Comedy is both relative, linked to a time and culture, and universal, found pervasively across time and culture. The Hebrew Bible contains comedy of this relative, yet universal nature. Melissa A. Jackson engages the Hebrew Bible via a comic reading and brings that reading into conversation with feminist-critical interpretation, in resistance to any lingering stereotype that comedy is fundamentally non-serious or that feminist critique is fundamentally unsmiling.
Dividing comic elements into categories of literary devices, psychological/social features, and psychological/social function, Jackson examines the narratives of a number of biblical characters for evidence of these comic elements. The characters include the trickster matriarchs, the women involved in the infancy of Moses, Rahab, Deborah and Jael, Delilah, three of David's wives (Michal, Abigail, Bathsheba), Jezebel, Ruth, and Esther. Nine particularly instructive points of contact between comedy and feminist interpretation emerge: both (1) resist definition, (2) exist amidst a self/other, subject/object dichotomy, (3) emphasise and utilise context, (4) promote creativity, (5) acknowledge the concept of distancing, (6) work towards revelation, (7) are subversive, (8) are concerned with containment and control, and (9) enable survival. The use of comedy as an interpretive lens for the Hebrew Bible is not without difficulties for feminist interpretation. While maintaining an uncomfortable, even painful, awareness of the hold patriarchy retains on the Hebrew Bible, feminist critics can still choose to allow comedy's revelatory, subversive, survivalist nature to do its work revealing, subverting, and surviving.
|Publisher:||Oxford University Press, USA|
|Product dimensions:||8.60(w) x 5.70(h) x 0.90(d)|
About the Author
Melissa, a native of North Carolina, did her undergraduate study in journalism and business at the University of North Carolina-Chapel Hill. Veering from that course of study took her to Baptist Theological Seminary at Richmond (Virginia), where she obtained a Master of Divinity and was subsequently ordained as a Baptist minister. After working several years in the church, she returned to academia in Oxford, where she was awarded a Dphil in Theology (Old Testament). Melissa is currently back in Richmond at her alma mater, BTSR, teaching Old Testament studies.
Table of Contents
1. An introduction to comedy
2. Trickster matriarchs: Lot s daughters, Rebekah, Leah, Rachel, Tamar
3. Shiphrah and Puah, Moses mother, Moses sister, Pharaoh s daughter
5. Deborah and Jael
7. David s wives: Michal, Abigail, Bathsheba
11. Conclusions: comedy and the Hebrew Bible
12. Conclusions: comedy, the Hebrew Bible, and feminist interpretation