The good news is that this new novel by the author of March, which won the Pulitzer Prize for Fiction in 2006, is intelligent, thoughtful, gracefully written and original. Brooks has built upon her experience as a correspondent in Bosnia for the Wall Street Journal to construct a story around a booksmall, rare and very oldand the people into whose hands it had fallen over five centuries…Suffice it to say that it's a book that resides comfortably in a place we too often imagine to be a no-man's land between popular fiction and literature. Brooks tells a believable and engaging story about sympathetic but imperfect characters"popular" fiction demands all of thatbut she also does the business of literature, exploring serious themes and writing about them in handsome prose. She appears to be finding readers and admirers in growing numbers, and People of the Book no doubt will increase those numbers.
The Washington Post
Charlie Wilson's War is a behind-the-scenes chronicle of a program that is still largely classified. Crile does not provide much insight into his reporting methods, but the book appears to be based on interviews with a number of the principals. The result is a vivid narrative, though a reader may wonder how much of this story is true in exactly the way Crile presents it. Still, few people who remember Wilson's years in Washington would discount even the wildest tales. — David Johnston
The stories George Crile tells in Charlie Wilson's War must be true -- nobody could make them up. This is a rousing tale of jihad on the frontiers of the Cold War, infighting at the CIA and horse-trading in Congress, spiced by sex, booze, ambition and larger-than-life personalities. — Thomas Lippman
An amazing tale, made all the more amazing because it was missed by the press. George Crile has written a book revealing the extraordinary details and intrigue of a secret war, and that alone would be a monumental achievement. But he has also written a book about how power works in Washington, about how the C.I.A. succeeded in this war but failed because it armed an ally who became our enemy, about how we might better understand Islamic fundamentalism, about how a solitary Congressman guilefully moved the U.S. government, and all of this comes with a breathtaking cast of characters worthy of a LeCarre novel. Only it's all true. And just as vivid.
Americans often ask: 'Where have all the heroes gone?' Well a lot of them come roaring through in this tour de force of reporting and writing. Tom Clancy's fiction pales in comparison with the amazing, mesmerizing story told by George Crile. By resurrecting a missing chapter out of our recent past, Charlie Wilson's War provides us with the key to understanding the present.
A cross between Tom Clancy and Carl Hiassen, with the distinguishing feature that it's all apparently true. . . . Throw in a middle-aged Texan belly dancer, an assortment of Congressional looinies, a few beauty queens, some ruthless Afghan rebels, and a murderous Pakistani dictator who only wants to be understood.
Christian Science Monitor
Crucial and timely. . . . Criles book, with its investigative verve and gripping narrative, is a comprehensive political assessment and sobering account of the power structures that run parallel to, but apparently unknown by, official government authorities.
Put the Tom Clancy clones back on the shelf; this covert-ops chronicle is practically impossible to put down. No thriller writer would dare invent Wilson, a six-feet-four-inch Texas congressman, liberal on social issues but rabidly anti-Communist, a boozer, engaged in serial affairs and wheeler-dealer of consummate skill. Only slightly less improbable is Gust Avrakotos, a blue-collar Greek immigrant who joined the CIA when it was an Ivy League preserve and fought his elitist colleagues almost as ruthlessly as he fought the Soviet Union in the Cold War's waning years. In conjunction with President Zia of Pakistan in the 1980s, Wilson and Arvakotos circumvented most of the barriers to arming the Afghan mujahideen-distance, money, law and internal CIA politics, to name a few. Their coups included getting Israeli-modified Chinese weapons smuggled into Afghanistan, with the Pakistanis turning a blind eye, and the cultivation of a genius-level weapons designer and strategist named Michael Vickers, a key architect of the guerrilla campaign that left the Soviet army stymied. The ultimate weapon in Afghanistan was the portable Stinger anti-aircraft missile, which eliminated the Soviet's Mi-24 helicopter gunships and began the train of events leading to the collapse of the U.S.S.R. and its satellites. A triumph of ruthless ability over scruples, this story has dominated recent history in the form of blowback: many of the men armed by the CIA became the Taliban's murderous enforcers and Osama bin Laden's protectors. Yet superb writing from Crile, a 60 Minutes producer, will keep even the most vigorous critics of this Contra-like affair reading to the end. (May) Copyright 2003 Reed Business Information.
This is a fast-paced and highly colored account, presumably true, of how a freewheeling Congressman teamed up with an Oliver North-ish CIA employee to funnel arms and money to the Afghan mujahideen fighting the Soviet takeover of their country. The subtitle pretty well sums up not only what the book is about, but also its literary style and its target audience. Author George Crile is a CBS television producer, and has put his Washington insider's knowledge to good use. Representative Charles Wilson (D-TX), a 60ish and undeniably handsome politician, was frequently described as a freewheeling party boy with a perennial midlife crisis. Never really a Congressional insider in spite of his longevity, he was most noted for an extremely hawkish view of foreign affairs. The Speaker of the House viewed him as something of a loose cannon, but also as someone who could be useful if he could be held in check. The Soviet invasion of Afghanistan brought everything together. Wilson leapt into extracurricular action, making under-the-table connections and deals that raised money, bought weapons, and got them into rebel hands. In the end he not only helped the mountain guerillas but also managed to spare his party and the House Leadership some discomfort. The combination of James Bond-like action, a noble cause, and sexual escapades proves too much for Crile, and he makes the most of the story. His narrative is fast-moving, supercharged, and overheated, chock-full of high drama and sexual innuendo. In short, it is great fun. KLIATT Codes: SARecommended for senior high school students, advanced students, and adults. 2003, Grove Press, 550p. illus. notes. index., Ages 15 to adult.
Rare because haggadahs are seldom illuminated and precious for the quality of those illustrations, the Sarajevo Haggadah has survived the siege of that city, saved by a Muslim who headed the library at the National Museum. Rare books conservator Hanna Heath, summoned from Sydney to Sarajevo to evaluate it, finds tiny clues-an insect's wing, a wine stain, a hair-that establish its provenance and lead into flashbacks about the book's history, showing how it survived the Spanish Inquisition, the expulsion of the Jews from Spain, and the Nazis and how it came to be created in the first place. Not the least of these stories is Hanna's own. Brooks, whose March won a Pulitzer Prize in 2006, convincingly re-creates several unfamiliar settings-Seville in 1480, Barcelona in 1492, Venice in 1609, Vienna in 1894, Yugoslavian resistance to German occupation, and Sarajevo in 1996. Reader Edwina Wren, faced with re-creating all these accents, sometimes defaults to one that's generically foreign. Some of the many characters could also have been a little more developed, but this is both a literary novel and a popular hit, one of those big, ambitious, impossibly erudite books that pursue hidden knowledge through the ages. Recommended.
Adult/High School -Hanna Heath, an Australian book conservationist, is thrilled to be chosen to work on the rare illuminated Haggadah created in Spain in the Middle Ages. The book had been protected in a museum in Sarajevo until 1994, when it was rescued from certain plunder during the Bosnian conflict and hidden in a bank vault by a Muslim librarian. Hanna is as eager to learn and preserve the mysterious history of the codex as she is to restore the manuscript. How did it come to be illustrated, a practice believed to have been forbidden by Jewish law? What is the meaning of the wine stain, the hair, the insect wing, and the salt crystals? The author uses these artifacts to weave a thrilling tale of the unusual creation of the Haggadah in Seville in 1480 and its dangerous journey to Tarragona, Venice, Vienna, and finally Sarajevo. It is a story of the Inquisition and wars, and the enlightenment or ignorance of the men and women who would save or destroy this brilliant treasure. Integrated into these compelling vignettes is Hanna's own story: her passion for her work, her unhappy relationship with her mother, and her bittersweet love affair. Sophisticated teens will appreciate Hanna's sarcastic, witty observations, which mask a vulnerable lack of confidence. The mystery of the codex and the forensic examinations are intriguing and will keep readers eagerly awaiting the next revelation. Inspired by the true story of the Sarajevo Haggadah, Brooks has imagined a thrilling mystery and a history that has deep ramifications in our own time.-Jackie Gropman, Chantilly Regional Library, Fairfax County, VA
From 1480 Seville to 1996 Sarajevo, a priceless scripture is chased by fanatics political and religious. Its recovery makes for an enthralling historical mystery. In Sydney, ace (and gorgeous) old-book conservator Hannah Heath gets a 2 a.m. phone call. She's summoned to Sarajevo to check out a 15th-century Spanish-made Haggadah, a codex gone missing in Bosnia during a 1992 siege. The document is a curiosity, its lavish illuminations appearing to violate age-old religious injunctions against any kind of illustration. Remarkably, it's Muslim museum librarian Ozren Karaman who rescued the Hebrew artifact from furious shelling. Questioning (and bedding) Ozren, Hannah examines the Haggadah binding and from clues embedded there-an insect's wings, wine stains, white hair-reconstructs the book's biography. And it's an epic. Chapter by chapter, each almost an independent story, the chronicle unwinds-of the book's changing hands from those of anti-Nazi partisans dreaming of departing for Palestine from war-torn Croatia, from schemers in 1894 Vienna, home, despite Freud and Mahler, of virulent anti-Semitism. Perhaps the best chapter takes place in 1609 Venice. There, not-so-grand Inquisitor Domenico Vistorini, a heretic hunter with a drinking problem, contends in theological disputation with brilliant rabbinical star Judah Aryeh. The two strike up an unlikely alliance to save the book, even while Vistorini at first blanches at its art-a beautiful depiction of the glowing sun, prophesying, the hysterical priest assumes, Galileo's heliocentric blasphemy. Tracing those illustrations back to their origin point, Hannah unkinks a series of fascinating conundrums-and learns, even more fiercely, to prizethe printed page. Rich suspense based on a true-life literary puzzle, from the Pulitzer Prize-winning Brooks (March, 2005, etc.). Agent: Kristine Dahl/ICM