Clive Barker's Books of Blood: Volume One (Movie Tie-In)

Clive Barker's Books of Blood: Volume One (Movie Tie-In)

by Clive Barker

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Overview

THE INSPIRATION FOR THE HULU ORIGINAL FILM

Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.

Everybody is a book of blood; wherever we're opened, we're red.

In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the stories written on the Book of Blood. Read, if it pleases you, and learn....

This Volume includes: “The Book of Blood” • “The Midnight Meat Train” • “The Yattering and Jack” • “Pig Blood Blues” • “Sex, Death and Starshine” • “In the Hills, the Cities”

Product Details

ISBN-13: 9780593201053
Publisher: Penguin Publishing Group
Publication date: 09/29/2020
Pages: 304
Sales rank: 1,241,120
Product dimensions: 4.10(w) x 7.30(h) x 0.90(d)

About the Author

Born in Liverpool in 1952, Clive Barker has written and produced a number of plays, including The History of the Devil and Frankenstein in Love, which are as diverse in style and subject as the fiction he has written since. His volumes of short fiction, Books of Blood, earned him immediate praise from horror fans and literary critics alike. He won both the British and World Fantasy awards, and was nominated for the coveted Booker Prize, Britain’s highest literary award. His bestselling novels include The Damnation Game, Imajica, Coldheart Canyon, The Thief of Always, The Great and Secret Show, Everville, the Abarat series, and The Scarlet Gospels. He is also the creator of the now-classic Hellraiser films as well as Nightbreed and Lord of Illusions.

Hometown:

Los Angeles

Date of Birth:

October 5, 1952

Place of Birth:

Liverpool, England

Education:

Liverpool University

Read an Excerpt

The dead have highways.

They run, unerring lines of ghost-trains, of dream-carriages, across the wasteland behind our lives, bearing an endless traffic of departed souls. Their thrum and throb can be heard in the broken places of the world, through cracks made by acts of cruelty, violence and depravity. Their freight, the wandering dead, can be glimpsed when the heart is close to bursting, and sights that should be hidden come plainly into view.

They have signposts, these highways, and bridges and lay-bys. They have turnpikes and intersections.

It is at these intersections, where the crowds of dead mingle and cross, that this forbidden highway is most likely to spill through into our world. The traffic is heavy at the crossroads, and the voices of the dead are at their most shrill. Here the barriers that separate one reality from the next are worn thin with the passage of innumerable feet.

Such an intersection on the highway of the dead was located at Number 65, Tollington Place. Just a brick-fronted, mock-Georgian detached house, Number 65 was unremarkable in every other way. An old, forgettable house, stripped of the cheap grandeur it had once laid claim to, it had stood empty for a decade or more.

It was not rising damp that drove tenants from Number 65. It was not the rot in the cellars, or the subsidence that had opened a crack in the front of the house that ran from doorstep to eaves, it was the noise of passage. In the upper story the din of that traffic never ceased. It cracked the plaster on the walls and it warped the beams. It rattled the windows. It rattled the mind too. Number 65, Tollington Place, was a haunted house, and no one could possess it for long without insanity setting in.

At some time in its history a horror had been committed in that house. No one knew when, or what. But even to the untrained observer the oppressive atmosphere of the house, particularly the top story, was unmistakable. There was a memory and a promise of blood in the air of Number 65, a scent that lingered in the sinuses, and turned the strongest stomach. The building and its environs were shunned by vermin, by birds, even by flies. No wood lice crawled in its kitchen, no starling had nested in its attic. Whatever violence had been done there, it had opened the house up, as surely as a knife slits a fish's belly; and through that cut, that wound in the world, the dead peered out, and had their say.

That was the rumor anyway . . .

It was the third week of the investigation at 65 Tollington Place. Three weeks of unprecedented success in the realm of the paranormal. Using a newcomer to the business, a twenty-year-old called Simon McNeal, as a medium, the Essex University Parapsychology Unit had recorded all but incontrovertible evidence of life after death.

b

In the top room of the house, a claustrophobic corridor of a room, the McNeal boy had apparently summoned the dead, and at his request they had left copious evidence of their visits, writing in a hundred different hands on the pale ochre walls. They wrote, it seemed, whatever came into their heads. Their names, of course, and their birth and death dates. Fragments of memories, and well-wishes to their living descendants, strange elliptical phrases that hinted at their present torments and mourned their lost joys. Some of the hands were square and ugly, some delicate and feminine. There were obscene drawings and half-finished jokes alongside lines of romantic poetry. A badly drawn rose. A game of noughts and crosses. A shopping list.

The famous had come to this wailing wall-Mussolini was there, Lennon and Janis Joplin-and nobodies too, forgotten people, had signed themselves beside the greats. It was a roll call of the dead, and it was growing day by day, as though word of mouth was spreading amongst the lost tribes, and seducing them out of silence to sign this barren room with their sacred presence.

After a lifetime's work in the field of psychic research, Doctor Florescu was well accustomed to the hard facts of failure. It had been almost comfortable, settling back into a certainty that the evidence would never manifest itself. Now, faced with a sudden and spectacular success, she felt both elated and confused.

b

She sat, as she had sat for three incredible weeks, in the main room on the middle floor, one flight of stairs down from the writing room, and listened to the clamor of noises from upstairs with a sort of awe, scarcely daring to believe that she was allowed to be present at this miracle. There had been nibbles before, tantalizing hints of voices from another world, but this was the first time that province had insisted on being heard.

Upstairs, the noises stopped.

Mary looked at her watch: it was six-seventeen p.m.

For some reason best known to the visitors, the contact never lasted much after six. She'd wait 'til half-past, then go up. What would it have been today? Who would have come to that sordid little room and left their mark?

"Shall I set up the cameras?" Reg Fuller, her assistant, asked.

"Please," she murmured, distracted by expectation.

"Wonder what we'll get today?"

"We'll leave him ten minutes."

"Sure."

Upstairs, McNeal slumped in the corner of the room, and watched the October sun through the tiny window. He felt a little shut in, all alone in that damn place, but he still smiled to himself, that wan, beatific smile that melted even the most academic heart. Especially Doctor Florescu's: oh yes, the woman was infatuated with his smile, his eyes, the lost look he put on for her . . .

It was a fine game.

Indeed, at first that was all it had been-a game. Now Simon knew they were playing for bigger stakes; what had begun as a sort of lie-detection test had turned into a very serious contest: McNeal versus the Truth. The truth was simple: he was a cheat. He penned all his "ghost-writings" on the wall with tiny shards of lead he secreted under his tongue: he banged and thrashed and shouted without any provocation other than the sheer mischief of it: and the unknown names he wrote, ha, he laughed to think of it, the names he found in telephone directories.

Yes, it was indeed a fine game.

She promised him so much, she tempted him with fame, encouraging every lie that he invented. Promises of wealth, of applauded appearances on the television, of an adulation he'd never known before. As long as he produced the ghosts.

He smiled the smile again. She called him her Go-Between: an innocent carrier of messages. She'd be up the stairs soon-her eyes on his body, her voice close to tears with her pathetic excitement at another series of scrawled names and nonsense.

He liked it when she looked at his nakedness, or all but nakedness. All his sessions were carried out with him only dressed in a pair of briefs, to preclude any hidden aids. A ridiculous precaution. All he needed were the leads under his tongue, and enough energy to fling himself around for half an hour, bellowing his head off.

He was sweating. The groove of his breastbone was slick with it, his hair plastered to his pale forehead. Today had been hard work: he was looking forward to getting out of the room, sluicing himself down and basking in admiration awhile. The Go-Between put his hand down his briefs and played with himself, idly. Somewhere in the room a fly, or flies maybe, was trapped. It was late in the season for flies, but he could hear them somewhere close. They buzzed and fretted against the window, or around the light bulb. He heard their tiny fly voices, but didn't question them, too engrossed in his thoughts of the game, and in the simple delight of stroking himself.

How they buzzed, these harmless insect voices, buzzed and sang and complained. How they complained.

Mary Florescu drummed the table with her fingers. Her wedding ring was loose today, she felt it moving with the rhythm of her tapping. Sometimes it was tight and sometimes loose: one of those small mysteries that she'd never analyzed properly but simply accepted. In fact today it was very loose: almost ready to fall off. She thought of Alan's face. Alan's dear face. She thought of it through a hole made of her wedding ring, as if down a tunnel. Was that what his death had been like: being carried away and yet further away down a tunnel to the dark? She thrust the ring deeper onto her hand. Through the tips of her index-finger and thumb she seemed almost to taste the sour metal as she touched it. It was a curious sensation, an illusion of some kind.

To wash the bitterness away she thought of the boy. His face came easily, so very easily, splashing into her consciousness with his smile and his unremarkable physique, still unmanly. Like a girl really-the roundness of him, the sweet clarity of his skin-the innocence.

Her fingers were still on the ring, and the sourness she had tasted grew. She looked up. Fuller was organizing the equipment. Around his balding head a nimbus of pale green light shimmered and wove-

She suddenly felt giddy.

Fuller saw nothing and heard nothing. His head was bowed to his business, engrossed. Mary stared at him still, seeing the halo on him, feeling new sensations waking in her, coursing through her. The air seemed suddenly alive: the very molecules of oxygen, hydrogen, nitrogen jostled against her in an intimate embrace. The nimbus around Fuller's head was spreading, finding fellow radiance in every object in the room. The unnatural sense in her fingertips was spreading too. She could see the color of her breath as she exhaled it: a pinky orange glamour in the bubbling air. She could hear, quite clearly, the voice of the desk she sat at: the low whine of its solid presence.

The world was opening up: throwing her senses into an ecstasy, coaxing them into a wild confusion of functions. She was capable, suddenly, of knowing the world as a system, not of politics or religions, but as a system of senses, a system that spread out from the living flesh to the inert wood of her desk, to the stale gold of her wedding ring.

And further. Beyond wood, beyond gold. The crack opened that led to the highway. In her head she heard voices that came from no living mouth.

She looked up, or rather some force thrust her head back violently and she found herself staring up at the ceiling. It was covered with worms. No. That was absurd! It seemed to be alive, though, maggoty with life-pulsing, dancing.

She could see the boy through the ceiling. He was sitting on the floor, with his jutting member in his hand. His head was thrown back, like hers. He was as lost in his ecstasy as she was. Her new sight saw the throbbing light in and around his body-traced the passion that was seated in his gut, and his head molten with pleasure.

It saw another sight, the lie in him, the absence of power where she'd thought there had been something wonderful. He had no talent to commune with ghosts, nor had he ever had, she saw this plainly. He was a little liar, a boy-liar, a sweet, white boy-liar without the compassion or the wisdom to understand what he had dared to do.

Now it was done. The lies were told, the tricks were played, and the people on the highway, sick beyond death of being misrepresented and mocked, were buzzing at the crack in the wall, and demanding satisfaction.

That crack she had opened: she had unknowingly fingered and fumbled at, unlocking it by slow degrees. Her desire for the boy had done that: her endless thoughts of him, her frustration, her heat and her disgust at her heat had pulled the crack wider. Of all the powers that made the system manifest, love, and its companion, passion, and their companion, loss, were the most potent. Here she was, an embodiment of all three. Loving, and wanting, and sensing acutely the impossibility of the former two. Wrapped up in an agony of feeling which she had denied herself, believing she loved the boy simply as her Go-Between.

It wasn't true! It wasn't true! She wanted him, wanted him now, deep inside her. Except that now it was too late. The traffic could be denied no longer: it demanded, yes, it demanded access to the little trickster.

She was helpless to prevent it. All she could do was utter a tiny gasp of horror as she saw the highway open out before her, and understood that this was no common intersection they stood at.

Fuller heard the sound.

"Doctor?" He looked up from his tinkering and his face-washed with a blue light she could see from the corner of her eye-bore an expression of inquiry.

"Did you say something?" he asked.

She thought, with a fillip of her stomach, of how this was bound to end.

The ether-faces of the dead were quite clear in front of her. She could see the profundity of their suffering and she could sympathize with their ache to be heard.

She saw plainly that the highways that crossed at Tollington Place were not common thoroughfares. She was not staring at the happy, idling traffic of the ordinary dead. No, that house opened onto a route walked only by the victims and the perpetrators of violence. The men, the women, the children who had died enduring all the pains nerves had wit to muster, with their minds branded by the circumstances of their deaths. Eloquent beyond words, their eyes spoke their agonies, their ghost bodies still bearing the wounds that had killed them. She could also see, mingling freely with the innocents, their slaughterers and tormentors. These monsters, frenzied, mush-minded blood-letters, peeked through into the world: nonesuch creatures, unspoken, forbidden miracles of our species, chattering and howling their Jabberwocky.

Now the boy above her sensed them. She saw him turn a little in the silent room, knowing that the voices he heard were not fly-voices, the complaints were not insect-complaints. He was aware, suddenly, that he had lived in a tiny corner of the world, and that the rest of it, the Third, Fourth and Fifth Worlds, was pressing at his lying back, hungry and irrevocable. The sight of his panic was also a smell and a taste to her. Yes, she tasted him as she had always longed to, but it was not a kiss that married their senses, it was his growing panic.

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