In his final performances with the
Lucerne Festival Orchestra in August 2013, Claudio Abbado conducted
Anton Bruckner's unfinished "Symphony No. 9 in D minor," and this recording is drawn from the best takes from those concerts. Considering that this rendition came near the end of Abbado's life and stands as a worthy testament to his achievements, it's easy to read too much into the interpretation, and to view it as a mystical or transcendent reading because of the circumstances. On the one hand, Abbado's understanding of this symphony was as thorough as any conductor's, and the Lucerne musicians played with seriousness and dedication, offering a version that has impressive power and expressive depth. On the other hand, there are many competitive recordings that either match Abbado's for strength and feeling, or surpass it in purely technical terms of sound quality and reproduction. Certainly the sound is exceptional, according to Deutsche Grammophon's high standards, and this stereo recording is exceptionally clean and noise-free. Yet there are several audiophile recordings of the "Ninth" available that provide deeper and clearer sound and offer a richer listening experience. So as compelling as Abbado's last recording is on many levels, for Brucknerians and fans of state-of-the-art recording, it's still a contender among many.
