In Québécois cinema, nostalgia not only denotes a sentimental longing for the bucolic pleasures of bygone French-Canadian traditions, but, as this edited collection suggests, it evokes the etymological sense of the term, which underscores the element of pain (algos) associated with the longing for a return home (nostos).
Whether it is in grandiloquent historical melodramas such as Séraphin: un homme et son péché (Binamé 2002), intimate realist dramas like Tout ce que tu possèdes (Émond 2012), charming art films like C.R.A.Z.Y. (Vallée 2005), or even gory horror movies like Sur le Seuil (Tessier 2003), the contemporary Québécois screen projects an image of shared suffering that unites the nation through a melancholy search for home.
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|Publisher:||Wilfrid Laurier University Press|
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About the Author
André Loiselle is Dean of Humanities and teaches film studies at St. Thomas University. His main areas of research are Canadian cinema, theatricality in film and the horror film. He has published over 40 articles and chapters in anthologies, as well as a dozen books, including The Canadian Horror Film (2015, with Gina Freitag).
Table of ContentsTABLE OF CONTENTS
Introduction / Liz Czach and André Loiselle
SECTION IIndigenous Longings
1 Landscape, Trauma, and Identity: Simon Lavoie’s Le Torrent / Kester Dyer
SECTION IIYearning for a Pre-Modern Quebec
2 The Quebec Heritage Film / Liz Czach
3 “La Nostalgie de la maison inconnue”: The Ethics of Memory in Bernard Émond’s Recent Work / Alessandra Pires
4 Fingerless (Anti)Christ: A Reminiscence of the Church in 1966 in Denys Arcand’s Les Invasions Barbares and Éric Tessier’s Sur le Seuil / André Loiselle
SECTION IIIGendered Suffering
5 The Dys-comforts of Home in Quebec Gothic Horror Cinema / Gina Freitag
6 Men in Pain: Home, Nostalgia, and Masculinity in Twenty-First-Century Quebec Film / Amy J. Ransom
SECTION IVMétropole and Région
7 The Rural (Re)Turns of Young Protagonists in Contemporary Quebec Films / Miléna Santoro
8 Return to Abitibi in Bernard Émond’s La donation / Katherine Ann Roberts
9 Quebec–Montreal: Time, Space, and Memory in Robert Lepage’s Le Confessionnal and Bernard Émond’s La Neuvaine / Jim Leach
About the Contributors