- Waltz for piano in A minor, KK IVb/11, CT. 224 (B. 150)
- Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56)
- Waltz for piano in E major, KK IVa/12, CT. 220 (B. 44)
- Waltz for piano in E flat major (spurious), KK IVa/14 (B. 46)
- Waltz for piano in E flat major, KK IVb/10, CT. 223
- Waltz for piano in A flat major, KK IVa/13, CT. 221 (B. 21)
- Waltzes (3) for piano, Op. 70, CT. 217-219
- Waltzes (2) for piano, Op. 69, CT. 215-216
- Waltzes (3) for piano, Op. 64, CT. 212-214
- Waltz for piano No. 5 in A flat major, Op. 42, CT. 211
- Waltzes (3) for piano, Op. 34, CT. 208-210
- Waltz for piano No. 1 in E flat major, Op. 18, CT. 207
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German-Japanese pianist Alice Sara Ott is a performer who appears to care more about the score and the composer than about her image and interpretations. After promoting Lang-Lang, a pianist of maximal technique but debatable taste, DG has given Ott an exclusive recording contract, and her first release, the complete waltzes of Chopin, shows her to be a pianist of taste and restraint. That is not to say that her performances here are ever less than dazzling, because she plays with supreme ease, or any less than affecting, because she brings out everything in the scores, from sparkling wit to darkest melancholy. But Ott is not interested in demonstrating her technique or in grandstanding her interpretations. Everything here is in the score: the tender countermelodies, the long legato phrasing, the exquisite harmonic balances, and the lilting rubato. It sounds fresh and natural because Ott herself seems fresh and natural, and apparently not at all a showoff. Though by no means the greatest performances of the waltzes ever recorded -- Dinu Lipatti's EMI recording is now and likely always will be the most beautiful, the most masterful, and the most moving version of these works -- Ott's recording is well worth hearing by anyone who loves the music. The sound of DG's digital recording is limpid.
Most Helpful Customer Reviews
I found this CD on Spotify when I was seeking the answer to SymphonyCast's Encore Contest this week. It turned out to be Chopin's Waltz No. 3 and I very much enjoyed her playing on all of the waltzes.
I learnt of this recording on the airplane back home. when I hit the play key on selecting waltz in G-flat Major op. 70, No. 1, I was suddenly aware of hearing an unique presentation of Chopin's waltz. So I was very interested in listening all the rest in this album. I agree with the Editorial Review. Alice is a pianist of taste and restraint. Attracted to her music, I wonder if her interpretation and presentation were Chopin really meant in his scores. C. Josh Chang