In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.
Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy.
An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artistsincluding Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.
About the Author
Table of Contents
Introduction Parallel Worlds
Chapter 1 In the Art-Historical Museum 2
Chapter 2 Life Time 11
Chapter 3 World Time 45
Chapter 4 From Bosch to Bruegel 77
Part I Hieronymus Bosch
Chapter 5 Enmity 96
Chapter 6 Among the Idols 151
Chapter 7 The Unspeakable Subject 179
Chapter 8 Self-Portraiture 223
Part II Pieter Bruegel the Elder
Chapter 9 History 268
Chapter 10 Culture 305
Chapter 11 Nature 331
Photography and Copyright Credits 411
What People are Saying About This
"In this magisterial book, Joseph Koerner explores the role of Bosch and Bruegel in the great early modern shift of the ends of art from theological explanation to time-bound description, from being to picturing. Along the way, he offers a rich account of a newly global culture and a violently contested religious milieu where the status of images was itself an issue of life and death."Susan Stewart, author of On Longing and The Poet's Freedom: A Notebook on Making"Bosch and Bruegel is a magnificent bookmassively erudite, profoundly human, and sometimes even shatteringly poetic. Koerner is a marvelously compelling writer."Claudia Swan, Northwestern University"A tremendous achievement. Koerner is one of the most gifted and intelligent art historians at work anywhere, as well as a remarkably fluent and resourceful stylist capable of presenting extremely subtle and persuasive readings in elegant and simple prose."Michael Fried, author of The Moment of Caravaggio"Insightful and encyclopedic. Koerner renders fresh and thought-provoking paintings that have been seen and discussed for centuries."Keith Moxey, author of Visual Time: The Image in History