Clybourne Park

by Bruce Norris

Overview

Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property.

Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.

Product Details

ISBN-13:	9780865478688
Publisher:	Farrar, Straus and Giroux
Publication date:	08/16/2011
Pages:	224
Sales rank:	205,029
Product dimensions:	5.40(w) x 8.20(h) x 0.60(d)

About the Author

Bruce Norris is a writer and an actor whose Pulitzer Prize– and Olivier Award–winning play Clybourne Park premiered at Playwrights Horizons in January 2010. Other plays include The Infidel, Purple Heart, We All Went Down to Amsterdam, The Pain and the Itch, and The Unmentionables, all of which premiered at Steppenwolf Theatre. Norris is the recipient of the 2009 Steinberg Playwright Award and the Whiting Foundation Prize for Drama. He currently resides in New York.

Read an Excerpt

Clybourne Park

CHARACTERS

ACT I (1959)

ACT II (2009)

Note: In the original production, the actor playing Jim and Tom also played the role of Kenneth. In some subsequent productions a separate actor was hired to play the role of Kenneth alone.

Copyright © 2011 by Bruce Norris

Editorial Reviews

A spiky and damningly insightful new comedy.” —Ben Brantley, The New York Times

“Superb, elegantly written, and hilarious.” —John Lahr, The New Yorker

“Courageous…Norris's elegantly structured play nails marital tensions as much as it does racial disharmony in an evening of ebullient provocation.” —Lyn Gardner, The Guardian

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