Long considered cool, distant, and absolutely reliable, an American-born hit man, working throughout Europe, grows increasingly distracted and begins to develop an unexpected passion for architecture and art while engaged in his deadly profession. Although he welcomes this energizing break from his routine, he comes to realize that it is an unwise trajectory for a man in his business, particularly when he is sent on the most difficult job of his career.
Set in London, Paris, New York, and Barcelona, Calling Mr. King is at once a colorful suspense tale, laced with dark humor, and a psychological self-portrait of a character who is attempting, against the odds, to become someone else.
|Publisher:||Other Press, LLC|
|Product dimensions:||5.60(w) x 8.20(h) x 1.00(d)|
About the Author
Ronald De Feo has written reviews for The New York Times Book Review, The Nation, The New Republic, National Review, and Commonweal. His short fiction has appeared in such literary magazines as The Brooklyn Rail, The Hudson Review, and The Massachusetts Review. He worked at the Museum of Modern Art, was a senior editor of ARTnews Magazine, and served for many years on the editorial advisory board of Review Magazine, devoted to Latin American literature and the arts. This is his first novel.
Read an Excerpt
They didn’t tell me much. They never do. But they did say that the mark would be on a business trip. Well, what kind of business was all of this? As the time went by, I became absolutely convinced that he knew his days were numbered. And since he knew, he wanted to get a lot of living done before the end. What I was watching then, all of this peculiar energy, was very simply a pathetic attempt at a last fling.
In my line of work you can’t feel sorry for anyone, and I didn’t feel sorry for him. In fact, I began to resent him. He was aware of me—not me specifically, of course, but the idea of me in general, a stranger out there who was going to take his life. And he decided to toy with his killer, go out with a certain dignity and courage, throw his zest for life in my face, so to speak. What a fool. There was nothing to prove here, nothing to win at this point. He had lost the moment they had taken out a contract.
Maybe he was just plain stupid. I’d dealt with stupid marks before …But this man in Paris was something else again. He had a certain bearing. Thin, trim, with a healthy head of perfectly cut gray hair. You couldn’t miss it. It gleamed in the sun like polished silver. You could see he had taste and style—finely tailored, a different outfit each day. A real Continental. A killer with the ladies. Probably a killer, period. There was a certain intelligence, an alertness about him. Yes, this man knew exactly what he was doing. And although he seemed a bit past his prime now and rather harmless, I bet he’d been one clever, nasty bastard in his heyday. After all, they don’t want you dead for nothing.
Most Helpful Customer Reviews
great entertainment - hit man turns literary
I'm not one to read a "thriller" but something about the way this book was written and it's fascinating main character kept me turning those pages. A great character study.
John Cole's father lived 24/7 in a state of rage; his only passion was shooting anything. John loathed his angry bitter old man, but became an expert at shooting long distances. John left home before he and his dad had a Wild West gunfight overlooking the Hudson. John becomes a paid assassin. He quickly proves to be the top gun at his profession as his hits are surgically clean. Working for the Firm under the alias Peter Chilton, he has a perfect record of successful kills for over a decade. Now in his early thirties, Peter's last assignment in Paris should have taken a few hours, but he needed a week. His newest kill in the English countryside forced him to also take out an innocent bystander witness; the first time he broke the rules of international assassins. John dreams of retirement in the Georgian style home of his last victim. The Firm sends Peter to the Hudson to rusticate until the heat of the second kill cools off. John studies European architect until the Firm assigns Peter to Barcelona for his next hit. This character driven engaging thriller stars a fascinating schizoid protagonist who begins to fantasize about retirement and reinventing himself. The story line is at its best when Peter stars at the beginning and the ending as he brings the dichotomy of precise killing and dreaming of a sedate future; the plot becomes less insightful and slower towards the middle when John studies architectural design while hiding in New York. Still overall this is a strong look at a person using denial as a defense mechanism while considering his options when he retires from a violent illegal profession. Harriet Klausner