“An insanely brilliant, satirical first novel . . . Belongs in a tradition that includes Catch-22, but it also calls to mind the biting comedy of Philip Roth.”—The Washington Post"A brilliant debut. . . . Exceptional. . . . The detail is rich, the prose resonant. Grade A."—Rocky Mountain News“Like Catch-22, it is best understood as a satire of militarism, regulation and piety.... Hanif has written a historical novel with an eerie timeliness.”—The New York Times Book Review“Global satire with a savage bite. . . . Richly imagined.”—The Miami Herald“Hanif’s book is sexy, subversive, and magical.... Entertaining and original.” —Slate“Fascinating.... It sardonically examines the workings of the Pakistani state, which comes off like a Third World Brazil imagined by Raymond Chandler. What really drives Mangoes, however, is Hanif’s sharp writing and considerable wit.”—The Village Voice“There are many reasons to read this excellent novel, and one for which it should be celebrated: Hanif has found in Zia a veritable Homer Simpson of theocratic zealotry . . . The inevitable comparison here is to Dr. Strangelove, and just as the Kubrick film crystallized the absurdities of nuclear escalation into an archetypal cast of idiots-who-run-the-world, Mangoes provides the necessary update.”—New York Observer“Witty, elegant, and deliciously anarchic. Hanif has a lovely eye and an even better ear.”—John le Carré“Hanif confidently tackles ‘the biggest cover-up in aviation history since the last biggest cover-up,’ bringing absurdist humor and surprising warmth to his story.”—Entertainment Weekly“Funny, subversive, erotic, and sad. Anyone thinking of applying for the job of unhinged, religious dictator should read it first.” —Mark Haddon, author of The Curious Incident of the Dog in the Night-time“Unputdownable and darkly hilarious . . . Mohammed Hanif is a brave, gifted writer. He has taken territory in desperate need of satire–General Zia, the military, Pakistan at the time of the Soviet-Afghan war–and made it undeniably his own.”—Mohsin Hamid, author of The Reluctant Fundamentalist “A sure-footed, inventive debut that deftly undercuts its moral rage with comedy and deepens its comedy with moral rage . . . The novel has less in common with the sober literature of fact than it does with Latin American magical realism (especially novels about mythic dictators such as Gabriel García Márquez’s Autumn of the Patriarch) and absurdist military comedy (like Joseph Heller’s Catch-22). Hanif adopts a playful, exuberant voice, as competing theories and assassination plots are ingeniously combined and overlaid.”—Kirkus Reviews“Pakistan’s ongoing political turmoil adds a piquant edge to this fact-based farce . . . Hanif’s depiction of military foibles recalls the satirical wallop of Catch-22. [He brings] heft to this sagely absurd depiction of his homeland’s history of political conspiracies and corruption.”—Publishers Weekly “Entertaining and illuminating . . . Hanif has crafted a clever black comedy about military culture, love, tyranny, family, and the events that eventually brought us to September 11, 2001.”—Booklist
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"The guilty commit the crime, the innocent are punished. That's the
world we live in." In 1988, Pakistani dictator General Zia died in a mysterious plane crash. Debut novelist Hanif has seized upon this unsolved mystery and spun a darkly satirical explanation by way of this tale -- that Zia's plane crash was the result of not one but two assassination attempts.
A Case of Exploding Mangoes is a sly, riotous send-up of Mideast politics, the unintended and often disastrous consequences of American foreign policy, the hypocrisy of Islamic fundamentalism, and last but not least, the far, if not lighter, side of tyranny and torture. Even Osama bin Laden makes a cameo appearance, but at the time, he was our ally in the fight against the Soviet occupation of Afghanistan, and 9/11 was just a date in the future.
It might be hard to imagine how a writer could spin gold from this straw, but Hanif has, delivering a frolicking and shocking political satire. A Case of Exploding Mangoes will have readers laughing -- and thinking that though truth is said to be stranger than fiction, this novel may just have the ring of truth to it.
(Summer 2008 Selection)
Far from coming to a conclusion about the cause of Zia's death, Hanif gleefully thickens the stew of conspiracy theories, introducing at least six other possible suspects, including a blind woman under sentence of death, a Marxist-Maoist street cleaner, a snake, a crow, an army of tapeworms and a junior trainee officer in the Pakistani Air Force named Ali Shigri, who is also the novel's main narrator. Ali is irreverent, lazy and raspingly sardonic, and his obvious fictional predecessor is Joseph Heller's Yossarian. Indeed, like Catch-22, A Case of Exploding Mangoes is best understood as a satire of militarism, regulation and piety. Much of Hanif's novel is set in the Pakistani Air Force Academy, an institution staffed by crazies and incompetents who could have walked straight out of Heller's novel…Hanif has written a historical novel with an eerie timeliness.
The New York Times
…insanely brilliant…even as Hanif eviscerates, he writes with great generosity and depth…A Case of Exploding Mangoes belongs in a tradition that includes Catch-22, but it also calls to mind the biting comedy of Philip Roth, the magical realism of Salman Rushdie and the feverish nightmares of Kafka. But trying to compare his work to his predecessors is like trying to compare apples to, well, mangoes, because Hanif has his own story to tell, one that defies expectations at every turn.
The Washington Post
Pakistan's ongoing political turmoil adds a piquant edge to this fact-based farce spun from the mysterious 1988 plane crash that killed General Zia, the dictator who toppled Zulfikar Ali Bhutto, father of recently assassinated Benazir Bhutto. Two parallel assassination plots converge in Hanif's darkly comic debut: Air Force Junior Under Officer Ali Shigri, sure that his renowned military father's alleged suicide was actually a murder, hopes to kill Zia, who he holds responsible. Meanwhile, disgruntled Zia underlings scheme to release poison gas into the ventilation system of the general's plane. Supporting characters include Bannon, a hash-smoking CIA officer posing as an American drill instructor; Obaid, Shigri's Rilke-reading, perfume-wearing barracks pal, whose friendship sometimes segues into sex; and, in a foreboding cameo, a "lanky man with a flowing beard," identified as OBL, who is among the guests at a Felliniesque party at the American ambassador's residence. The Pakistan-born author served in his nation's air force for several years, which adds daffy verisimilitude to his depiction of military foibles that recalls the satirical wallop of Catch 22, as well as some heft to the sagely absurd depiction of his homeland's history of political conspiracies and corruption. (May)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Journalist Hanif's first novel is a darkly witty imagining of the circumstances surrounding the mysterious plane crash that killed Pakistan's military ruler, General Zia, in August 1988. The central figure is a young military officer named Ali Shigri whose much-decorated father was found hanging from a ceiling fan, an alleged suicide. Ali knows, however, that his father's death was something more sinister, and he sets out first to identify the responsible party, Zia, and then-by way of a loopy plan involving swordsmanship and obscure pharmacology-to exact revenge. The book's omniscient narrator gets into the heads of multiple characters, including that of the General himself; his ambitious second-in-command, General Akhtar; a smooth torturer named Major Kiyani; a communist street sweeper who for a time occupies a prison cell near Ali's; a blind rape victim who has been imprisoned for fornication; and a wayward and sugar-drunk crow. Even Osama bin Laden has a cameo, at a Fourth of July bash. But plot summary misleads; the novel has less in common with the sober literature of fact than it does with Latin American magical realism (especially novels about mythic dictators such as Gabriel Garc'a Marquez's Autumn of the Patriarch) and absurdist military comedy (like Joseph Heller's Catch-22). Hanif adopts a playful, exuberant voice that's almost a parody of old-fashioned omniscience, as competing theories and assassination plots are ingeniously combined and overlaid. Uneasy rests the head that wears the General's famous twirled mustache-everybody's out to get him. A sure-footed, inventive debut that deftly undercuts its moral rage with comedy and deepens its comedy with moral rage. Agent: ClareAlexander/Gillon Aitken Associates
Though this whirlwind of a story centers on Pakistani Air Force Junior Under Officer Ali Shigri, Hanif’s dazzling exploration of the inner dialogs, workings, and turmoils of a disparate range of characters will blow up your mind some. Shigri is a bright light in his camp’s silent drill squad (yes, such a thing exists), but is jailed on suspicion after his roommate Obaid steals an aircraft and goes AWOL. The fact that the two have been sleeping together doesn’t matter in the least, reflected in one officer’s remark, “You two think you invented buggery?” There is a plot, but it’s placed firmly behind characters whose terrible weaknesses and strengths will captivate readers. There’s Generals, a blind woman imprisoned for fornication (she was raped), even a lowly radio operator who is feeling transcendently great after a fleeting encounter with his superior. “The fume-filled air was fragrant in his lungs. His ears were alive to the chirping of the birds. The bus horns were love tunes in the air waiting to be plucked and put into words.” Then he’s assassinated. The strong sense of doom will have readers expecting new characters to be Brazil-esque torturers, and the comedy is black as a tadpole coloring himself with a Sharpie, but this is no Catch 22 retread; it’s a bloodthirstier White Teeth.
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