The recent vogue for posthumanist theory encourages a view of non-human objects and animals in Renaissance literature as pathways to essentially anti-humanist thought. On the contrary, this book argues that Sidney, Spenser, and their contemporaries employ animals, earth, buildings, and fictions as analogies employed toward a better understanding of what makes humans a special category, both ontologically and ethically. Horses and riders are studied by Sidney as a way to understand readers and writers; the 1580 Dover Straits Earthquake provides Spenser and Gabriel Harvey an opportunity to explore human emotion; liturgical spaces are represented by Sidney and Spenser in order to reassess human community; and fictional persons are interrogated by Spenser as models for human interpersonal epistemology.
This volume seeks to return critical assessments of the period's engagement with the non-human back to human concerns. Focusing on several early modern analogies between human and non-human entities, Intricate Movements argues Sidney's and Spenser's thinking about the human is both radically experimental and, ultimately, humane.
|Publisher:||Taylor & Francis|
|Series:||Routledge Studies in Renaissance Literature and Culture|
|Sold by:||Barnes & Noble|
|File size:||2 MB|
About the Author
Brad Tuggle earned an M.Phil. (with thesis) in Renaissance English Literature at Trinity College, Oxford as a Rhodes Scholar. He then earned his Ph.D. at the University of Virginia, working with Elizabeth Fowler, James Nohrnberg, Katharine Maus, and Clare Kinney. After teaching stints at Sewanee and Spring Hill College, he is now an Associate Professor in the Honors College at The University of Alabama, his alma mater. His work has been published in Spenser Studies, Sidney Journal, and Explicator.