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Product Details

ISBN-13: 9780810992900
Publisher: ABRAMS
Publication date: 06/01/2007
Pages: 160
Sales rank: 837,003
Product dimensions: 8.72(w) x 11.88(h) x 0.85(d)
Age Range: 13 - 18 Years

About the Author

A. Leo Nash is a photographer whose work has been widely exhibited. He is a creative participant at Burning Man and collaborates with the artists whose work he documents. He lives in Oakland, California.

Daniel Pinchbeck is the author of Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism and 2012: The Return of Quetzalcoatl. He lives in New York City.

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Burning Man: Art in the Desert 5 out of 5 based on 0 ratings. 1 reviews.
Grady1GH More than 1 year ago
For those unfamiliar with BURNING MAN, the promotional material for this annual unique art event is described here: 'Once a year, tens of thousands of participants gather in Nevada's Black Rock Desert to create Black Rock City, dedicated to community, art, self-expression, and self-reliance. They depart one week later, having left no trace whatsoever. ' Or in other places 'Art at Burning Man, like the experience of being there itself, is a way of being outside routine existence: People return home rejuvenated and inspired to seek ways to express the spirit of the festival in their everyday lives.' And as Wikipedia expands 'The event starts on the Monday before and ends on the day of the American Labor Day holiday. It takes its name from the ritual burning of a large wooden effigy on Saturday evening. The event is described by many participants as an experiment in community, radical self-expression, and radical self-reliance.' BURNING MAN: ART IN THE DESERT is as fine a documentation of this phenomenon as is available. The author is a photographer A. Leo Nash who with his funky photographic kinks has captured thirteen years of this week of art in the desert, and the results are exciting and rewarding. This well designed and produced book offers insights into this ritual. The art created for this event varies from construction of found objects to three-dimensional sculptures brought or transported to the site for the fellow artists (and growing public of art lovers) to 'experience'. There is something about the light of the desert that transforms this work, making the whole seem more important than its component parts. And much of that art is due to Nash's experimental photography that has become very much a part of this episodic, temporary contemporary art exhibition/happening. Reading or viewing this beautifully slipcovered memento will likely result in an increased audience for this very fresh and invigorating art. Some of the works in the BURNING MAN have included the 1908 "The End" by Bob Marzewski, a very impressive huge sculpture of stacked blocks that spell out THE END. But the variety of what is here in this book will definitely entertain the reader and give further credence to the idea that great art can be of the moment, then dismantled and moved on. BURNING MAN says more about our current way of experiencing life than perhaps the artists and even A. Leo Nash expected. It is well worth the attention of everyone who craves creativity, even transient creative works. Grady Harp