Colonna: Triumphate Fideles - Complete Motets for Solo Voice and Instruments

Colonna: Triumphate Fideles - Complete Motets for Solo Voice and Instruments

by Carlo Centemeri

CD

$12.34 $12.99 Save 5% Current price is $12.34, Original price is $12.99. You Save 5%.
Eligible for FREE SHIPPING
  • Want it by Wednesday, October 24?   Order by 12:00 PM Eastern and choose Expedited Shipping at checkout.

Product Details

Release Date: 09/25/2015
Label: Brilliant Classics
UPC: 5028421946474
catalogNumber: 94647
Rank: 244643

Tracks

  1. Ad amores, ad honores, motet for soprano, violins & continuo, GPC20
  2. Ad novum caeli iubar, motet for tenor, violins & continuo, GPC23
  3. Gaudete, Cantate, motet for soprano, violins & continuo, GPC24
  4. Triumphate fideles, motet for bass, violins & continuo, GPC29
  5. O sidera, o coeli, motet for bass, violins & continuo, GPC27
  6. Sacri amoris ad ardores, motet for bass, violins & continuo, GPC30
  7. Ad pugnas fideles, motet for tenor, violins & continuo, GPC22
  8. Ad gaudia gentes, motet for alto, violins & continuo, GPC26
  9. O ingens divini presulis munus, motet for bass, violins & continuo, GPC28
  10. Ecce iubar, ecce aurorae, motet for soprano, violins & continuo, GPC19

Album Credits

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

Colonna: Triumphate Fideles (Astrarium Consort / Carlo Centemeri) 4 out of 5 based on 0 ratings. 1 reviews.
RGraves321 More than 1 year ago
Giovanni Paolo Colonna (1637-1695) is not well-known today, although he one of the most well-respected (and interesting) figures of the mid-1600s. He was a composer, teacher, organist and organ builder. His fame as a composer rested mainly on his large-scale sacred works -- oratorios and masses. This release, however, features a collection of his sacred motets for solo voice, presenting a different side of Colonna. While his larger works show his skill at counterpoint, these motets are more concerned with melody. And what gorgeous melodies they are. Phrases lead naturally into each other, and because this is music for the church (rather than the stage), ornamentation is kept to a minimum. The result is a set of twelve simple -- but not simplistic -- settings of Latin texts. Soprano Francesca Cassinari has a particularly appealing sound (for me). Her clear, pure voice serves the music well. Salvo Vitale is another standout. His rich, full bass voice has a rounded warmth to it I really liked. That's not slight alto Elena Carzaniga or tenor Paolo Borgnovo -- their performances were appealing as well. The Astrarium Consort has a good ensemble sound. The use of the baroque harp in the continuo provides some nice contrast to the harpsichord, and makes the ensemble sound more intimate, somehow.