The core theme of disassociation of feeling and aesthetic effect is explored in this collection of essays through several contextsfamily, faith, art history, and sanctuary. Twenty autobiographical sketches provide unorthodox insight and perspective into everyday life and its deeper nuance. It includes an intriguing examination of the history, meaning, and present uses of a red-brick church in Wellington, New Zealand. Quirky and unusual, this book sets a new standard for the personal essay.
|Publisher:||Victoria University Press|
|Product dimensions:||5.50(w) x 8.25(h) x 0.36(d)|
About the Author
Anna Sanderson is the cofounder of the short-lived art-criticism magazine Monica. She is the author of many texts on the work of various artists.