The Carriage House

The Carriage House

by Carla Neggers

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Fun and a little hard work. That's all Tess Haviland has in mind when Ike Grantham pays her for her graphic design work on the run–down nineteenth–century carriage house on Boston's North Shore.

Then Ike disappears and Tess finds herself with much more than a simple weekend project to get her out of the city. It's not just the rumours that the carriage house is haunted – it's the neighbours: six–year–old Dolly Thorne, her reclusive babysitter, Harley Beckett…and especially Dolly's father, Andrew Thorne, who has his own ideas about why Tess has turned up next door.

But when Tess discovers a human skeleton in her dirt cellar, she begins to ask questions about the history of the carriage house, the untimely death of Andrew's wife…and Ike's disappearance. Questions a desperate killer wants to silence before the truth reveals that someone got away with murder.


Product Details

ISBN-13: 9781488099670
Publisher: MIRA Books
Publication date: 05/14/2018
Series: Carriage House , #1
Format: NOOK Book
Pages: 362
Sales rank: 395
File size: 552 KB

About the Author

New York Times bestselling author Carla Neggers is always plotting her next adventure, whether in life or for one of her books. Her fertile imagination and curious nature make her ready for anything. It is also these qualities that sparked her love of reading as a child and continue to drive her passion for storytelling today.

With her trademark blend of action, suspense and down-to-earth, realistic characters caught up in extraordinary circumstances, her novels never fail to take her readers on an exciting journey.

Carla began writing as a youngster, when she'd grab a pad and pen and climb a tree to spin her stories. Growing up in western Massachusetts, she is the third of seven children. Just before she was born, her Dutch immigrant father and Southern-born mother packed up the car with two kids and all their belongings and headed north to start a new life. They settled in an eighteenth-century carriage house on ninety acres and began a long process of renovation.

After graduating as valedictorian of her high school class, she went on to major in journalism at Boston University, graduating magna cum laude. She enjoyed a brief stint as an arts and entertainment writer, then turned to writing fiction full-time and now has more than fifty books to her credit.

Travel and research both play a large part in Carla's writing. She can often trace the germination of a plot to the exact moment of inspiration. “It's part of the fun of being a writer—you never know what will spark an idea. For example, on a trip to the Netherlands some years ago, we did a tour of a canal-like waterway,” she says. “I kept thinking—what would happen if a dead body floated by? What if it was an American? It's the way my mind works—around me, everyone else was admiring the quaint countryside. I was devising a murder.”

Once a plot is hatched, the real researching begins. Her novels have taken her atop the northeast's highest peaks, onto a shooting range with a police academy instructor and across the world as she scouts out locations and seeks the authenticity that imbues her novels.

The author's greatest pleasure comes in those moments when she feels she's gotten the story just right—when it all comes together on the pages of her book, exactly the way she's envisioned the tale in her mind. Then, when readers connect with the story, her satisfaction is complete. “Everything comes down to the finished book,” says the author. “When I hear from a reader that the story resonated, and that he or she had a great time reading it, I know I've done my job and done it well.”

When she's not working on her next book, Carla enjoys traveling, hiking and kayaking. She's set out to become a “four-thousand-footer” by climbing all forty-eight peaks over four-thousand feet in the New Hampshire White Mountains, and she's always planning the next trip—and the next adventure—either of which just might inspire a new story.

Carla lives in Vermont, where she and her husband have recently renovated their mountain house not far from picturesque Quechee Gorge. 

Read an Excerpt

The Carriage House

By Carla Neggers


Copyright © 2006 Carla Neggers
All right reserved.

ISBN: 0778323978

On the day Ike Grantham disappeared, he missed an appointment with Tess Haviland, a Boston graphic designer and one of the few women who didn't find him irresistible. She liked him, but over a year later, she still couldn't explain why. He was blond, handsome, a risk-taker, outgoing to a fault, egalitarian and very determined not to fit the stereo-type of the serious, philanthropic-minded heir to a New England industrial fortune. He was without guilt or ambition, and there were days Tess thought he was without morals, too. Especially where women were concerned.

Except for her. "Tess," he used to say, "you have too many men with guns in your life. I'm steering clear."

She had no men with guns in her life. It just seemed that way because she'd grown up in a working-class neighborhood and her father owned a pub. Ike wasn't without stereotypes of his own.

He was on her mind not just because it had been over a year since he'd taken off without a word, but because she'd just received the real estate tax bill for the carriage house he'd given her in lieu of a check. It was an 1868 carriage house on a small lot practically across the street from the ocean, within walking distance of one of the prettiest villages on the North Shore. The structure itself wasn't much. The location was. This was reflected in theproperty's value -- and in her tax bill.

Tess stared down at the Old Granary Burial Ground four floors beneath her Beacon Street office. Thin, old tombstones tilted in different directions, and tourists crept along the paths in the lush shade, the tall trees filled out with leaves now, the long hard Boston winter finally over.

It had been a nose-to-the-grindstone winter. She'd left a secure corporate job to go out on her own early last year, just before Ike had bowed out of her life as abruptly as he'd barged in. Sometimes she wondered if he'd infected her -- not romantically, but in creating a sense of urgency in her, so that the "someday" she'd go out on her own became something she had to do now. She'd been doing work for his Beacon Historic Project on the side, and before she knew it, she was hanging out her shingle. She'd worked out of her apartment for the first six months. Then, last fall, she and Susanna Galway decided to rent an office together in a late-nineteenth-century building on Beacon Street, a prestigious address. They had one room on the fourth floor, overlooking the city's most famous cemetery.

Tess turned from the window and looked at her friend. Susanna was tall and willowy, as dark as Tess was fair, with porcelain skin and eyes as green as the springtime grass down in Old Granary. She was also a financial planner, and Tess had only just told her about the carriage house. Susanna was at her desk, Tess's tax bill laid out on her keyboard. Occasionally she'd emit a sigh that conveyed the utmost distress.

"This is why you're an artist," she said finally.

"Damn, Tess. You always get paid in cash. It's Rule One. If I'd been around to advise the Indians, do you think I'd have let them take beads for Manhattan? Hell, no."

"I can sell it."

"Who would buy it? It's run-down. It's on the flipping historic register. It's on a minuscule lot. And, I might add --" She swiveled around in her expensive ergonomic chair, zeroing in on her office mate and friend with those piercing green eyes. "I might add that the place is haunted."

"That's just a rumor."

"And not haunted by Casper the Friendly Ghost. Your ghost is a convicted murderer."

Tess dropped into her own chair at her computer. She did a great deal of her work, but not all, by computer. She still had an easel, oil pastels, drawing pencils, watercolors. She liked to touch and feel what she created, not just see it on a computer screen. Her screen was blank now, her computer in sleep mode. Her U-shaped work area, stacked and overflowing with samples, files, invoices, work in progress, wasn't as tidy and uncluttered as Susanna's. They were yin and yang, she liked to tell her more artistic friends. That was why they could work in the same space without killing each other.

"It was a duel," Tess said. "It's just that it happened to take place in the carriage house. Benjamin Morse challenged Jedidiah Thorne to a duel after Jedidiah accused him of abusing his wife, Adelaide. Jedidiah killed him and went to prison because it just so happened that dueling was illegal in Massachusetts. If Benjamin had killed Jedidiah instead, he'd have gone to prison."

"You're splitting hairs. It was murder."

Whatever it was, it happened in the carriage house within a few weeks of its completion. Jedidiah Thorne never got to live in the estate he'd built in Beacon-by-the-Sea. The Thornes had been seamen on the North Shore for centuries, but he was the first to make any money, prospering in shipping in those first years following the Civil War. After serving five years in prison for killing Benjamin Morse, Jedidiah headed west, only to return, finally, to the East Coast just before his death. It was his ghost people said haunted the carriage house to this day. It was where he'd killed a man -- it was where his spirit remained. Why, no one seemed to know.

"I don't believe in ghosts," Tess said. Susanna rocked back in her chair. She was dressed in smart, slim pants and a shirt-top, naturally graceful, her nails done, her makeup perfect. She'd left San Antonio for Boston late last summer, moving herself and her twin daughters in with her grandmother in Tess's old neighborhood. There was an ex-, or soon-to-beex-, husband back in Texas. Susanna didn't like talking about him.

"Let's put it this way," she said. "You're stuck. Pay the tax bill or let the town take the place and call it a day. Or try to sell it. New Englanders are pretty damn weird when it comes to old houses. Maybe some-one'll buy it."

"I'm not sure I want to sell it."

"Tess! You've had this place for over a year and haven't stepped foot in it."

"That's because I kept thinking Ike would show up and want it back, or want more work for it, or his sister would. Lauren Montague is the workhorse for the Beacon Historic Project -- I'm not sure Ike told her what he was up to."

"He could transfer the deed on his own?"

"Apparently. I did promise him I'd do more work -- we were to discuss specifics the day he stood me up. I haven't heard from him since."

"Think he's dead?"

Tess winced at Susanna's frank question and jumped back to her feet, staring once more at the centuries-old tombstones below. There were more people buried there than had markers. Her throat was tight as she thought about Ike. He was in his mid-forties, so filled with life and energy it was impossible to believe he was dead. Yet, that was what most people assumed -- that his recklessness had caught up with him and he'd gone overboard or walked off a cliff. Not on purpose. Ike would never commit suicide.

"Taking off for months at a time without telling anyone is within his pattern of behavior," Tess said.

"The police haven't declared him a missing person or anything. I don't know if Lauren has sounded the alarm." She glanced over at Susanna. "It's not something I've pursued."

"Well, dead or alive, he signed the place over to you. I assume your accountant factored it into your last year's income taxes, and now obviously the property tax assessors have caught up with you. So, that cinches it. You can't avoid reality. The carriage house is yours. What you do with it is up to you."

"I've wanted a place in Beacon-by-the-Sea for as long as I can remember," Tess said quietly, watching two kids about twelve years old reading Sam Adams's tombstone. John Hancock was buried in Old Granary, too, as well as Benjamin Franklin's parents, the victims of the Boston Massacre, Mother Goose. "My mother and father and I used to have picnics there on the beach before she died. We'd walk past all the old houses, and Mum would tell me stories. She loved American history."

Susanna came and stood beside her. "Fundamentally, all financial decisions are emotional." She gave Tess a quick, irreverent grin. "Look at it this way -- a run-down nineteenth-century carriage house haunted by a convicted murderer ought to make an interesting weekend project."

Tess decided to drive up to Beacon-by-the-Sea and take a look at her property that afternoon. She quit work early to get ahead of rush-hour traffic and made her way up Route One, then along the water to a quiet stretch of rockbound coast on the tip of Cape Ann. The May sun sparkled on the Atlantic, bringing back memories of driving this way when she was six, up front with her father, her mother tucked under blankets in back, telling stories of whales and lost ships until she either fell asleep or became unintelligible, making sense only to herself.

After Ike Grantham had stood her up, Tess had come to Beacon-by-the-Sea three or four times hunting for him, but to no avail. His own sister didn't seem to be worried about him. Why should Tess be? Ike had taken off without notice before, often. He was self-centered and inconsiderate, not because he meant to be but simply because he was.

Now she was on her way to the Beacon Historic Project's offices to pick up the key to the carriage house. The offices were located in one of its restored late-eighteenth-century buildings in the village, just a short walk to the harbor. Modeled after the more famous Doris Duke Foundation in Newport, Rhode Island, the project -- Ike's brainchild -- bought up old houses and outbuildings all over the North Shore, gutted them, rebuilt them according to exacting standards and leased them to carefully screened tenants. In many once-decaying neighborhoods, the project's work had sparked renovation and renewal, a sense of civic pride. When she started freelancing for Ike, Tess had toyed with the idea of leasing a small early-eighteenth-century house herself. Then he'd presented her with the carriage house. Its 1868 construction put it outside the project's parameters -- they preferred pre-1850 structures. Or so Ike had explained. Tess had never really understood what his motives were.


Excerpted from The Carriage House by Carla Neggers Copyright © 2006 by Carla Neggers. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Carriage House 4 out of 5 based on 0 ratings. 23 reviews.
Guest More than 1 year ago
If you're looking for a fast-paced, well-written romance with likable, three-dimensional characters, humor and an engrossing plot, THE CARRIAGE HOUSE fills the bill. The emphasis here isn't on guess-who-dunnit nail-biting suspense, but realistic characters who draw you into their lives. Tess Haviland is a strong-willed heroine more than a match for sexy, independent Andrew Thorne. His daughter, six-year old self-styled 'Princess' Dolly, is a scene-stealer (you know what they say about pets and kids), and her unconventional babysitter, Harl, kept me chuckling. Even the charismatic, narcissistic Ike, who disappeared and is seen only through the other characters' eyes, is vivid and well-drawn, a testament to the author's skill. Every character also suffers some type of loss, and this adds depth and poignancy to the story. Another winner for one of my favorite authors.
Anonymous More than 1 year ago
Loved the story and characters
Anonymous More than 1 year ago
Good love mystery
Anonymous More than 1 year ago
A good quick read.
Anonymous 12 months ago
very enjoyable will read more
AnneCurrin on LibraryThing More than 1 year ago
good story, but predictable
Anonymous More than 1 year ago
Easy read, predictable ending but enjoyable.
Anonymous More than 1 year ago
Glad i bought thid one. Worth the money.
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Bert-Jr More than 1 year ago
I hane always look forward to Neggars works, old or new.
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