Introducing Wyoming’s Sheriff Walt Longmire in this riveting novel from the New York Times bestselling author, the first in the Longmire mystery series
Craig Johnson's new novel, LAND OF WOLVES, is forthcoming from Viking
Fans of Ace Atkins, Nevada Barr and Robert B. Parker will love this outstanding first novel, in which New York Times bestselling author Craig Johnson introduces Sheriff Walt Longmire of Wyoming’s Absaroka County. Johnson draws on his deep attachment to the American West to produce a literary mystery of stunning authenticity, and full of memorable characters. After twenty-five years as sheriff of Absaroka County, Walt Longmire’s hopes of finishing out his tenure in peace are dashed when Cody Pritchard is found dead near the Northern Cheyenne Reservation. Two years earlier, Cody has been one of four high school boys given suspended sentences for raping a local Cheyenne girl. Somebody, it would seem, is seeking vengeance, and Longmire might be the only thing standing between the three remaining boys and a Sharps .45-70 rifle.
With lifelong friend Henry Standing Bear, Deputy Victoria Moretti, and a cast of characters both tragic and humorous enough to fill in the vast emptiness of the high plains, Walt Longmire attempts to see that revenge, a dish best served cold, is never served at all.
About the Author
Craig Johnson is the New York Times bestselling author of the Longmire mysteries, the basis for the hit Netflix original series Longmire. He is the recipient of the Western Writers of America Spur Award for fiction, the Mountains and Plains Booksellers Award for fiction, the Nouvel Observateur Prix du Roman Noir, and the Prix SNCF du Polar. His novella Spirit of Steamboat was the first One Book Wyoming selection. He lives in Ucross, Wyoming, population twenty-five.
Read an Excerpt
“Bob Barnes says they got a dead body out on BLM land. He’s on line one.” She might have knocked, but I didn’t hear it because I was watching the geese. I watch the geese a lot in the fall, when the days get shorter and the ice traces the rocky edges of Clear Creek. The sheriff’s office in our county is an old Carnegie building that my department inherited when the Absaroka County Library got so many books they had to go live somewhere else. We’ve still got the painting of Andy out in the landing of the entryway. Every time the previous sheriff left the building he used to salute the old robber baron. I’ve got the large office in the south side bay, which allows me an unobstructed view of the Big Horn Mountains to my right and the Powder River Valley to my left. The geese fly down the valley south, with their backs to me, and I usually sit with my back to the window, but occasionally I get caught with my chair turned; this seems to be happening more and more, lately.
I looked at the blinking red light on my desk and wondered vaguely if there was a way I could get out of this. “Did he sound drunk?”
“I am not aware that I’ve ever heard him sound sober.”
I flipped the file and pictures that I’d been studying onto my chest and punched line one and the speakerphone button. “Hey, Bob. What’s up?”
“Hey, Walt. You ain’t gonna believe this shit. . . .” He didn’t sound particularly drunk, but Bob’s a professional, so you never can tell. He was silent for a moment. “Hey, no shit, we got us a cool one out here.”
I winked at Ruby. “Just one, huh?”
“Hey, I ain’t shittin’ you. Billy was movin’ some of Tom Chatham’s sheep down off the BLM section to winter pasture, and them little bastards clustered around somethin’ in one of the draws. . . . We got a cool one.”
“You didn’t see it?”
“No. Billy did.”
“Put him on.”
There was a brief jostling of the phone, and a younger version of Bob’s voice answered, “Hey, Shuuriff.”
Slurred speech. Great. “Billy, you say you saw this body?”
“Yeah, I did.”
“What’d it look like?”
Silence for a moment. “Looked like a body.”
I thought about resting my head on my desk. “Anybody we know?”
“Oh, I didn’t get that close.”
Instead, I pushed my hat farther up on my head and sighed. “How close did you get?”
“Couple hundred yards. It gets steep in the draws where the water flow cuts through that little valley. The sheep stayed all clustered around whatever it is. I didn’t want to take my truck up there ’cause I just got it washed.”
I studied the little red light on the phone until I realized he was not going to go on. “No chance of this being a dead ewe or lamb?” Wouldn’t be a coyote, with the other sheep milling around. “Where are you guys?”
“ ’Bout a mile past the old Hudson Bridge on 137.”
“All right, you hang on. I’ll get somebody out there in a half hour or so.”
“Yes sir. . . . Hey, Shuuriff?” I waited. “Dad says for you to bring beer, we’re almost out.”
“You bet.” I punched the button and looked at Ruby. “Where’s Vic?”
“Well, she’s not sitting in her office looking at old reports.”
“Where is she, please?” Her turn to sigh and, never looking at me directly, she walked over, took the worn manila folder from my chest, and returned it to the filing cabinet where she always returns it when she catches me studying it.
“Don’t you think you should get out of the office sometime today?” She continued to look at the windows.
I thought about it. “I am not going out 137 to look at dead sheep.”
“Vic’s down the street, directing traffic.”
“We’ve only got one street. What’s she doing that for?”
“Electricals for the Christmas decorations.”
“It’s not even Thanksgiving.”
“It’s a city council thing.”
I had put her on that yesterday and promptly forgot about it. I had a choice: I could either go out to 137, drink beer, and look at dead sheep with a drunk Bob Barnes and his half- wit son or go direct traffic and let Vic show me how displeased she was with me. “We got any beer in the refrigerator?”
I pulled my hat down straight and told Ruby that if anybody else called about dead bodies, we had already filled the quota for a Friday and they should call back next week. She stopped me by mentioning my daughter, who was my singular ray of sunshine. “Tell Cady I said hello and for her to call me.”
This was suspicious. “Why?” She dismissed me with a wave of her hand. My finely honed detecting skills told me something was up, but I had neither the time nor the energy to pursue it.
I jumped in the Silver Bullet and rolled through the drive-through at Durant Liquor to pick up a sixer of Rainier. No sense having the county support Bob Barnes’s bad habits with a full six-pack, so I screwed off one of the tops and took a swig. Ah, mountain fresh. I was going to have to drive by Vic and let her let me know how pissed off she was bound to be, so I pulled out onto Main Street, joined the three-car traffic jam, and looked into the outstretched palm of Deputy Victoria Moretti.
She didn’t look like a cop, least not like the ones we have out here. I figured she was one of those artists who had received a grant from the Crossroads Foundation, the ones that lope up and down the county roads in their $150 running shoes and their New York Yankee ball caps. I’d lost one of my regular deputies, Lenny Rowell, to the Highway Patrol. I could have brought Turk up from Powder Junction but that had appealed to me as much as gargling razor blades. It wasn’t that Turk was a bad deputy; it’s just that all that rodeo-cowboy bullshit wore me out, and I didn’t like his juvenile temper. Nobody else from in county had applied for the job, so I had done her a favor and let her fill out an application.
I read the Durant Courant while she sat out in the reception room scribbling on the front and back of the damn form for half an hour. Her writing fist began to shake and by the time she was done, her face had turned a lively shade of granite. She flipped the page onto Ruby’s desk, hissed “Fuck this shit,” and walked out. We called all her references, from field investigators in ballistics to the Philadelphia Chief of Police. Her credentials were hard to argue with: top 5 percent out of the academy, bachelor’s in law enforcement from Temple University with nineteen credit hours toward her master’s, a specialty in ballistics, two citations, and four years street duty. She was on the fast track, and next year she would’ve made detective. I’d have been pissed, too.
I had driven out to the address that she’d given me, a little house trailer near the intersection of both highways with nothing but bare dirt and scrub sage all around it. There was a Subaru with Pennsylvania plates and a go owls bumper sticker, so I figured I was in the right place. When I got up to the steps, she already had the door open and was looking at me through the screen. “Yeah?”
I was married for a quarter century and I’ve got a lawyer for a daughter, so I knew how to deal with these situations: Stay close to the bone, nothing but the facts, ma’am. I crossed my arms, leaned on her railing, and listened to it squeal as the sheet metal screws tried to pull loose from the doublewide’s aluminum skin. “You want this job?”
“No.” She looked past me toward the highway. She didn’t have any shoes on, and her toes were clutching the threadbare carpet like cat’s claws in an attempt to keep her from spinning off into the ether. She was a little below average height and weight, olive complexion, with short black hair that kind of stood up in pure indignity. She’d been crying, and her eyes were the color of tarnished gold, and the only thing I could think of doing was to open the screen door and hold her. I had had a lot of problems of my own of late, and I figured we could both just stand there and cry for a while.
I looked down at my brown rough-outs and watched the dirt glide across the porch in underlining streaks. “Nice wind we’ve been having.” She didn’t say a word. “Hey, you want my job?”
She laughed. “Maybe.”
We both smiled. “Well, you can have it in about four years, but right now I need a deputy.” She looked out at the highway again. “But I need a deputy who isn’t going to run off to Pittsburgh in two weeks.” That got her attention.
“Whatever.” With that, I got all the tarnished gold I could handle.
“Do I have to wear one of those goofy cowboy hats like you?”
I glanced up at the brim of my hat and then back down to her for effect. “Not unless you want to.”
She cocked her head past me, nodding to the Bullet. “Do I get a Batmobile like that to drive around in?”
That had been the first dissemblance of many to come.
She looked pointedly at her watch. “It’s 4:37, where the hell are you going?”
I relaxed back into the big bucket seat. “Close enough. I’m going home.” She just stood there, waiting. It was one of her best talents, asking questions and just standing there, waiting for an answer. “Oh, Bob Barnes called, says they got a dead body out between Jim Keller’s place and Bureau of Land Management.”
She yanked her head back and showed me a canine tooth. “They saw a dead body. Yeah, and I’m a fucking Chinese fighter pilot.”
“Uh huh, looks like the big sheepocide we’ve all been waiting for.” It was the shank of the afternoon, and the one beer was already helping to improve my mood. The sky was still a VistaVision blue, but there was a large cloud bank to the northwest that was just beginning to obscure the mountains. The nearer clouds were fluffy and white, but the backdrop was a darker, bruised color that promised scattered snow at high altitudes.
“You look like hammered shit.”
I gave her a look out of the side of my eye. “You wanna go out there?”
“It’s on your way home.”
“No, it’s past there, out on 137.”
“It’s still a lot closer to you, and seeing as you’re going home early . . .”
The wind was beginning to pick up. I was going to have to go long on this one. “Well, if you don’t want to . . .”
She gave me another look. “You have done nothing but sit in your office, on your ass, all day.”
“I’m not feeling real well, think I might be getting the flu or something.”
“Maybe you should go out and get some exercise. How much do you weigh now? Two- sixty?”
“You have a mean streak.” She continued to look at me. “Two-fifty-three.” It sounded better than two-fifty-five.
She stared at my left shoulder in deep concentration, juggling the evening that she must have had planned. “Glen isn’t coming home till late.” She looked at herself in the side- view mirror and instantly looked away. “Where are they?”
“On 137, about a mile past the old Hudson Bridge.” This was working out pretty well. “They’re in Billy’s truck.” She started to push off and walk away. “They wanted you to pick up some beer on your way out.”
She turned and tapped a finger on the passenger door. “If I was going to bring them beer, I would take that depleted six-pack in the seat beside you, mister. You know, we have an open container law in this state.”
I watched her man-walk with the sixteen-shot automatic bouncing on her hip. “Hey, I try and have an open container with me no matter what state I’m in.” She was smiling when she slammed the door of her five-year-old unit. It’s good when you can bring unbridled happiness to your fellow workers. I nosed the three-quarter ton out to the west side of town, and Vic must’ve passed me doing an even eighty, sirens and lights all going full blast. She gave me the finger as she went by.
By the time I got out to Crossroads there was a fine silting of confectionery snow blowing across the road and falling through the sage and range grass. The shadows were long when I stopped at the mailbox. There was nothing but a Doctor Leonard’s Healthcare sale catalog, which scared me it was so interesting. I navigated the irrigation ditch and drove up to the house.
Martha had grown up on her family ranch, some couple thousand-odd acres near Powder Junction, and had always hated being a townie. So, three years ago, we bought a little land off the Foundation, got one of those piles of logs they call a kit, drilled a well, and planted a septic tank. We sold the house in town, because Martha was in such a hurry to get out of it, and lived in a trailer I had borrowed from Henry Standing Bear, owner of the Red Pony and my oldest friend. By the fall, we had her all closed in and the heat on. Then Martha died.
I parked the truck on the gravel, pulled out the beer, and walked on the two-by-twelves over the mud that led up to the door. I’d been meaning to get some grass seed, but the snow kept putting an end to that. I pushed the door open and stepped up from the cinder block onto the plywood floor. The place still needed a little work. There were some interior walls but most were just studs and, when you turned the bare bulbs on, the light slipped through the wooden bars and made patterns on the floor. The electricals weren’t done, so I had two four-ways plugged into the box and everything just ran into them. The plumbing was done, but I used a shower curtain as a bathroom door; consequently, I didn’t get many visitors. There was a prewar, Henry F. Miller baby grand that had belonged to my mother-in-law, on which I had been known to pound out a little boogie- woogie, but I hadn’t played it since Martha had died. I had my books all stacked in beer boxes near the back wall and, the Christmas before last in a fit of holiday optimism, Cady and I had gone out and bought a floor lamp, an easy chair, and a Sony Trinitron color television. The lamp and easy chair worked really well, whereas the TV did not. Without a dish, the only thing you could pick up was Channel 12 with snow for a picture and a soothing hiss for sound. I watched it religiously.
I had the phone set up on a cardboard box next to the chair so I wouldn’t have to get up to answer it, and I had a cooler on the other side for the beer. I threw my coat and hat on the boxes, switched on my lamp, and sat down in my chair with Doctor Leonard in my lap. I flipped the catalog open to page three and pondered a genuine artificial sheepskin cover made for all standard recliners. I glanced up at the stacked log walls and tried to decide between the available ivory and the rich chestnut. Didn’t really matter. After four years, I had yet to make any truly decisive steps in interior decor. Perhaps Doctor Leonard’s machine-washable polyester acrylic fleece was my Iliad. This thought was unsettling enough to motivate the fourth beer, which was only slightly warmer than the first three. I screwed off the top, pinching it between thumb and forefinger, and tossed it into the drywall bucket that served as my only trash can. I thought about calling the Doc’s 1-800 number but was afraid that I might block Cady’s call. She had tried to get me to get call waiting, but I figured I got interrupted enough during the course of a day and didn’t need to pay for the privilege at home. I hit the remote and surfed from automatic four to destination twelve: ghost TV. It was my favorite show, the one where the different-sized blobs moved around in a blizzard and didn’t make too much noise. Gave me plenty of time to think.
Melissa is Northern Cheyenne. In the photograph, she has dark stalks of healthy hair arching to her shoulders, but there are small discolorations there and at her throat, multiple bruises, and a contusion at the jawline. I hear noises when I summon up these wounds. To the trained eye, her features might appear a touch too small, like the petals on a bud not yet opened. Her almond-shaped eyes are unreadable. I keep remembering those eyes and the epicanthic folds at the inner corners. There are no tears. She could have been some half-Asian model in one of those ridiculously perfumed glamour magazines, but she is that poor Little Bird girl who was led into a basement and gang-raped by four teenage boys who didn’t care that she had fetal alcohol syndrome.
Three years ago. After all the proceedings and counterproceedings, filings and counterfilings, the case went to court in May. I remember because the sage was blooming, and the smell hurt the inside of my nose. The girl in the photo had fidgeted and twisted in her seat, sighed, placed her hands over her eyes, then pulled her fingers through her hair. She crossed her legs and shifted her weight and laid her head, facedown, on the witness stand.
“Confused . . .” That’s all she said, “Confused . . .”
There are other photographs in the file, color ones I’d clipped from the Durant High School yearbook. In a fit of comic relief, I had left the blurbs from their yearbook attached to the pictures: Cody Pritchard, football, track; Jacob and George Esper, fraternal twins in birth as well as football, tie-and-fly club, and Future Farmers of America; and Bryan Keller, football, golf, debate, student council, honor roll.
They had inserted a broomstick into her, a bottle, and a fungo bat.
I was the reluctant investigating officer, and I had known Mary Roebling since we were kids. Mary teaches English at Durant High School and is the girls’ basketball coach. She said she had asked Melissa Little Bird about the marks on her face and arms but couldn’t seem to get a straight answer. Later, Melissa complained about abdominal pains and blood in her urine. When Mary demanded to know what had happened, Melissa said that she had sworn that she wouldn’t tell. She was worried that she might hurt the boys’ feelings.
Ruby says I get the file out about once a week since the trial. She says it’s unhealthy. At Mary Roebling’s request, I went to the high school in the afternoon during basketball practice. While the girls ran laps, I took off my badge, cuffs, and gun and placed them in my hat behind her desk. I sat in the office and played with the pencils until I became aware of the two of them standing in the doorway. Mary was about six even and had told me quite frankly that the only reason she had gone to the junior prom with me was because I was one of the only boys in class who was taller than she. She towered over the Little Bird girl and kept her from backing though the door by placing her hands on Melissa’s shoulders. The young Indian was coated in a youthful glean of sweat and, if not for the marks on her face and shoulders and the effects of fetal alcohol syndrome, looked like she had just been freshly minted. I held up one of the American Number Two pencils and said, “I can’t figure out how they get the lead on the inside.” To my surprise, her face became suddenly dark as she contemplated the issue. “I figure they got these trees that have the lead already in them.” Her face brightened in the relief of having the riddle solved.
“You’re the sheriff.” Her voice was childlike and carried all the trust in the world. I was back twenty-five years with Cady in front of a Saturday morning Sesame Street, watching “Policemen Are Our Friends.”
“Yep, that’s me.” Her eyes had traveled all the way from the rounded-toe boots to the matted silver hair that I’m sure was sticking out at undefined angles.
We were the third county in Wyoming to adopt blue jeans as regular duty uniform, but it was one of the downfalls of our particular brand of vehicular law enforcement that the common populace rarely saw us from the waist down. “Yep, big around as they are long.” Mary tried to stifle a laugh, and the girl looked to her, then back to me. Rarely do you get those glimmers of unadulterated love and, if you’re smart, you pack them away for darker days. I started to get up but thought better of it.
“Melissa, is your uncle Henry Standing Bear?” I figured the best way to get started was to establish some kind of personal reference.
“Uncle Bear.” Her smile was enormous. Henry was one of the most understated prophets I knew and one of the most personally interested individuals I had ever met.
I gestured for her to sit across from me and rolled up the left sleeve of my shirt to display the ghostly cross-hatchings that stretched back from my left hand. “I got hurt playing pool with your uncle Bear up in Jimtown, once . . .” The girl’s eyes widened as she sat in the chair opposite me, and she instinctively reached to place a forefinger on the marbled flesh of my forearm. Her fingers were cool, and her palms were strangely devoid of any lines, as if her life was yet to be determined. I reached across the desk slowly, sliding a palm under her chin and lifting to accentuate an angry contusion at the jawline. “That’s a good one, too.” She nodded with a slight movement that freed her face, and she dropped her eyes to the desktop, which informed us of the potential for the president’s physical fitness award. “How’d you get that?” She covered the offending jaw with a quick look to the side and a through-the-eyebrow glance at Mary. “Melissa, I’m not here to hurt anybody, but I also want to make sure that nobody hurts you.” She nodded and began gently rocking back and forth, hands firmly clasped between her legs. “Has anybody hurt you?” Her attention stayed with the glass-covered surface of Mary’s desk.
I studied Melissa’s reflection and tried to imagine her as she should have been. Her people were strong, clear-eyed Cheyenne from the Northern Reservation, with a little Crow from her maternal side. I tried to see a Melissa who hadn’t had the spark of curiosity robbed from her by a mother who had ingested too many I-90 Cocktails—Lysol and rubbing alcohol—when she was pregnant. Melissa should have been a beautiful Indian maiden standing on the rolling, grassy hills of the Little Big Horn, arms outstretched to a future that held promise, security, and freedom. When I looked up, it was as if she had read my mind, that we had shared a vision. She had stopped rocking and was looking at the diamond snaps on my shirt.
“It was romantic.” She said it flat, as if emotion would only rob her statement of its impact. Her eyes returned to the desk.
I leaned back in the office chair, allowing my fingertips to remain on the edge of the beveled glass. “What was romantic, Melissa?”
She spoke to the desk. “The walk.”
Off in the distance, I could make out the neon pony cantering in the darkness and a small number of peripheral trucks parked in the adjacent gravel lot. As I got closer, I could see that the inside lights of the bar were not on and felt a surge of panic at the thought of having to drive all the way back into town for a beer. I parked the truck and could make out a few figures moving in the darkened window of the carryout. Couldn’t have been a blackout; the red neon pony shimmered across my hood and up the windshield. I pushed into the wind to open the bar’s glass door and came within inches of running into the owner and operator of the Red Pony, Henry Standing Bear.
Henry and I had known each other since grade school when we had gotten into a fight at the water fountain, and he had loosened two of my teeth with a roundhouse left that had came from the Black Hills. We had played against each other in the trenches of interior linemanship from peewee through high school, whereupon I finished up at USC, lost my deferment, got drafted by the marines, and went to Vietnam. Henry had made a halfhearted attempt at the white man’s educational system at Berkeley and had learned enough to protest against it before being rewarded for his efforts with an all-expense- paid, four-year vacation with the Special Forces SOG group at An Khe. It was here that Henry said he had learned of the white man’s true vision and power, of his ability to kill the largest number of individuals in the most effective manner possible.
Upon his return to the States, Henry had reattempted college life but found that his ability for being lectured to had deteriorated. He returned to political activity in the seventies and had been a seminal member of every Native American movement for the next ten years. Sensing that revolution is the industry of young men, however, he returned to Absaroka County for the funeral of the grandmother who had raised him and somewhere came up with enough cash to finance a deal with the Foundation that would transform an old Sinclair station, the only public building in Crossroads, into a kind of half-assed bar that he called the Red Pony. Henry had been known to read a great deal of Steinbeck. It was in the Foundation’s interest to promote the bar, if for no other purpose than to keep the shit-caked rubber boots of the locals out of their oriental-carpeted meeting rooms. We looked at each other, his expression carrying the quiet self-deprecation that usually held some hidden meaning. “Beer, Tonto?” he asked as he handed me an open Rainier and continued past with what appeared to be a tire iron in the other hand. I looked through the poolroom into the bar proper and could make out about eight people seated on stools, outlined by the fluorescent glow of the beer coolers. Big night. I took a sip and followed him to the far end of the room where he seemed to be preparing to tear apart the wall. Leaning against the offending structure he slipped the flat end of the tire iron behind the weenie-wood that made up the interior of the bar.
“You forget to pay your REA bill again?” He paused for a second to give me a dirty look and then put all 220 pounds into the tire iron and propelled the four-foot board from the wall, with nails still attached, to clatter at our feet. I bent from my vantage point to look at the ring-shanked holes in the plaster surface that lay underneath the removed board. Henry’s face was, as always, impassive.
“Damn.” Without another word, he slipped the tire iron beneath the next board and popped it to the floor. Same result. “Damn.”
I figured it was time to ask, “Are we redecorating, or are we looking for something specific?” He gestured to the wall with a hand that pleaded and threatened at the same time.
“You covered it up with boards?”
Another sidelong glance. “At least I have walls.”
Henry was one of the chosen few who had been to the cabin. His statement was hard to refute. “I’ve been thinking about getting an imitation sheepskin cover for my recliner.” This got a long look.
“Are you drunk?”
I gave the question thought. “No, but I’m working on it.” He grunted a little laugh and popped off another board, which added to the considerable pile that was collecting at our feet.
“Damn.” He placed the tire iron in the next board. “Cady call you?”
“No, the brat.”
“Huh . . . She called me.” He popped the board loose to reveal the gray cover of an ancient fuse box. “Yes.”
I turned to look at him. “What?”
He tapped the small, metal cover and glanced at me. “Fuse box.”
“Cady called you?” His eyes were dark and clear, the far one split by the strong nose that I knew had been broken at least three times, once by me.
I tried to contain myself and sound casual, but he had me and he knew it. “When did she call?”
“Oh, a little while ago . . .” His casual was far more convincing than mine.
With a forefinger he pulled open the small metal box to reveal four fuses that looked as if they hadn’t been changed since Edison was a child. The box itself was rusted out in the back, victim of some age-old roof leak. The conduits surrounding it were rotten and peeled back, revealing frayed tendrils of green and black corroded wire. The four fuses were covered in a thick coat of dust and were surrounded by sockets, which held a strange patina of white and green crystals. They looked like two sets of angry eyes embedded in the wall, just waiting to unleash 220 volts into anything that came close. He placed a hand on the uneven surface of the plaster where he had taken most of the wall apart and leaned all his weight against it. His other hand brushed back the crow- black hair, smattered with touches of silver, in an arch over his shoulder and down the small of his back. “One in four, I like the odds.”
“Did she say anything about calling me?”
“No. Hey . . .” He bristled with mock indignation and gestured to the fuse box. “I have a situation here.”
I tried to be helpful. “They’ve got little windows in them so you can see which one is blown.” He lowered his head and squinted into the box.
“It is not that I do not trust your home-improvement skills, even though I know you do not have any.” He carefully wiped the dust from the surface of the four fuses. “They are all black.”
“Do you have any extras?”
“Of course not.” He held up the roll of pennies that had been hidden in his front shirt pocket. “I have these.” He smiled the coyote smile, the one that had made offensive linemen part their hair in the middle, NVA officers sweat between their shoulder blades, and otherwise intelligent women occupy bar stools in his immediate vicinity. Henry was the dog that wouldn’t stay on the porch.
I watched with great apprehension as his fingers began twisting one of the rusted fuses from its corroded green outlet. The muscles on his forearm writhed like snakes rolling under sun-baked earth. To my knowledge, Henry had never lifted a weight in his life, but he still carried with him the tone of the warrior and was betrayed only by a very small amount of baggage at the middle. As the applied pressure began to take its toll, the glass knob turned and the remainder of the building went black. “Damn.”
Hoots and laughter came from the darkness as we stood there trying to see each other. “I don’t think that was it.” I listened to him sigh and replace the fuse, and the lights from the beer coolers once again lit up the far room. There was a smattering of applause from the patrons.
“She did not say anything about calling you.” He was still staring into the metal box, his odds having improved dramatically.
“So, what’d she have to say?”
“Nothing much. We talked about you.”
“What about me?” Throughout the entire conversation, he studied the fuse box with the half-smile that told me he didn’t take either the electrical crisis or my familial life all that seriously. Cady and Henry had a symbiotic, avuncular relationship that had led her into a quasi-bohemian lifestyle. She was professionally adept at billiards and darts, had majored in Native American Studies at Berkeley, his almost alma mater, had continued on to law school at the University of Washington, and was now an attorney in Philadelphia. When together, they spent the majority of their time whispering to each other, pointing toward me, and giggling. The thought of the two of them conspiring at long distance was enough to worry me but, with Ruby’s involvement, something was definitely up.
Deciding on the fuse diagonally opposite the first, Henry reached in and boldly twisted. The red neon horses that had stampeded across the parked vehicles outside flickered off to more cheers from the peanut gallery. From his lack of response, I wasn’t sure if Henry had noticed. “The pony . . .”
He screwed the fuse back in. The neon roan paused and then leapt across the hood of the Bullet. The flurries were letting up; the bad weather had decided to whistle on down the Bozeman trail to the railheads. The bar held a kind of conspiratorial coziness what with the subdued light of the beer coolers filtering through the cracks in the dividing wall. The soft murmur of small talk provided a buffer against the landscape that was now scrubbed with snowflakes.
“So, what about me?”
He tapped one of the remaining fuses accusingly with an index finger. “She is worried that you are still depressed.”
“About what?” He looked at me, decided better of it, and looked back at the fuse box. I pushed off the wall and stepped carefully over the nail-laden boards that covered the floor. “I need another beer.”
“You know where they are.” I started to turn, but he caught me by tapping on one of the last two fuses. “The suspense is killing you, right?” I made a quick face, placed the empty beer bottle on the edge of the pool table, and bent over to pick up one of the boards. I spread my feet in a good, open stance and held the bark-covered board on my shoulder with both hands. This got a look. “You are going to knock me loose from this if I get electrocuted?”
I shrugged. “It’s what friends are for. Besides, I want to see if anybody in this county has worse luck than me.”
“Not yet.” He twisted the next to last fuse and, to our amazement, absolutely nothing happened. We both looked for any absence of light, strained to listen for any lack of humming from the assorted coolers, heaters, and fans. Henry looked to the ceiling in deep concentration.
“Well, at least I didn’t have to hit you with the board.”
“Yes, but now we have to do the penny part.” He nudged one of the coins from the paper roll and held it up for me to view.
“Where do you get this ‘we’ shit, Kemosabe?”
“Have you not ever done this before?”
I lowered my board, careful to avoid the nails. “No.” We had reached the conceptual stage of the project, so Henry joined me in leaning against the pool table. “Have you?” He crossed his arms and considered the single lowest common denominator of legal tender.
“No, but I have heard that you can.”
“Old people like you.”
“I’m less than a year older than you.”
He shrugged and read the inscription, “in god we trust. I was going to use a buffalo-head nickel, but it has to be copper to conduct, that much I know.”
I dropped my board with a clatter. “Well, all I know about this stuff is enough to be scared shitless of it. Is there any reason why this has to be done tonight?” He made a face. “I mean your beer coolers are running, the heat’s on, even the horse out front is working . . .”
He sighed and looked around the bar. “Only if somebody wants to play pool.” I nudged him with my shoulder. “Is your life worth a game of pool?” He thought for a moment.
“Seems like it has been.” He placed the penny on his cocked thumbnail. “Heads we go for it, tails we go sit in the dark with everybody else.” I nodded, and he flipped the coin to me, whereupon I promptly dropped it in the pile of boards. We looked at each other.
“I didn’t know I was supposed to catch it.” He peeled another penny from the paper roll.
“Do not worry, I have got forty-nine more. You ought to be able to catch one of them.” He flipped the second penny, and I snatched it from midair and slapped it on the back of my other hand. I left my palm covering the penny for a few moments, building my own little tension.
“Is the suspense killing you?”
“Not really, next we flip to see who puts the penny in the fuse.” I uncovered the coin and thanked the God we trust it was tails.
“C’mon, I’ll buy you a Coke.”
The small group was clustered in the bar’s corner, only slightly illuminated by the dim glow of available light. There were a couple of stray hunters, still dressed in their camouflage and optical-orange vests; evidently the deer were wearing blue this year. I could make out Buck Morris, one of the local cowboys who took care of the Foundation’s nominal cattle herd. He was easy to spot because of his hat; a weather-worn Resistol that some oil executive had offered to buy for $250. General opinion was that Buck had missed the boat. The young man next to him wore a frayed jean jacket and had strong Cheyenne features. He must’ve been from out of county, because I didn’t know him. Next was Roger Russell, an electrician out of Powder Junction in the southern part of the county who had come up here to expand his business. Turk said that he was kind of the black sheep of the family and that he had little bastards scattered all up and down the Basin: “Powder River, let’r buck, a mile wide and an inch deep.” I wondered mildly why Henry and I had just been gambling with our lives while an expert nursed a C and C in the next room.
Sitting next to him was probably the reason why Roger happened to be here. Vonnie Hayes was old school Wyoming; her grandfather had had a spread of thirty thousand acres of good land. Vonnie and I had kind of known each other when we were children but, after her father had committed suicide, she was sent to boarding school and her art life had taken her east for a number of years, where she had become an accomplished sculptress. Much later, she returned to take care of her aging mother. Vonnie and Martha had worked together on the library board and a number of other community projects in the county, and my daughter had worked for Vonnie as a housekeeper one summer. After Martha died, Cady tried to fix us up, an endeavor that Vonnie and I both viewed with equal parts humor and open-handed flirtation. Even in the dim light I could make out Vonnie’s features, strong, with a lupine slant to the eyes, sandy hair pulled back in a casual bun.
I leaned against the bar beside her, bumping into Roger and giving him my substantial rear. “Jeez, Rog.” I looked around in the darkness. “Don’t you know we’ve got an electrical emergency on our hands here?”
He carefully placed his drink back and nudged it with his fingers. “I am . . . retired.” Henry appeared on the other side of the bar, slid a Rainier to me, and leaned into Roger. “What about this penny thing?”
Roger looked at him, attempting to gather himself for an answer. As he did, I looked over to Vonnie. “Boy, the things you find in the dark.”
She took a sip of her chenin blanc. Henry kept a special bottle of the white wine in the cooler for her. I had always wanted to ask her for a sip but had never gotten up the nerve. Her eyes glowed softly, and the corner of her lips curved into a warm, sad smile. “Hello, Walter.”
Undaunted by conversing with drunks, Henry continued. “Those old fuses, the big ones, you put pennies in them to get them to work?”
Roger laughed. “Yes you can, and you can also fuse every bit of the substandard wiring in this shit-hole and burn us all up alive.” I kind of leaned Roger against the bar, stabilizing the listing that had begun as he spoke, and pulled a loose stool from the far side, placing it and myself, between Roger and Vonnie.
“Vonnie . . .” Her eyes had a way of opening a little wider when you spoke to her, then closing a little like they were capturing what you were saying and holding on to it. I was starting to remember why I had had a crush on her and continued. “You see this heathen, devil red man across the bar here?” Her eyes glanced at Henry for a moment, then returned to mine. “He and Cady are plotting some sort of intrigue against me.” Her eyes widened again, and she returned her gaze to Henry. “Is that true, Bear?” It irritated me that every woman I knew was on a cuddly first-name basis with the man. Henry nodded toward me. “White man full of shit.”
We were on a Technicolor roll now. I was Randolph Scott to his . . . I don’t know, one of those bigger than life Indians that either got beat up or killed by the end of the third reel. “It’s true, he’s government trained to be involved in these kinds of covert operations.” I pointed to the framed boxes on the wall behind the bar that contained a burnt map of North and South Vietnam, Laos, and Cambodia. On this map were Henry’s Special Forces pin, Purple Heart, Army Distinguished Service Cross, Vietnamese Cross of Gallantry, and assorted campaign medals. There were also black-and-white photographs of Henry with his infantry platoon leaders, and one with his friend and team member Lo Chi, whom he had brought back and relocated in Los Angeles. There was even a picture of Henry and me, wearing the two ugliest Hawaiian shirts in Saigon, on a three-day leave in 1968. “You see all that stuff on the wall? He was trained in the war to be the gravest irritation to all those around him. There is no way a common soldier, such as myself, could possibly compete with a hand-picked, combat-hardened pain in the ass like him.” Few people knew the shadowy history of the Special Operations Group that had operated out of Laos, but the numbers said it all: For every American Special Forces soldier that was lost, the North Vietnamese lost between 100 and 150 troops. The Bear had been a part of one of the most effective killing machines on either side of the war.
Henry’s face pushed up and curved to the side as the weight of his head held steady in the palm of his supporting hand. “Common soldier? The closest he came to any real fighting was when he agreed to meet me for a three-day in Saigon.” Under his breath he continued, but I’m pretty sure I was the only one that heard it, “Except for Tet . . .”
I left Henry to leverage Roger into doing some free electrical consulting work and turned my attention back to Vonnie. She was staring into the glass eyes of one of the mounted antelope behind the bar. “Pretty animals.” Her eyes remained steady on the pronghorn. “Do you think they feel pain like we do?”
She turned to look at me, seemingly irritated. “Really?”
She stayed with me for a second, and then, fading into disappointment, glanced at her wine glass. “So, you don’t think they feel pain.”
“No, I said I don’t think they feel pain like us.”
“Oh.” The smile slowly returned. “For a minute there I thought you had become a jerk.”
“No, a blacksmith’s son.”
She continued to smile and then nodded. “You used to come out to our place with your father . . . Lloyd.”
I watched her. “Nobody remembers his name.”
“I think my mother had a little crush on him.”
“Just another Longmire, plying his wiles. When I was real little, I used to make the shoeing rounds with him. It looked painful to me, so I asked him.”
“What did he say?”
“Pop used to speak in biblical terms, but what he said was that the brutes of the field don’t feel pain like humans. That that’s the price we pay for thinking.”
She took another sip of her wine. “Comforting to know that we’re the species that feels the most pain.”
I half-closed an eye and looked at her for a second. “Is that East Coast sarcasm I’m hearing?”
“No, that’s East Coast self-pity.”
“Oh.” I was getting in way over my head. I can do the bull about as well as it can be done, but that edgy buzz-talk makes me weary in a heartbeat. I try and keep up, but after a while I start to drag.
She placed a hand on mine, and I think it was the hottest hand I had ever felt. “Walter, are you all right?”
It always started like this, a touch and a kind word. I used to feel heat behind my eyes and a shortness of breath, but now I just feel the emptiness. The fuses of desire are blown black windows, and I’m gone with no pennies to save me. “Oh, you mean you really want to talk?”
Her eyes were so sad, so honest. “Yeah, I figured since we didn’t have anything else to do.”
So I leaned in and told her the truth. “I just . . . I’m just numb most of the time.”
She blinked. “Me too.”
I felt like one of those guys in the movies, there in the foxhole asking how much ammo your buddy’s got. I got two more clips, how ’bout you? “I know the things I’m supposed to do, but I just don’t seem to have the energy. I mean, I’ve been thinking about turning over my pillow for three weeks.”
“I know . . .” She looked away. “How’s Cady?”
Here I was floating in the white-capped Pacific of self-pity, and Vonnie threw me a lifeline to keep me from embarrassing myself. Three fingers, bartender . . . “She’s great.” I looked at Vonnie to see if she was really interested. She was. “She’s doing so well in Philadelphia.”
“She always has been special.”
“Yes, she is.” We sat there for a moment, allowing the crackle and roar of my parental self-satisfaction to fade into the soft glow of friendly conversation. Her hand was still on my arm when the phone rang.
“Looks like she’s tracked you down.” The hand went away.
I watched as Henry allowed it to ring the second time, his tele-signature, then snatched it from the cradle. “It is another beautiful evening here at the Red Pony bar and continual soirée, how can I help you?” His face pulled up on one side as if the receiver had just smacked him. “Yes, he is here.” He stretched the cord across the expanse of the bar and handed me the phone. His eyes stayed on mine.
I nudged it between my chin and shoulder with one hand, took a sip of beer with the other, and swallowed. “Hello, Sugar Blossom . . .”
“Hello, shithead,” the voice on the other end said. “It’s not a dead sheep.”
I stood there, letting the world shift at quarter points and then got a bearing and dropped my voice. “What’ve we got?” Every eye in the bar was on me.
Vic’s voice held an edge that I had never heard before, approaching an excitement under the grave suppression of businesslike boredom. “Male, Caucasian, approximately twenty- one years of age . . . one entry wound characteristic of, maybe, a .30-06.”
I started to rub my eyes, noticed that my hand was shaking, and put it in my pocket. “All right . . . call the Store and tell them to send the Little Lady.”
There was a brief pause, and I listened to the static from a radio on 137 patched through to a landline in Durant. “You don’t want any Cashiers?”
“No, just the Bag Boys. I’ve got a highly dependable staff.”
She laughed. “Wait till you get out here. These fucking sheep have been marching around on everything; I think the little bastards actually ate some of his clothes. And they shit on him.”
“Great . . . Past the Hudson Bridge; you got your lights on?”
“Yep.” She paused for a moment, and I listened to the static. “Walt?”
I had started to hang up the phone. “Yeah?”
“You better bring some beer to quiet Bob and Billy down.”
This was a first. “You bet.” I started to hang up again.
“It’s Cody Pritchard.”
Excerpted from "The Cold Dish"
Copyright © 2006 Craig Johnson.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
What People are Saying About This
"We in the West have a major new talent on our hands." —The Denver Post
"A winning piece of work, and a convincing feel to the whole package." —The Washington Post
"Craig Johnson does it right, with style, grace, wildfire pace, and a sense of humor." —Bob Shacochis
Reading Group Guide
Absaroka County, Wyoming, is a place where candidates for public office don’t dare miss Pancake Day. It is a place where people don’t tend to lock the doors of their pickup trucks and where Rainier beer is a cherished elixir. It is also the place where Melissa Little Bird, a Cheyenne girl with fetal alcohol syndrome, has undergone sexual torture at the hands of four members of the high school football team. In punishing the boys with only trifling sentences, the county court has done little to ease the troubled conscience of the white community or to restore the outraged dignity of the residents of the Northern Cheyenne Reservation. Now, two years later, Cody Pritchard, the least repentant of the four offenders, has been found shot to death, and Sheriff Walt Longmire is having trouble thinking of anyone who doesn’t have a motive.
As the sheriff tries to unravel the mystery of Pritchard’s murder, he is also trying to find answers in his lonely, disheveled personal life. Haunted by the memory of his wife, Martha, who died three years before, and troubled by the thought of his grown daughter whom he loves deeply but who never seems to call, Longmire is in need of a guiding hand. Fortunately, he receives one from his longtime friend Henry Standing Bear. Henry has come up with a four-step plan for getting the sheriff back on his feet. The only apparent problem is with Henry himself. As a crack marksman and a second cousin of the molested girl, Henry looks like a prime suspect.
As Sheriff Longmire follows the scant and contradictory clues of the case, his investigation leads him to unexpected discoveries far beyond the identity of the killer. Along the way, he experiences the hidden sordidness of an outwardly benign community and beholds the unimaginable strength of the Cheyenne people. He also has an extraordinary encounter on a snow-covered trail that brings him in touch with an invisible but radiant dimension of truth.
A thoughtful, riveting police procedural, The Cold Dish successfully combines rich good humor with moving passages of pensive melancholy. While pressing forward like fate toward its stunning conclusion, the novel is equally adept in portraying the hard-nosed practicality of its narrator, the tragedy of sexual violence, the sublime mystery of the vast, open land, and the unconquerable humanity of the people who once called that land their own.
A CONVERSATION WITH CRAIG JOHNSON
Q. Writing can be an isolating activity. Many of your readers may presume that living in Ucross, Wyoming, might intensify that sense of isolation. Yet, at the same time, being away from the crowd can also produce a kind of clarity and focus that can lead to some amazing creativity. How has life in Ucross affected you as a writer?
I drink a lot. Just kidding. Honestly, I’ve chosen a relatively isolated life because it gives me the focus that my writing needs. I’ve spent the majority of my adult life in cities, and I’m just now getting around to distilling a lot of the experiences I had there. Writing is a solitary pursuit and I think you have to be partially at peace with yourself, but it’s the other part that’s usually producing the stuff worth reading.
Q. Your writing powerfully evokes a part of the world that you evidently know very well and of which you are clearly fond. With this, your first novel, you seem to be defining yourself as a novelist of place as much as a novelist of plots and characters. What, as you see them, are the pros and cons of being a “regional” author?
“Regional” can be a dirty word; it denotes that a writer or his work has some sort of precious niche that makes it accessible to a limited audience. I hate the word, but to answer the question: it’s a double-edged sword. I think trying to write a book that isn’t particularly location oriented is pretty weak stuff. Where a story takes place is an important context, as is the period, and the characters in The Cold Dish are who they are because of where they are, but that doesn’t mean that’s all they are. That kind of thought process is limiting and bigoted: I try to avoid it in my writing at all costs.
Q. The West is steeped in tradition. In the public mind, however, it is also steeped in clichés and stereotypes. Do you find it best to challenge the reader’s possible preconceptions about the West, to ignore them, or to turn them somehow to your advantage?
See above. Actually I love clichés and stereotypes. They’re like big, fat, hanging curveballs that linger over the plate just a little bit too long; you can’t help but hit them over the fence. My readers are like cheap dates: they like being taken advantage of as long as they’re aware of it and it’s done with a sense of humor. You can’t deal with a region like the West and ignore the road most traveled. I take advantage of a high context relationship with the reader, meaning that I respect them to understand when I’m lampooning preconceived notions that we all developed from watching The Lone Ranger.
Q. One of the values that many people associate with the West is self-reliance, and Sheriff Longmire seems at first glance to be a very independent guy. As we get to know him, however, we see the depth of his need for other people. Do you see your novel as being about the conflicting values of individuality and community?
Absolutely. It’s an American tradition to walk around thinking that we are self-reliant, but the framework of the twenty-first century makes the cult of the rugged individual troublesome. Community values are complicated, and it’s the measure of a person’s strength and decency in how they deal with these challenges. All good cops are community oriented. Self-reliant sheriffs don’t last long; they get voted out. I think it’s also a gender-related issue: women seem to have an innate understanding of society whereas most men ignore it. I tried to convey that in the way most of Walt’s safety net is female and there’s hardly anything men take for granted as much as female support, no matter how desperately they need it.
Q. Sheriff Longmire is a man of some culture. He can recognize Prokofiev’s First Symphony, and he sprinkles his narration with allusions to Aristotle, Shakespeare, and Coleridge—not necessarily what one might expect from a man who has to check his frying pans for mouse turds. What prompted you to invest Walt’s character with his well-educated inclinations?
See question three. There are a lot of preconceived notions as to what the rural sheriff is like, who he is, and I take advantage of a lot of those stereotypes. Walt does too. He likes people to underestimate him—talk about advantages . . . I think intelligent people are infinitely more interesting, and his education gives me a lot more avenues to access.
Q. Some of the supporting characters in The Cold Dish have uncannily sharp perceptions. Henry Standing Bear can sometimes predict the arrival of a snowstorm to within a minute. Omar can find the range of a long rifle shot to the nearest yard. Even though Sheriff Longmire says that looking is one of his better law-enforcement techniques, his perceptions do not rise to this level of precision. Was there a certain playfulness in your writing a mystery in which the detective is not the keenest observer?
Walt may not be as flashy as some of the supporting characters, but he has his own sensibilities. As to the playfulness, sure. If there’s a character type I despise, it’s the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred-page, first-person, present-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.
Q. It has been said that mystery narratives always emerge from a deeper social anxiety. In British mysteries, the anxiety often has to do with class hierarchy. In American crime fiction, the angst is often about masculinity. What anxieties do you see in Longmire’s narrative?
There are so many, including the two you’ve just mentioned. I think we all get up every morning and wonder if we’re making a difference, and if you’re a sheriff it’s even more pertinent. You wonder where your life’s going, where it’s gone. I think Walt deals with that. He wonders if he’s loved, or if he loves enough. I could go on, but I’m afraid it would be all too familiar to us.
Q. In contemporary stories, both on screen and in print, in which whites share the stage with Native Americans, it has become somewhat commonplace for the callow European to shed his cultural blinders and be enlightened by the ancient, intuitive wisdom of the native people. In Chapter Twelve of The Cold Dish, something like this happens to Longmire, yet the episode manages to be one of the freshest, most lyrical and memorable passages in the novel. How were you able to take what Longmire refers to before the fact (though certainly not afterward) as “mystical horseshit” and make it feel neither preachy nor contrived?
I have no clue. I wrote that half of a chapter in four hours, and to be honest, I think I was possessed. I approach poetry and spirituality like literary nitroglycerin—a little can do a lot and you better damn well be careful with it.
Q. One of the ways in which Longmire’s experience in law enforcement differs from those of the typical urban or suburban cop is that he apparently knows almost everyone in the community. He is, therefore, constantly required to bring official force to bear upon people about whom he has personal opinions and feelings. How did this kind of intimacy with the community you served affect your own experiences in law enforcement, and what influence do you think it has on Sheriff Longmire?
Sheriffing is one of the strangest forms of law enforcement; not only do you have to be a competent agent of the law, but people also have to like you so that you can get elected and keep your job. The potential for nepotism in its larger sense is vast. You develop relationships, good or bad, and they have an effect on how you do your job. I didn’t want a protagonist that was emotionally divested from the people he’s sworn to protect, but I wanted him to be fair in his treatment of those people.
Q. The dwellings you describe in The Cold Dish range from the palatial homes of Vonnie Hayes and Omar to Lonnie’s modest home on the reservation and the sheriff’s own woebegone digs. In short, there’s a bit of inequality in the Equality State. Any thoughts about the class dimensions of your story?
I’m a class warrior. Whenever I hear people postulating on the differences between themselves and anyone else, I always think, Show me your wallet. It’s been said that the south of France is an oil painting and that Wyoming is a charcoal sketch, which is fine because contrasts become more evident in a clearer field. There are less than a half million people in the state and the difference between the haves and the have-nots is pretty evident, especially on the reservation. Money should have nothing to do with the law.
Q. In Chapter Eight, we learn that Sheriff Longmire’s experience in sleuthing began during his tour in Vietnam. May we look forward to a prequel dealing with this phase of his life?
You don’t miss much, do you? The sequence you refer to is important in that it explains why Walt is what he is and who he is. Vietnam was a difficult and confusing time, and its repercussions are still being felt. Just look at the last election. His Vietnam story is an intriguing and open one, which I’m sure we’ll see again. Like Walt, I don’t like mysteries.
- The Cheyenne and other tribes live within the borders of the United States. However, as Craig Johnson points out inThe Cold Dish, the Cheyenne also constitute a sovereign nation, and the reservation stands politically and culturally as a world apart. Characters like Henry Standing Bear and Lonnie Little Bird must mediate between two modes of life and two identities. How does Johnson address the Indian characters’ problem of dual identity?
- Johnson’s book also deals with various images of the West, and a tension exists between the West of idealized myth and the West as it is experienced by those who actually live there. What instances of the interplay between the romantic West and the literal West do you observe, and what effects do they produce?
- The friendship between Walt Longmire, the tough, dedicated Caucasian lawman, and Henry Standing Bear, the savvy, loyal Native American, has well-known antecedents in stories about the West. Does Johnson succeed in distinguishing the relationship from its Lone Ranger and Tonto antecedents? How can Walt and Henry’s friendship be seen as an ironic commentary on its traditional models?
- Two of the young men who sexually assaulted Melissa Little Bird are dead before we have a chance to meet them, and they are permitted to speak only in short flashback scenes. The other two are also developed in relatively brief strokes. What does Johnson accomplish by declining to explore the psychology of the four boys, especially the more deeply guilty ones? How would the novel have been different if Johnson had chosen to investigate their motivations and viewpoints in greater depth?
- At the end of Chapter Six, while watching a snowfall, Sheriff Longmire thinks of the tiny, inaudible sound made by a snowflake. He reflects that “an awful lot of the voices in [his] own life were so small and high as to be indetectable by the human ear.” Why does he offer this observation, and what do you think generally about his powers to hear and sympathize with the voices around him?
- It is easy to think of the West as a principally masculine space. Nevertheless, the women in The Cold Dish refuse to be slighted, and they are much more than romantic foils for the male protagonists. Select a female character and discuss her responses to the gender-related issues in the novel.
- The citizens of Absaroka County seem like good people, easy to have a beer with and pleased to trade jokes over a community breakfast. Yet they are also people who try to sweep scandal under the rug and are reluctant to punish the four boys for their heinous attack on a defenseless girl. How does the white community function as a collective character in the novel, and how do central characters like Walt, Henry, Vic, and Lonnie either make peace with the community or define themselves against it?
- In Chapter Twelve, Walt observes, “All the important promises are about leaving and not leaving.” Is this statement true or is it merely Walt’s perception? In either case, what does the statement tell us about the needs and values of Walt’s character?
- George Esper’s repeated escapes from custody form a recurrent motif in the latter chapters of the novel. Do these escapes have significance apart from the comic frustration they cause Sheriff Longmire? Is there a symbolic dimension to George Esper, whose lack of common sense continually thrusts him outside of attempts to restrain him?
- The title of the novel alludes to revenge. Does the revenge that is taken in the novel produce satisfaction for anyone? If the county court had given out stiffer sentences in the Little Bird case, would that outcome have been more satisfying than the acts of a vigilante killer? Does the book as a whole describe a triumph or a failure of justice?
- The Cold Dish both begins and ends with Walt’s watching the flight of Canada geese. What mood is created by this framing image? Does Walt’s interest in the geese have a larger meaning?
Most Helpful Customer Reviews
I am an avid reader and often look for authors I have never read to see if I like how they write. Craig Johnson's The Cold Dish was a very good read. I enjoyed the bookd characters and really liked the main character Walt Longmire. The plot had a few twists and turns which I liked and the stories otther characters were all very interesting. This book is the first in a series and I went and bought the next three series books because I enjoyed this one so much. I also gave the book as a gift to my brother who told me he really liked the story. I know a lot of my friends who enjoy reading would like this book. If you like a good mystery with engaging characters and a good plot you will like this story by Craig Johnson.
This is the best book that I have read in the past 12 months. James Patterson and the other famous authors should be reading it, to remind them as to what a really great book can be, with three dimensional characters, incredible atmosphere, great intimacy with the location and the characters, and the importance of character development and interaction over contrived action in every chapter.
Here is a novel I think you will enjoy. It had been recommended to me, and I am happy I read it as I found his style of writing very likeable. I look forward to his next book which is to be released March 2006. Try it, you'll like it!!
Great book and great author. Creative story. Reflects Wyoming well and any one from that state knows just what he is talking about when he writes. Keeps you engaged in the story. Has great sense of humor. Entertaining from start to finish.
Really enjoyed this colorful and amusing cast of characters introduced by western mystery writer Craig Johnson. Set in Absaroka County, Montana the story centers on Sheriff Longmire, his foul-mouthed deputy Vic Moretti from Philadelphia, and Cheyenne friend Henry Standing Bear, among others. Very strong characterizations, with hints at depths that a long series can tease out. Listened to the Access Utah (public radio) interview with Johnson as he promoted his fourth book in the series and was fascinated to learn his background in playwriting helped him to craft dialogue that relies on action or 'voice' alone to distinguish speakers. Works particularly well here. Very auspicious beginning.
The Cold Dish is the first in Craig Johnson's Walt Longmire series. Great read(s)! Set in contemporary Wyoming, the land is as important to the story as the characters, relationships, police procedures... ...and the murders. Plan on laughing, sighing, pulling for characters and crying as you read through this well-crafted series.
Craig Johnson's The Cold Dish is the first novel in his series set in Absaroka County, Wyoming, featuring Sheriff Walt Longmire. It's billed as a mystery, but crime fans would probably be happier to put it in the hard-boiled category. This is not to say that the novel does not feature a mystery - in fact, Johnson's plotting is sure-footed, the clues are cleverly and subtly included, and the final resolution is well handled. The even better news is that the novels in the series which follow this one (Death Without Company, Kindness Goes Unpunished, and Another Man's Moccasins) display an even surer handling of the mystery plot. However, the mystery elements almost take a back seat to Johnson's deft handling of his characters - Walt Longmire, a Cheyenne called Henry Standing Bear, and the rest of the Absaroka Sheriff's department. Walt, in particular, is the character who will keep you coming back to this series. He is a character cast in the hard-boiled mode, tough and vulnerable at the same time, but it is his voice, in dialogue as well in narration, that is the real heart of the novel. At turns humorous, insightful, and poignant, Walt's narrative voice never lets the pace of the novel falter, and his dialogue with his friend Henry Standing Bear is full of perfectly weighted humor.
If you're a fan of crime fiction, there's a lot to recommend this novel, and the series. Johnson builds on the connection between mystery fiction and the western established by writers like Raymond Chandler and Dashiell Hammett, and gives it a twenty-first century twist. However, while the novels are set in the contemporary moment, there is a wonderful sense of history - both public and private - throughout the series. In The Cold Dish, it is this sense of history that lies behind the novel's revenge plot, as well as being revealed in bits and pieces in the backstories of the novel's central characters. This sense of history is crucial to mystery novels, as the past comes back to haunt the present, and Johnson develops it in order to add depth and feeling to his characters, whom he clearly loves.
The Cold Dish is well worth reading, both by itself and as part of a growing series. The characters, the Western motifs, the Wyoming setting, the careful plotting, and Johnson's fine prose all combine to create the sort of book that will keep you awake until the small hours, and will keep you coming back to the series as new titles are published.
I bought Cold Dish to read because the A&E TV series Longmire was being promoted. I like to read the books before seeing the movie or in this case the TV series. This is not normally the type of book I read but I got into it with ease and loved the characters and the setting. So much I also bought book 2 in the series Death Without Company and read that too.. I plan on reading the whole series. I like the books better than the TV show which deviates a lot from the plot line which is to be expected given they only have an hour a week. But I am hoping the TV series will introduce Dog and Sancho soon...
I have just finished the first series in the set, and it is a great story line, full of twists and turns, Longmire is a laid back sheriff in a wyoming town, We are from wyoming and we can relate with every part of the story, you can't put it downand you just have to find out whats around the next corner. Craig keep writing about Walt Longmire And I have already started on the next series #2
After watching the Longmire episodes on Netflix I thought I might like to try one of the books, so I started with the first. Here are a couple of observations: 1. I was three quarters of the way through the book before I started feeling compelled to keep reading it -- before that I was just basically using it to put myself to sleep at night. 2. The character Vic really has a potty mouth in the book, which was a surprise to me because in the TV episodes they manage to portray her as being tough and edgy without any bad language. Other than that, the book was reasonably clean. I probably will not buy any more of the books, but will continue to watch as episodes are added to Netflix.
The first book of the Walt Longmire series (currently 5 books). My book club read this and we all gave it a thumbs up. It constantly kept me guessing to who the murderer was. What I really enjoyed most was the writer's dry sense of humor. I look forward to reading his other books as well and have bought this one as a gift for my dad. Other members in the group compared Johnson to Hillerman.
Love the TV series but the book is so much better. Characters have more depth and the writing is intelligent and humorous and suspenseful.
There’s a new sheriff in town, and his name is Longmire. Walt Longmire. Walt has a cast of characters that both complement and challenge him, with Henry Standing Bear and Victoria Moretti receiving prominent attention. Small town life never sounded so good or so mystical. The scenes are painted to perfection by a man who certainly knows and appreciates his craft, the scenery of Wyoming, and the complicated relationships between two people that slowly develop over time. And that’s the way this book reads. If you’re looking for a mad race to the finish, with red herrings, carefully placed clues, and subplots galore, you’ll probably want to skip over this read. But if you’re looking for a mystery that ages like a fine wine, and only gets better as you move at a slow, steady pace toward the end, with characters so real that you can feel their breath whispering against your ear, you’ll want to race to the bookstore and grab this mystery, if you haven’t already done so. Robert Downs Author of Falling Immortality: Casey Holden, Private Investigator
Once you start reading this series, you won't want to stop. Craig Johnson has created a group of characters that you will grow to care about more and more with each subsequent novel. A very well written mystery.
This was my first Craig Johnson novel. It will not be my last. His writing grabs hold of you and doesn't let go until the last word is read. His characters are great. They're very human and each have their own set of quirks. I love quirky characters. I wasn't sure until right at the end who the guilty party was. I cant't wait to begin Death Without Company, the second book in the series. By the way the new TV series on A&E based on these novels and called Longmire is very good. Although I wouldn't have picked Lou Diamond Phillips to play Henry Standing Bear. But I'm sure I'll get used to him.
I loved this story and the characters he created. I live in Colorado and I think he captures the feeling of the "west" very well. The characters are rich, but sometimes a little hard to accept. I have read the second book in the series and liked it too. I will definitely keep reading this series.
Author knows the territory he writes about. Makes the story easy to read. Characters are like old friends. Definitely recommend.
Protagonist: Sheriff Walt LongmireSetting: present-day Absaroka County, WyomingSeries: #1First Line: "Bob Barnes says they got a dead body out on BLM land."Walt Longmire, the veteran sheriff of Absaroka County, Wyoming, usually has little to do on his patrols. When Cody Pritchard is found shot to death near the Cheyenne reservation, everyone, including Deputy Victoria Moretti, a transplanted Philadelphian, believes he died in an accident. But two years earlier, Cody was one of four high schoolers convicted of raping a young Native American girl. All were given suspended sentences, and when another of the four turns up dead, it appears that someone is out for revenge.Thank you to all those friends who recommended this book--I loved it! It was the perfect blend of setting, humor, seriousness, and characterization. I only have two small bones to pick with it. One, I think the writing could've used a bit of tightening to up the suspense, and two--I twigged to the Bad Guy too early due to a strong reaction that person had to something. It's going to be very difficult to keep myself from buying the rest of the books in this series--it's a winner!
I love a good mystery. I remember the first time I read a Sue Grafton novel; I knew there was no going back. Kinsey Milhone had an edge about her and there was a grittiness and realism to the novels that instantly pulled me in. They were funny in on offbeat sort of way, just the kind of humor I like. Michael Connelly¿s novels also come to mind. I had the same experience reading Craig Johnson¿s The Cold Dish. That isn¿t to say the series are alike¿if you don¿t like one, don¿t count out the others until you have given one or the other a try. Walt Longmire is the sheriff of Absaroka County in Wyoming, a relatively quiet and mostly rural community with only an occasional disturbance. Not many people mourn when the body of Cody Pritchard is discovered. He, along with three of his friends, had been convicted of brutally assaulting a young Native American girl, Melissa Little Bird years before. The boys were let off with suspended sentences at the time, something that did not sit well with quite a few people. Could Cody¿s death have been a hunting accident or was it murder, perhaps an act of revenge or something else altogether?Walt is joined by a cast of supporting characters that stand out on their own. Among them is Walt¿s best friend, Henry Standing Bear, who is determined to get Walt back in shape and moving on with his life, realizing his friend has fallen into a rut. Walt¿s foul-mouthed but extremely competent deputy, Victoria Moratti is a good match for the sheriff. The former sheriff, Lucian, despite his penchant for throwing political correctness out the window, was among my favorites as was the mother-like Ruby, the dispatcher/secretary at the sheriff¿s office. She said what was on her mind and let Walt have it when he deserved it most. As for Sheriff Walt Longmire himself, he has seen a lot in his lifetime, having served in the military during the Vietnam War and more recently losing his wife to cancer. There¿s a strength about him as well as a generosity of spirit. He seems like the kind of man I would want to have as sheriff in my own town as well as a friend.Craig Johnson paints a breathtaking picture of Wyoming with the harsh wintry weather, the beautiful mountains and lakes as well as the ranch and reservation lands that are stretched out over the county where the novel is set. He shows the diversity of the land as well as of the people. He also touches upon the past and current tensions between the Native Americans and the white folk, weaving it throughout the book. It is a rare treat when I can read straight through a mystery and not figure out the end before the protagonist does. Craig Johnson succeeds in doing just that though. The Cold Dish had me both chuckling now and then and, near the end, shedding a tear or two. I am looking forward to spending more time with Sheriff Longmire in the near future.
First book in the series and Craig Johnson has moved right up next to Lee Child in my 'favorites' list. Excellent prose, good strong characters, humour. I hope all the rest are just as good.
Walt Longmire is the sheriff in Wyoming¿s Absaroka County, an area that appears to have more horses and pigs than people. When a body is found in the mountains, Walt realizes the deceased was one of the young men who had assaulted a Cheyenne girl two years earlier. It is possible someone is seeking retribution for the crime. Walt relies on his friend, Henry Standing Bear, in addition to a couple deputies, the retired sheriff, and Ruby his dispatcher. Deputy Victoria Moretti is over-qualified for the job and Walt is waiting for the FBI or some big city to lure her away. Vic has the ballistics training and investigative skill Absaroka County sorely needs and Walt would like to groom her to take his job. He is recovering from the loss of his wife several years ago and still lives in their house, a cabin in desperate need of completion. More bodies pile up and by the looks of the antique weapon used, Walt starts to look at even more suspects, one of which could be his friend, Henry. Vic is one of the more interesting characters, possessing the skill and ¿take no prisoners¿ attitude of Carol O¿Connell¿s Kathy Mallory yet with the foul mouth of Dexter¿s sister, Debra Morgan. Humor and mystery abound making for a refreshing change from mysteries set in big city precincts. This is one series I will continue to follow.
Read for BookclubOverall Rating: 4.25Story Rating: 4.50Character Rating: 4.00Audio Rating (not part of overall rating): 3.50First thought when finished: What a great beginning to this series. I am so glad that I picked it up!What I Loved: Walt and Harry (his best friend) were two characters that I absolutely fell in love with while reading The Cold Dish. Vic was a close third in my favorite character category. It isn't often in a mystery that I love and connect to the characters as much as the case. I did love the case and I didn't guess who the perp was until almost 3/4 of the way through. Even then it was just a guess but it was fun figuring it out right along with Walt!What I Liked: I liked how the main case was woven with a past case. I really liked the visiting of the Res and all of characters based there. Final thought: The Cold Dish served up both a great case and a wonderful cast of characters. I will be continuing this series.Audio specific review: George Guidall is a fantastic narrator but it took awhile for me to warm up to him being Walt Longmire. After I got used to him doing the voice it was fantastic. The pacing of the reading was perfect and added to the enjoyment of the story.
"The Cold Dish" is a character-driven novel with a wonderful sense of place -- the lonely plains and mountains of Wyoming. The mystery takes a back seat to a laconic sheriff and his Indian buddy. Who cares about the mystery. All I wanted to do was sit back listen to these guys talk to each other. Great stuff.
Just bought and read this book (Nov 2009) and, wow, what a treat. Has great locale told with depth and heart. Fully developed characters: the good are not always good and the bad are not always bad. Some snappy dialogue. And I really like Johnson's technique of "backing into" a scene, or time, or a conversation, i.e., he sometimes throws you into a new scene or conversation that has already started but as you continue reading, the "missing" parts are made apparent through unconventional means such as a comment within the conversation or a detail of description that brings it all together and you realize what's going on -- he doesn't turn back the clock and rework his way back into the scene like some other authors. I was enjoying the book so much that before I was anywhere near finishing, I went out and bought the next two in the series (only because that was all the bookstore had).