Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
Walt Whitman experienced the agonies of the Civil War firsthand, working, in his forties, as a dedicated volunteer throughout the conflict in Washington's overcrowded, understaffed military hospitals. This superb selection of his poems, letters, and prose from the war years, filled with the sights and sounds of war and its ugly aftermath, express a vast and powerful range of emotions.
Among the poems include here, first published in Drum-Taps (1865) and Sequel to Drum-Taps (1866), are a number of Whitman's most famous works: "O Captain! My Captain!" "The Wound-Dresser," "When Lilacs Last in the Dooryard Bloom'd," and "Come Up from the Fields, Father." The letters and prose selections, including Whitman's musings on the publication of his works, on the wounded men he tended, and his impressions of Lincoln traveling about the city of Washington, offer keen insights into an extraordinary era in American history.
About the Author
One of America's most influential and innovative poets, Walt Whitman (1819–92) worked as a teacher, journalist, and volunteer nurse during the Civil War. Proclaimed as the nation's first "poet of democracy," Whitman reached out to common readers and opposed censorship with his overt celebrations of sexuality.
Read an Excerpt
Civil War Poetry and Prose
By WALT WHITMAN
Dover Publications, Inc.Copyright © 1995 Dover Publications, Inc.
All rights reserved.
POEMS FROM LEAVES OF GRASS (1891-92)
First O Songs for a Prelude
First O songs for a prelude,
Lightly strike on the stretch'd tympanum pride and joy in my city,
How she led the rest to arms, how she gave the cue,
How at once with lithe limbs unwaiting a moment she sprang,
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang—how you threw off the costumes of peace with indifferent hand,
How your soft opera-music changed, and the drum and fife were heard in their stead,
How you led to the war, (that shall serve for our prelude, songs of soldiers,)
How Manhattan drum-taps led.
Forty years had I in my city seen soldiers parading,
Forty years as a pageant, till unawares the lady of this teeming and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her, suddenly,
At dead of night, at news from the south,
Incens'd struck with clinch'd hand the pavement.
A shock electric, the night sustain'd it,
Till with ominous hum our hive at daybreak pour'd out its myriads.
From the houses then and the workshops, and through all the doorways,
Leapt they tumultuous, and lo! Manhattan arming.
To the drum-taps prompt,
The young men falling in and arming,
The mechanics arming, (the trowel, the jack-plane, the blacksmith's hammer, tost aside
The lawyer leaving his office and arming, the judge leaving the court,
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly
down on the horses' backs,
The salesman leaving the store, the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent and arm,
The new recruits, even boys, the old men show them how to wear their accoutrements,
they buckle the straps carefully,
Outdoors, arming, indoors arming, the flash of the musket-barrels,
The white tents cluster in camps, the arm'd sentries around, the sunrise cannon and again
Arm'd regiments arrive every day, pass through the city, and embark from the wharves,
(How good they look as they tramp down to the river, sweaty, with their guns on their
How I love them! how I could hug them, with their brown faces and their clothes and
knapsacks cover'd with dust!)
The blood of the city up—arm'd! arm'd! the cry everywhere,
The flags flung out from the steeples of churches and from all the public buildings and
The tearful parting, the mother kisses her son, the son kisses his mother,
(Loth is the mother to part, yet not a word does she speak to detain him,)
The tumultuous escort, the ranks of policemen preceding, clearing the way,
The unpent enthusiasm, the wild cheers of the crowd for their favorites,
The artillery, the silent cannons bright as gold, drawn along, rumble lightly over the stones,
(Silent cannons, soon to cease your silence,
Soon unlimber'd to begin the red business;)
All the mutter of preparation, all the determin'd arming,
The hospital service, the lint, bandages and medicines,
The women volunteering for nurses, the work begun for in earnest, no mere parade now;
War! an arm'd race is advancing! the welcome for battle, no turning away;
War! be it weeks, months, or years, an arm'd race is advancing to welcome it.
Mannahatta a-march—and it's O to sing it well!
It's O for a manly life in the camp.
And the sturdy artillery,
The guns bright as gold, the work for giants, to serve well the guns,
Unlimber them! (no more as the past forty years for salute or courtesies merely,
Put in something now besides powder and wadding.)
And you lady of ships, you Mannahatta,
Old matron of this proud, friendly, turbulent city,
Often in peace and wealth you were pensive or covertly frown'd amid all your children,
But now you smile with joy exulting old Mannahatta.
Arm'd year—year of the struggle,
No dainty rhymes or sentimental love verses for you terrible year,
Not you as some pale poetling seated at a desk lisping cadenzas piano,
But as a strong man erect, clothed in blue clothes, advancing, carrying a rifle on your
With well-gristled body and sunburnt face and hands, with a knife in the belt at your side,
As I heard you shouting loud, your sonorous voice ringing across the continent,
Your masculine voice O year, as rising amid the great cities,
Amid the men of Manhattan I saw you as one of the workmen, the dwellers in Manhattan,
Or with large steps crossing the prairies out of Illinois and Indiana,
Rapidly crossing the West with springy gait and descending the Alleghanies,
Or down from the great lakes or in Pennsylvania, or on deck along the Ohio river,
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on the
Saw I your gait and saw I your sinewy limbs clothed in blue, bearing weapons, robust
Heard your determin'd voice launch'd forth again and again,
Year that suddenly sang by the mouths of the round-lipp'd cannon,
I repeat you, hurrying, crashing, sad, distracted year.
Beat! Beat! Drums!
Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.
Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those
No bargainers' bargains by day—no brokers or speculators—would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.
Beat! beat! drums!—blow! bugles! blow!
Make no parley-stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child's voice be heard, nor the mother's entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.
From Paumanok Starting I Fly Like a Bird
From Paumanok starting I fly like a bird,
Around and around to soar to sing the idea of all,
To the north betaking myself to sing there arctic songs,
To Kanada till I absorb Kanada in myself, to Michigan then,
To Wisconsin, Iowa, Minnesota, to sing their songs, (they are inimitable;)
Then to Ohio and Indiana to sing theirs, to Missouri and Kansas and Arkansas to sing
To Tennessee and Kentucky, to the Carolinas and Georgia to sing theirs,
To Texas and so along up toward California, to roam accepted everywhere;
To sing first, (to the tap of the war-drum if need be,)
The idea of all, of the Western world one and inseparable,
And then the song of each member of these States.
Song of the Banner at Daybreak
O a new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice and child's voice and sea's voice and father's voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at daybreak is flapping.
Words! book-words! what are you?
Words no more, for hearken and see,
My song is there in the open air, and I must sing,
With the banner and pennant a-flapping.
I'll weave the chord and twine in,
Man's desire and babe's desire, I'll twine them in, I'll put in life,
I'll put the bayonet's flashing point, I'll let bullets and slugs whizz,
(As one carrying a symbol and menace far into the future,
Crying with trumpet voice, Arouse and beware! Beware and arouse!)
I'll pour the verse with streams of blood, full of volition, full of joy,
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping.
Come up here, bard, bard,
Come up here, soul, soul,
Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measureless light.
Father what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?
Nothing my babe you see in the sky,
And nothing at all to you it says—but look you my babe,
Look at these dazzling things in the houses, and see you the money-shops opening,
And see you the vehicles preparing to crawl along the streets with goods;
These, ah these, how valued and toil'd for these!
How envied by all the earth!
Fresh and rosy red the sun is mounting high,
On floats the sea in distant blue careering through its channels,
On floats the wind over the breast of the sea setting in toward land,
The great steady wind from west or west-by-south,
Floating so buoyant with milk-white foam on the waters.
But I am not the sea nor the red sun,
I am not the wind with girlish laughter,
Not the immense wind which strengthens, not the wind which lashes,
Not the spirit that ever lashes its own body to terror and death,
But I am that which unseen comes and sings, sings, sings,
Which babbles in brooks and scoots in showers on the land,
Which the birds know in the woods mornings and evenings,
And the shore-sands know and the hissing wave, and that banner and pennant,
Aloft there flapping and flapping.
O father it is alive—it is full of people—it has children,
O now it seems to me it is talking to its children,
I hear it—it talks to me—O it is wonderful!
O it stretches—it spreads and runs so fast—O my father,
It is so broad it covers the whole sky.
Cease, cease, my foolish babe,
What you are saying is sorrowful to me, much it displeases me;
Behold with the rest again I say, behold not banners and pennants aloft,
But the well-prepared pavements behold, and mark the solid-wall'd houses.
Banner and Pennant
Speak to the child O bard out of Manhattan,
To our children all, or north or south of Manhattan,
Point this day, leaving all the rest, to us over all—and yet we know not why,
For what are we, mere strips of cloth profiting nothing,
Only flapping in the wind?
I hear and see not strips of cloth alone,
I hear the tramp of armies, I hear the challenging sentry,
I hear the jubilant shouts of millions of men, I hear Liberty!
I hear the drums beat and the trumpets blowing,
I myself move abroad swift-rising flying then,
I use the wings of the land-bird and use the wings of the sea-bird, and look down as from
I do not deny the precious results of peace, I see populous cities with wealth incalculable,
I see numberless farms, I see the farmers working in their fields or barns,
I see mechanics working, I see buildings everywhere founded, going up, or finish'd,
I see trains of cars swiftly speeding along railroad tracks drawn by the locomotives,
I see the stores, depots, of Boston, Baltimore, Charleston, New Orleans,
I see far in the West the immense area of grain, I dwell awhile hovering,
I pass to the lumber forests of the North, and again to the Southern plantation, and again
Sweeping the whole I see the countless profit, the busy gatherings, earn'd wages,
See the Identity formed out of thirty-eight spacious and haughty States, (and many more
See forts on the shores of harbors, see ships sailing in and out;
Then over all, (aye! aye!) my little and lengthen'd pennant shaped like a sword,
Runs swiftly up indicating war an defiance—and now the halyards have rais'd it,
Side of my banner broad and blue, side of my starry banner,
Discarding peace over all the sea and land.
Banner and Pennant
Yet louder, higher, stronger, bard! yet farther, wider cleave!
No longer let our children deem us riches and peace alone,
We may be terror and carnage, and are so now,
Not now are we any one of these spacious and haughty States, (nor any five, nor ten,)
Nor market nor depot we, nor money-bank in the city,
But these and all, and the brown and spreading land, and the mines below, are ours,
And the shores of the sea are ours, and the rivers great and small,
And the fields they moisten, and the crops and the fruits are ours,
Bays and channels and ships sailing in and out are ours—while we over all,
Over the area spread below, the three or four millions of square miles, the capitals,
The forty millions of people,—O bard! in life and death supreme,
We, even we, henceforth flaunt out masterful, high up above,
Not for the present alone, for a thousand years chanting through you,
This song to the soul of one poor little child.
O my father I like not the houses,
They will never to me be anything, nor do I like money,
But to mount up there I would like, O father dear, that banner I like,
That pennant I would be and must be.
Child of mine you fill me with anguish,
To be that pennant would be too fearful,
Little you know what it is this day, and after this day, forever,
It is to gain nothing, but risk and defy everything,
Forward to stand in front of wars—and O, such wars!—what have you to do with them?
With passions of demons, slaughter, premature death?
Demons and death then I sing,
Put in all, aye all will I, sword-shaped pennant for war,
And a pleasure new and ecstatic, and the prattled yearning of children,
Blent with the sounds of the peaceful land and the liquid wash of the sea,
And the black ships fighting on the sea envelop'd in smoke,
And the icy cool of the far, far north, with rustling cedars and pines,
And the whirr of drums and the sound of soldiers marching, and the hot sun shining south,
And the beach-waves combing over the beach on my Eastern shore, and my Western
shore the same,
And all between those shores, and my ever running Mississippi with bends and chutes,
And my Illinois fields, and my Kansas fields, and my fields of Missouri,
The Continent, devoting the whole identity without reserving an atom,
Pour in! whelm that which asks, which sings, with all and the yield of all,
Fusing and holding, claiming, devouring the whole,
No more with tender lip, nor musical labial sound,
But out of the night emerging for good, our voice persuasive no more,
Croaking like crows here in the wind.
My limbs, my veins dilate, my theme is clear at last,
Banner so broad advancing out of the night, I sing you haughty and resolute,
I burst through where I waited long, too long, deafen'd and blinded,
My hearing and tongue are come to me, (a little child taught me,)
I hear from above O pennant of war your ironical call and demand,
Insensate! insensate (yet I at any rate chant you,) O banner!
Not houses of peace indeed are you, nor any nor all their prosperity, (if need be, you shall
again have every one of those houses to destroy them,
You thought not to destroy those valuable houses, standing fast, full of comfort, built with
May they stand fast, then? not an hour except you above them and all stand fast;)
O banner, not money so precious are you, not farm produce you, nor the material good
Nor excellent stores, nor landed on wharves from the ships,
Not the superb ships with sail-power or steam-power, fetching and carrying cargoes,
Nor machinery, vehicles, trade, nor revenues—but you as henceforth I see you,
Running up out of the night, bringing your cluster of stars, (ever-enlarging stars,)
Divider of daybreak you, cutting the air, touch'd by the sun, measuring the sky,
(Passionately seen and yearn'd for by one poor little child,
While others remain busy or smartly talking, forever teaching thrift, thrift;)
O you up there! O pennant! where you undulate like a snake hissing so curious,
Out of reach, an idea only, yet furiously fought for, risking bloody death, loved by me,
So loved—O you banner leading the day with stars brought from the night!
Valueless, object of eyes, over all and demanding all—(absolute owner of all)—O banner
I too leave the rest—great as it is, it is nothing—houses, machines are nothing-I see them
I see but you, O warlike pennant! O banner so broad, with stripes, I sing you only,
Flapping up there in the wind.
Excerpted from Civil War Poetry and Prose by WALT WHITMAN. Copyright © 1995 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Poems from Leaves of Grass
"FROM THE SECTION "DRUM-TAPS" "
First O Songs for a Prelude (DT)
Eighteen Sixty-One (DT)
Beat! Beat! Drums (DT)
From Paumanok Starting I Fly Like a Bird (DT)
Song of the Banner at Daybreak (DT)
Virginia - The West
Cavalry Crossing a Ford (DT)
Bivouac on a Mountain Side (DT)
An Army Corps on the March (SDT)
By the Bivouac's Fitful Flame (DT)
Come Up from the Fields Father (DT)
Vigil Strange I Kept on the Field One Night (DT)
"A March in the Ranks Hard-Prest, and the Road Unknown (DT) "
A Sight in Camp in the Daybreak Gray and Dim (DT)
As Toilsome I Wander'd Virginia's Woods (DT)
Year That Trembled and Reel'd Beneath Me (DT)
The Wound-Dresser (DT)
"Long, Too Long America (DT) "
Dirge for Two Veterans (SDT)
Over the Carnage Rose Prophetic a Voice (DT)
The Artilleryman's Vision (DT)
Race of Veterans (SOT)
O Tan-Faced Prairie Boy (DT)
Look down Fair Moon (DT)
To a Certain Civilian (DT)
Spirit Whose Work Is Done (SDT)
To the Leaven'd Soil They Trod (SDT)
"FROM THE SECTION "MEMORIES OF PRESIDENT LINCOLN"
When Lilacs Last in the Dooryard Bloom'd (SDT)
O Captain! My Captain! (SDT)
Hush'd Be the Camps To-Day (DT)
This Dust Was Once the Man
"FROM THE SECTION "WHISPERS OF HEAVENLY DEATH"
Quicksand Years (DT)
"FROM THE SECTION "FROM NOON TO STARRY NIGHT"
Old War-Dreams (SDT)
"FROM THE SECTION "SONGS OF PARTING"
Ashes of Soldiers (DT)
Pensive on Her Dead Gazing (DT)
Camps of Green (DT)
Poems Not Included in the 1891-92 Leaves of Grass
Bathed in War's Perfume (DT)
"Solid, Ironical, Rolling Orb (DT)"
Selections from Memoranda during the War (1875-76)
"To Mrs. Louisa Whitman, December 29, 1862"
"To Nat Bloom and Fred Gray, March 19, 1863"
"To Mrs. Louisa Whitman, June 30, 1863"
"To Hugo Fritsch, [October 8, 1863]"
"To Julia Elizabeth Stilwell, [October 21, 1863]"
"To Lewis Kirk Brown and Hospital Comrades, November 8, 1863"
"To Elijah [Douglass] Fox, November 21, 1863"
"To Mrs. Louisa Whitman, April 26, 1864"
"To Mrs. Louisa Whitman, June 14, 1864"
"To Mrs. Louisa Whitman, June 17, 1864"
"To Charles W. Eldrige, October 8, 1864"
"To William D. O'Connor, January 6, 1865"
"To Mrs. Irwin, [May 1865]"
"To Mrs. Louisa Whitman, May 25, 1865"
Alphabetical List of Poem Titles
Alphabetical List of Poem First Lines