City of Lost Girls (Ed Loy Series #5)

City of Lost Girls (Ed Loy Series #5)

by Declan Hughes


View All Available Formats & Editions
Choose Expedited Shipping at checkout for guaranteed delivery by Thursday, February 21

Product Details

ISBN-13: 9780061689918
Publisher: HarperCollins Publishers
Publication date: 03/29/2011
Series: Ed Loy Series , #5
Pages: 320
Sales rank: 1,022,528
Product dimensions: 5.30(w) x 7.80(h) x 0.90(d)

About the Author

An award-winning playwright and screenwriter, Declan Hughes is cofounder and former artistic director of Rough Magic Theatre Company. He was Writer-in-Association with the Abbey Theatre and lives in Dublin with his wife and two daughters.

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

City of Lost Girls (Ed Loy Series #5) 4.2 out of 5 based on 0 ratings. 16 reviews.
jastbrown on LibraryThing 8 months ago
It doesn't make any difference what the plot of this fifth Ed Loy novel is.. Mystery lovers in years past bought a Ross Macdonald story, or a Raymond Chandler, or Dashiell Hammett as now we buy a Robert Crais or Robert Parker or John Grisham book. We know we're going to get the best Noir, Thriller, Mystery, Crime novel available.. the plot is of little consequence.Yes.. Declan Hughes is that good. A talented professional who transports us, vicariously, into his world for a few hours at a time, and makes us feel good that we're able to return to our own relatively safe and sane world, before turning off the lights at the end of the day!
maneekuhi on LibraryThing 8 months ago
This is the 5th Ed Loy book. I have read #'s 3-5 and have enjoyed them all; I'll circle back and read the first two before long. As always, gritty portrayal of crime and violence in today's Dublin. Two main differences with previous books - #3 and 4 was rich with lots of characters that you would not invite home for Sunday dinner, and I suspect 1 and 2 are similar in this regard. City of Lost Girls focuses on the movie industry, primarily on the production and management side, so we get to know cinematographers, first assistant directors, producers. Secondly, this book develops more of Loy's life off-the-job with girlfriend Anne Fogarty and her two daughters, and also a bit on one of the film crew's exes and her two kids. Family hour, maybe a bit too much. There is also a climactic scene in which one of these families becomes earmarked as potential victims. This seems to be case in a number of recent crime fiction books I've read and it's become a bit overdone. Maybe #6 will get back to the more traditional elements of murder and mayhem. I also had some difficulties with the background crimes that had occurred and no one associating them with the film crew; seemed to be quite a stretch.
tubegrrl on LibraryThing 8 months ago
Declan Hughes continue to pay homage to the fine tradition of the PI and noir mystery. Here he connects his transplanted Chandler-Macdonald-Hammit PI character right back to the mother city, Los Angeles. Very satisfying, and stands alone well, though if you read the books in order, the character development of Ed Loy is more nuanced and rich. Very well crafted writing.
Anonymous More than 1 year ago
Ok good.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
harstan More than 1 year ago
Acclaimed Hollywood film director Jack Donovan is in on location in Dublin. He becomes concerned over anonymous letters he received; thus he contacts Ed Loy, who he met in a bar fifteen years ago and put in one of his films, to look into them. At the same time extras needed as Donovan always focuses on minor characters vanish for no apparent reason. Although they are runaways and could have just moved on, Ed is asked to make inquiries. Ed and Jack realize what is happening in Ireland occurred in California years ago. Four known people were in both locations two decades apart: Jack; cinematographer Mark Cassidy, assistant director Conor Rowan, and producer Maurice Faye. As Loy assumes the two incidents are linked, he decides one of these males is the culprit. The latest Loy mystery (see All The Dead Voices) is a terrific serial killer whodunit. For the most part the story line is fast-paced as Loy seeks clues to identify who is the psychopathic Pied Piper offering film opportunities as candy to lure the victim. City of Lost Girls is a tense thriller as Loy struggles to protect a third female extra from becoming the next victim by uncovering the identity of the predator. Harriet Klausner
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
edofarrell More than 1 year ago
City of Lost Girls is an excellent novel marred only by passages that could have used some editing to shorten them. Hughes is a verbose writer and so good that he can carry it off ... most of the time. I found myself on two or three occasions flipping pages to get past some lengthy and not very interesting asides. But the novel is otherwise very sharp. Crisp dialog, believable characters and nicely paced and plotted. Ed Loy comes across as a solid and interesting character that one cares about, cares what happens to him. The plot is interesting, I won't bore you with a recap, the professional reviews do that, except to say that there are some very nice twists and a very, for me, unexpected ending to the story. Well worth the money and time spent.
macabr More than 1 year ago
Declan Hughes' most recent book, CITY OF LOST GIRLS, is different from the previous Ed Loy books. The deranged people who have been a large part of his life are still there but on the edges of the story. In this book, Loy is dealing with a different kind of deranged killer, one who is a predator, enticing his victims by offering them help in the movie world where the line between pretense and reality is difficult to define. Jack Donovan (who seems to be a combination of Neal Jordan, James Cameron, Steven Spielberg, and David Lynch) is a highly successful and acclaimed movie director whose career began with art house movies and progressed to the big screen and the big money. For most of his career, Donovan has worked in California and it was in California, 15 years before, that Ed Loy first met him. They met in a bar and one night Donovan decided to give Loy a part in the movie he was filming. Loy enjoys his 30 seconds of on-screen fame and when Donovan contacts him for help because three extras on his film have disappeared, Loy does his best to find them. The girls where run-aways from different parts of the US and it is only Donovan who notices they are gone and files the missing person reports. Loy has no luck finding them, Donovan's movie is finished, and Loy returns to Ireland. All these years later, Donovan has returned to make a movie set in Dublin and the two men resume their friendship when Donovan asks Loy to look into some anonymous letters he has been receiving. Loy is willing and starts asking questions, learning that he really doesn't know anything about Jack Donovan at all. Then, Donovan's assistant contacts Ed. An extra on the film has disappeared, and then another, and then Loy decides he needs to put the third girl in hiding. Donovan has developed a style over the years, one in which he focuses on the faces of three minor players and the disappearance of the girls, unavailable now for filming, puts the movie in jeopardy. Donovan and Loy see clearly that this is a repeat of what happened in California and Loy sees clearly, that if the two incidents are connected there are only four suspects. The first is Jack Donovan, the second is Mark Cassidy, the cinematographer, the third is Conor Rowan, the assistant director, and the fourth is Maurice Faye, the producer of all Donovan's films. The Gang of Four are the only people who were at the sites of both disappearances. Loy doesn't know how the anonymous letters and the disappearances of the girls are connected. Perhaps Kate and Nora did go off to party and will return, apologetically, in their own good time and continue their work on the film. But Loy knows, as he did in California, that these girls are gone. Hughes intersperses the narrative with the thoughts of the murderer but he doesn't give anything away about the identity until he is ready to let the reader in on the secret. There is less overt brutality in this book but the body count is higher. I think it is the best book of the series.
dhaupt More than 1 year ago
Declan shines once again as he sends Ed Loy on an unsolvable case twenty years old that started on the shores of LA and now it's happening again as Dublin turns into The City of Lost Girls. But crime fighting is never easy and made harder by the fact that he's dealing with Hollywood movers and shakers in Ireland to make a film, no matter their all sons of Éire. Be prepared to hold your breath often as he takes us on a ride of bright spots and blight spots of Dublin and if that's not enough we'll spend half of the novel in LA fighting traffic, crowds and ghosts of the dead. His plot is current in it's content and context, interesting in it's reading and terrorizing in it's implications. He's masterful at words as well as feelings as he imparts both into his incredible work of fiction. His characters are all wonderfully crafted and Ed Loy shines once again as his hard nosed hard headed protagonist. His supporting characters some of whom we're reacquainting with are equally important to the telling of the tale. And what a tale it is, snatched off the front papers of any major acropolis, missing young women presumed dead. It's a grand scale who-done-it with a touch of noir and a whole lot of heart that will keep you guessing until and only until Declan let's us in on his secret. Ed Loy has a prosperous career in front of him and I can't think of a more capable detective to handle the worst of what society can throw at him. Let him lead you through the pages as he unwraps the clues and gets to the bottom of that all elusive Case Solved. The City of Lost Girls is Declan Hughes 5th in his Ed Loy detective series.
GailCooke More than 1 year ago
Shamus Award winner Declan Hughes isn't just any noteworthy crime writer - he's an Irish one and for this reader that makes all the difference. There's a bit of a poet in him, as well as a richly developed descriptive technique. Now, add to this his two decades as a playwright and screenwriter, a background which he brings to the printed page, and you have CITY OF LOST GIRLS. With this, the fifth in Hughes's Irish private investigator Ed Loy series we find Loy torn between tracking a psychotic murderer who kills young girls, always a trio of them, and the history he shares with film director Jack Donovan. They go back quite a way; as Loy says of their past, "I don't want to talk about it, don't want to think about it. Sooner or later, we would get to it anyway. The past is always out there, a land mine buried and forgotten about, ready to blow the present apart at any moment." And, there are plenty of land mines for Loy to avoid in this story. As it happens Donovan is now shooting a film in Dublin, and he calls Loy to find the person sending him threatening letters. The task is complicated when two extras in the film, young girls, go missing. There is a third girl, who must be protected. Eventually, Loy finds a similarity between what is happening in Dublin and what happened in Los Angeles some years ago - three young women disappeared from a film that Jack Donovan was making. LAPD never found them and when presumed dead had no clue as to the murderer. Loy returns to Los Angeles to try to piece together the connection fully aware that a serial killer is still loose, perhaps in Dublin. Hughes studs CITY OF LOST GIRLS with vignettes regarding Hollywood's beautiful people and film making itself, while at the same time ratcheting up suspense via an eerie voice, an anonymous narrator who is obviously the killer. - Gail Cooke