls access to the promenade on top. Only Yacht Club members, and some local fishermen who keep their blue-painted equipment boxes there, are allowed the precious keys which give access to this area. Against the wall, on the beachward side, is the cement ramp down which the boats of the Fethering Yacht Club flotilla reach the water.

    The sea goes out a long way at Fethering, revealing a vast, flat expanse of sludge-coloured sand. When the tide is high, only pebbles show, piled high against the footpath and the wooden breakwaters that stretch out from it like the teeth of a comb. Between the path and the start of the houses, lower than the highest part of the beach, is a strip of tough, short grass. At spring tides, or after heavy rain, pools of water break up the green. The road which separates this grass from the start of the houses is rather imaginatively called Seaview Road.

    At regular intervals along the beach are signs reading:


NO CYCLING AT ANY TIME

POOP SCOOP AREA

CLEAN IT UP.


    Though hardly separated from the coastline sprawl of Worthing, Fethering believes very strongly in its own identity. People from adjacent areas even as close as Tarring, Ferring or Goring-on-Sea are reckoned to be, in some imprecise but unarguable way, different.

    Fethering is its own little world of double-glazed windows and double-glazed minds.

    Carole Seddon had always planned to retire there. The cottage had been bought as a weekend retreat when she had both a job and a husband and, though now she had neither, she never regretted the investment.

    Carole had enjoyed working for the Home Office. The feeling of having done something useful with her life fitted the values with which she had grown up, values which at times verged on the puritanical. Her parents had lived a life without frills; perhaps the only indulgence they had shown her was the slightly frivolous "e" at the end of her first name. So Carole felt she had earned a virtuous retirement—even though, she could never quite forget, it had come a little earlier than anticipated.

    Ahead of her, she imagined, until time finally distressed her body beyond repair, lay perhaps thirty years of low-profile life. Her Civil Service pension was at the generous end of adequate; the mortgage was paid off; there would be no money worries. She would look after herself sensibly, eat sensibly, take plenty of long sensible walks on the beach, perform a few unheralded acts of local charity for such organizations as the Canine Trust and be, if not happy, then at least content with her lot.

    Carole Seddon did not expect any changes in the rest of her life. She had had her steel grey hair cut sensibly short and protected her pale-blue eyes with rimless glasses which she hoped were insufficiently fashionable ever to look dated.

    She bought a sensible new Renault, which was kept immaculately clean and regularly serviced, and in which she did a very low mileage. She had also acquired a dog called Gulliver, who was as sensible as a Labrador is capable of being, and she had kitted herself out with a sensible wardrobe, mostly from Marks & Spencer. Her only indulgence was a Burberry raincoat, which was well enough cut not to look ostentatious.

    If her clothes were older than those usually worn by a woman in her early fifties, they represented sensible planning for the future. Carole was happy to look older than her age; that accorded with the image of benign anonymity she sought.

    And someone who wished to slip imperceptibly into old age could not have chosen a better environment than Fethering in which to complete the process.

    As she took her regular walk on the beach before it was properly light that Tuesday morning in early November, these were not, however, the thoughts going through Carole Seddon's brain. They were old thoughts, conclusions she had long ago reached and fixed in her mind; they never required reassessment.

    But new, disturbing thoughts cut through the early-morning sounds, through the hiss of the gunmetal sea, the wheeze of the wind, the resigned complaint of the gulls, the crunch of sand and shingle on which Carole's sensible gumboots trod. The new thoughts centred round the woman who, the previous day, had arrived to take possession of the house next door. It was called Woodside Cottage, though there wasn't a wood in sight. But then Carole's own house was called High Tor and it was a good two hundred miles to the nearest one of those. That, however, was the way houses were named in Fethering.

    Despite its High Street location, Woodside Cottage had been empty for some time. Buyers were put off by the amount of modernization the property required. Its former owner, an old lady of universal misanthropy, had been dead for eighteen months. Carole's initial neighbourly overtures, when she first started weekending in the area, had been snubbed with such ferocity that no further approaches had been made. This lack of contact, and the old lady's natural reclusiveness, had meant it was like living next door to an empty house. Death, turning that illusion into reality, had therefore made no difference to Carole.

    But the prospect of having a real, living neighbour did make a difference. A potential variable was introduced into a life from which Carole Seddon had worked hard to exclude the unexpected.

    She hadn't spoken to the newcomer yet. She could have done quite easily. The woman had been very much up and down her front path the previous day, the Monday, volubly ushering in and directing furniture-laden removal men. She had even engaged hitherto-unmet passers-by in conversation, exchanging cheery words with Fethering residents who, Carole knew, were deliberately taking the long route back from the beach to check out the new arrival.

    Her name, the woman readily volunteered to everyone she spoke to, was "Jude." Carole's lips shaped the monosyllable with slight distaste. "Jude" had about it an over-casual air, a studied informality. Carole Seddon had never before had a friend called Jude and she wasn't about to start now.

    The woman's relentless casualness was the reason why her neighbour hadn't engaged her in conversation. Though, as she sat by her open kitchen window, Carole had heard Jude's exchanges with other residents, she'd had no wish to be identified with the communal local nosiness. Her early-morning walk with Gulliver completed before the new resident and the removal vans arrived, she had had no further need to leave the house that day except for a quick midafternoon dog-relieving visit to the waste ground behind. Carole would find a more appropriate, more formal occasion on which to introduce herself to her new neighbour.

    But she didn't see theirs ever becoming a close relationship. The newcomer's casualness extended to her dress, an assemblage of long skirts and wafty scarves, and also to her hair, blonde—blonded, surely—and coiled into a loose bird's-nest, precariously pinned in place. That could, of course, have been a temporary measure, the hair pushed untidily out of the way of the inevitable dust generated by moving house, but Carole had a feeling it was the regular style. Jude, she knew instinctively, wasn't her sort of person.

    She felt the prickle of small resistances building up within her. Carole Seddon had spent considerable time and energy defining her own space and would defend it against all encroachments.

    She was shaken out of these sour thoughts by Gulliver's bark. The dog was down near the water's scummy edge, running round a bulky figure who was walking across the flat grey sand towards his mistress. This was surprising, given the early hour. There weren't many local walkers as driven and disciplined as Carole.

    The figure was so hunched against the wind into a green shiny anorak that it could have been of either gender. But even if Carole had been able to see enough face to recognize someone of her acquaintance, she still wouldn't have stopped to talk.

    There were social protocols to be observed on an early-morning walk along the beach at Fethering. When one met another human being—almost definitely proceeding in the opposite direction: everyone walked at the same pace; there was very little overtaking—it was bad form to give them no acknowledgement at all. Equally, to have stopped and engaged in lengthy conversation at that time in the morning would have been considered excessive.

    The correct response therefore was "the Fethering Nod." This single, abrupt inclination of the head was the approved reaction to encounters with mild acquaintances, bosom friends, former lovers, current lovers and complete strangers. And its appropriateness did not vary with the seasons. The nod was logical in the winter, when the scouring winds and tightened anorak hoods gave everyone the face of a Capuchin monkey, and when any attempts at conversation were whisked away and strewn far across the shingle. But it was still the correct protocol on balmy summer mornings, when the horizon of the even sea was lost in a mist that promised a baking afternoon. Even then, to respond to anyone with more than "the Fethering Nod" would have been bad form.

    For other times of day, of course, and other venues, different protocols obtained. Not to stop and chat with a friend met on an after-lunch stroll along the beach would have been the height of bad manners. And Fethering High Street at mid-morning was quite properly littered with gossiping acquaintances.

    Such nuances of social behaviour distinguished the longtime residents of Fethering from the newly arrived. And it was the view of Carole Seddon that anyone privileged to join the local community should be humble enough to keep a low profile until they had mastered these intricacies.

    From what she'd seen of the woman, she rather doubted whether "Jude" would, though.

    Nor did the figure who passed her that morning seem aware of what was required. With an averted face and not even a hint of "the Fethering Nod," he or she deliberately changed course and broke into a lumbering—almost panicky—run up the steep shingle towards the Yacht Club.

    Gulliver's barking once again distracted Carole. Quickly bored with the unresponsive figure in the anorak, the dog had rushed off on another of his pivotal missions to rid the world of seaweed or lumps of tar-stained polystyrene, and disappeared round the corner of a breakwater. Invisible behind the weed-draped wooden screen, he was barking furiously. Beyond him, the sea, having reached its twice-daily nadir, was easing back up the sand.

    Carole wondered what it would be this time. Gulliver's "sensibleness" went only so far. A crushed plastic bottle or a scrap of punctured beach ball could suddenly, to his eyes, be transformed into a major threat to world peace. And, until forcibly dragged away, he would continue trying to bark the enemy into submission.

    But that morning it wasn't a bottle or a scrap of beach ball that had set Gulliver off. As Carole Seddon saw when she rounded the end of the breakwater, it was a dead body.

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Body on the Beach (Fethering Series #1) 3.4 out of 5 based on 0 ratings. 12 reviews.
harstan More than 1 year ago
Fethering is located on the South Coast near Tarring. Only the locales believe the posh place is large enough to be considered a village. Resident Carole Seddon feels Fethering is perfect for her personal values. The fifty-three year old divorcee recently retired form the Home Office. The prim woman¿s only companion is her Labrador Retriever Gulliver.

Carole¿s proper environs is shook to its core when she finds a man¿s body on the nearby beach. She goes home, washes her dog and her kitchen floor before calling the police, who find nothing on the beach. The police believe Carole is a bit daffy with her loneliness leading to her imagination running wild. An outraged Carole reacts to their condescending nature by ignoring her inhibitions to go to a pub with her neighbor, Jude. Carole tells Jude about the events of the day. Jude not only believes Carole, but also insists they investigate THE BODY OF THE BEACH. Thus, a new fearless crime fighting team has formed.

The interaction between the two female protagonists turn THE BODY ON THE EBACH into a fascinating amateur sleuth tale. Jude¿s mellow attitude contrasts with Carole¿s up tight demeanor, but their interplay forces Jude to take a step back while loosening Carole a bit. The who-done-it is fun supplemented in part by the official position of the local police. Simon Brett provides his audience with an insightful look at small village life in an insular British hamlet. The opening gamut in the Carole-Jude mysteries seems to forecast a long running series to the delight of sub-genre fans.

Harriet Klausner

janetf8 on LibraryThing More than 1 year ago
Really enjoyable weekend's read. I'd been looking for some entertainment and having heard a snatch of this on Radio 4 Extra I was delighted to find it in the library. Forgive the pun in the opening sentence of this novel, it gets better. There must be a reason why I suddenly enjoyed reading about a heroine in her early fifties, recently retired, but I just can't quite put my finger on it.Forgive also, the moment when the plot falls apart because the criminal's motivation just doesn't seem plausible.I'll look out for other books by this author - and there are lots of them!
CookieDemon on LibraryThing More than 1 year ago
This is the first in the `Fethering' mystery series, and though I'm a bit late to the party I'm sure it won't be long before I'm fully caught up with the rest of these, because this was a really fun read. It's not quite a `cosy' mystery as it is a bit darker in tone, but still manages to retain a nice traditional feel owing to its small coastal town setting which I enjoyed a lot.The main protagonist is fifty-something divorcee Carole Seddon, a rather prim woman who tends to keep herself to herself, until she stumbles across a body on the local beach whilst she's walking her dog. After reporting her find to the police, she is perplexed to be told there is nothing there. The only person who believes that she isn't merely a hysterical woman is her new neighbour, Jude, a woman who seems to be hiding a few secrets of her own...I have to confess that from the get go I wasn't sure if this mystery would appeal to me. I do read *a lot* of mystery and crime novels and this book at first mainly appeared to focus on a description of the village itself which I thought would be a little bit dry. However, the description was nicely done and it did pull me into the story, so by the time Carole actually came along I did feel I knew a little bit about Fethering and could clearly see it in my mind. Carole and Jude make terrific amateur sleuths and it was nice to see a genuine friendship building between them as the book progressed- particularly as they are complete opposites in just about everything!The characters are sharply portrayed too, even the secondary ones, and I appreciated the depiction of small town attitudes and actions that were written into the novel, particularly the attitudes towards newcomer Jude which rang very true to life. The book is varied in context and I couldn't quite put all of the pieces of the mystery together until near the end, which was good. I hate mysteries that are just too obvious, but thankfully this wasn't. It's also a non-too-taxing read, ideal if you have a few hours to curl up and relax.The little seeds of mystery have also been well and truly sprinkled about the enigmatic Jude. I look forward to getting to know her and Carole better as I continue the rest of this lovely British crime series. Recommended if you like traditional mysteries and British detective stories; this is a lovely little whodunit. *This review also appears on Amazon.co.uk*
Fluffyblue on LibraryThing More than 1 year ago
I thoroughly enjoyed this crime novel. On the front it say "...thoroughly English whodunnit" and I have to agree! Carole Seddon is an ex home-office officio and thinks herself quite well-to-do. She looks down on her new neighbour, Jude, who has recently moved to Fethering, a seaside town in Sussex, mainly filled with retirees. Whilst walking her dog on the beach, Carole finds a body. When the police call round to talk to her about her report, they tell her that there was no body found. The next day another body is found and Carole is threatened by a lady with a gun. Suffice it to say, with the help of her new neighbour they manage to solve the riddle of the two bodies (which are connected) in a very enjoyable romp. I'll certainly look out for more "Fethering" mysteries in the future. I liked this one immensely. I enjoyed the fact that the two main characters were so different - Carole being nosy and wanting to know more about her rather 'hippy' neighbour, and Jude, never giving anything away about herself, although being far more free-spirited that Carole. For example, we never find out her surname - not for lack of trying on a number of people's parts though!
bcquinnsmom on LibraryThing More than 1 year ago
A good first entry of this series featuring Carole Seddon, who lives in the tiny little seaside village of Fethering in England. One day Carole is out walking her dog when she comes across a body on the beach. She looks at it, walks home, and because her dog is stinky from being in the water, she gives him a bath. Then because she made a mess in her kitchen, she cleans up her kitchen. THEN she calls the police and when they arrive, they don't take her seriously. It seems that by the time the police arrived, there was no body on the beach. So, Carole is really upset that the police are taking her for a complete idiot, and spills her guts to her new neighbor, Jude. Jude's response is that if they police don't care enough to look into the situation, then the two of them should do some digging and solve the crime themselves. So that's what they do.Carole is one of those very prim and proper persons where Jude is the total opposite...more of a free spirit and she doesn't mind anyone knowing. They work well together because they are so balanced, and I'm looking forward to going through this series. It was fun & I'm sure that the characters will develop even more as the series continues.My first novel by Simon Brett; British mystery readers will enjoy this one and I recommend it.
Anonymous More than 1 year ago
RonnaL More than 1 year ago
Simon Brett has created the seaside village of Feathering, in England, that is a quaint background for an updated re versioning of a Miss Marple type mystery.  He completely captures the scenes and residents of Feathering, so it feels like a second home for this reader.  Our protagonist, Carole Seddon, is a fifty something, divorced, former employee from the Home Office. Being "proper" and quietly in the background of society is her goal for her latter years.  All goes well until a free-spirited, loudly jovial, and TOO neighborly woman moves next door to Carole.  "They just call me Jude" keeps everything about her own personal life quiet, but she shares in everything else going on around her. When Carole finds a dead body on the beach, that conveniently goes missing when she reports her find to the police, Jude becomes her encouraging side-kick to prove that there was actually a dead body. Of course, the two find themselves getting into all kinds of compromising situations, and threats are made to their safety. When a young boy is also washed upon the beach, the police finally become involved, and the "game is afloat".  Great characters, wonderful scenic descriptions, stereotypical village life, and subtle humor makes this a GREAT start of a new series for Simon Brett.  
Anonymous More than 1 year ago
recommend it as a good mystery
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