Dinah Roe challenges the persistent myth that religion dulled the edge of Christina Rossetti's creativity, arguing instead that religion sharpened her wits. She reveals how Rossetti's literary legacy has suffered from a misunderstanding of the nature, history, and sincerity of the poet's Christianity. Despite advances made by feminist critics in the rediscovery of Rossetti, the myth of the poet's 'overscrupulous' Christianity persists. The thoughtful, dynamic, and religious artist who lived and produced well into her sixties is in danger of being overlooked.
Rossetti assimilated various influences, from Tractarian writing to the poetry of Keats and Dante, to sustain her on a lifelong and exhilarating march 'Up-Hill'. In both prose and poetry, she invites the reader to engage with a sophisticated network of biblical allusion, in which Christian doctrine is re-thought and sometimes re-forged. Unless we take this invitation seriously, we will not take the true measure of Rossetti.
|Sold by:||Barnes & Noble|
|File size:||368 KB|
About the Author
DINAH ROE is an independent scholar whose interests include the nineteenth-century novel, Victorian poetry, and the devotional prose works of Christina Rossetti. She is currently editing and introducing the forthcoming Penguin Classics edition of Christina Rossetti's Selected