Confederates in the Attic: Dispatches from the Unfinished Civil Warby Tony Horwitz
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When prize-winning war correspondent Tony Horwitz leaves the battlefields of Bosnia and the Middle East for a peaceful corner of the Blue Ridge Mountains, he thinks he's put war zones behind him. But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.
Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.
In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'
Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.
I'm telling you this because it explains why I enjoyed Confederates in the Attic" so much. I kept shaking my head in recognition as Tony Horwitz described his expeditions to landmarks of the Civil War and, concurrently, the outer limits of the Southern mind. The War Between the States lives on in the South, where, as William Faulkner once wrote, "The past is never dead. It's not even past." The phenomenon is summed up nicely early in this book when the Oklahoma-born director of a national cemetery in Maryland says, "In school I remember learning that the Civil War ended a long time ago. Folks here don't always see it that way. They think it's still halftime."
Of course, this isn't news to anyone who has spent time in Dixie. But Horwitz manages to find fresh ways to tell the old story. He offers a panoply of characters who serve as tour guides into the mentality of undefeat, including iron-haired ladies from the Daughters of the Confederacy; Shelby Foote, gentle raconteur and oracle of the Lost Cause, who turns out to be sort of grumpy; and Manning Williams, an artist and latter-day secessionist from Charleston who endlessly labors at a Bosch-like painting he calls "Lincoln in Hell." But the centerpiece of the book is Horwitz's adventures with a hard-core Civil War re-enactor and carpenter named Robert Lee Hodge. Total authenticity is Hodge's Holy Grail. He wears genuine uniforms (and never washes them), starves himself for a more accurate look and is widely admired for his ability to bloat his body like a Confederate corpse. Hodge recruits Horwitz for a demented weeklong blitz of Civil War battlefields dubbed the Civil Wargasm. Here Horwitz discovers one problem with writing about the South: Your material tends to upstage you. But the author makes the best of the situation. He is a skillful, sometimes hilarious writer with a keen eye for the absurd.
Horwitz argues that even as the South outwardly becomes more like the rest of America, white Southerners in their guilt and dismay cling ever more tightly to the romantic myths of the past. Blacks generally have a different attitude. One older man Horwitz meets at a Martin Luther King Day service has some advice for white Southerners who can't get past the Civil War: "I got one word for those folks -- Appomattox," he says. "The game's up, you lost. Get over it."
Horwitz, a former foreign correspondent for the Wall Street Journal, tells us that in writing this book, he is serving his own childhood obsession with the Civil War. It's a fascination passed down through the males in his family, even though when the war was actually fought, Horwitz's own ancestors were escaping the Czarist pogrom in Russia. He presents the Civil War as the ultimate American -- and Americanizing -- experience, for better or worse.
This argument doesn't wash with the students in an Afrocentric history class Horwitz visits in Selma, Ala. To them, the Civil War was irrelevant -- just one bunch of white racists fighting another for power. "It's his-story," says one teenager, "as in his story, the white man's, not mine." Horwitz realizes with growing gloom that these black students were using the same rhetoric as neo-Confederates, who maintain the war wasn't about slavery, but state's rights. From these Selma kids and their Farrakhan-admiring teacher, the author learns that when it comes to clinging to self-defeating myths, no culture has a corner on the market.
Salon March 10, 1998
The New York Times Book Review
"In this sparkling book Horwitz explores some of our culture's myths with the irreverent glee of a small boy hurling snowballs at a beaver hat. . . . An important contribution to understanding how echoes of the Civil War have never stopped." —USA Today
Horwitz's chronicle of his odyssey through the nether and ethereal worlds of Confederatemania is by turns amusing, chilling, poignant, and always fascinating. He has found the Lost Cause and lived to tell the tale a wonderfully piquant tale of hard-core reenactors, Scarlett O'Hara look-alikes, and people who reshape Civil War history to suit the way they wish it had come out. If you want to know why the war isn't over yet in the South, read Confederates in the Attic to find out." —James McPherson, author of Battle Cry of Freedom
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The Southern Guard remained vigilant against even accidental Farbiness; it had formed an "authenticity committee" to research subjects such as underwear buttons and 1860s dye to make sure that Guardsmen attired themselves exactly as soldiers did. "Sometimes after weekends like this, it takes me three or four days to come back to so-called reality," Young said. "That's the ultimate."
As we talked, other Guardsmen trickled in, announcing themselves with a clatter of hobnailed boots on the path outside. Rob Hodge arrived and greeted his comrades with a pained grin. A few days before, he'd been dragged by a horse while playing Nathan Bedford Forrest in a cable show about the rebel cavalryman. The accident had left Rob with three cracked ribs, a broken toe and a hematoma on his tibia. "I wanted to go on a march down in Louisiana," Rob told his mates, "but the doctor said it would mess up my leg so bad that it might even have to be amputated."
"Super hardcore!" the others shouted in unison. If farb was the worst insult a Guardsman could bestow, super hardcore was the highest plaudit, signifying an unusually bold stab at recapturing the Civil War.
Many of the Guardsmen lived outside Virginia and hadn't seen their comrades since the previous year's campaign. As the room filled with twenty or so men, greeting each other with hugs and shouts, it became obvious that there would be little attempt to maintain period dialogue. Instead, the gathering took on a peculiar cast: part frat party, part fashion show, part Weight Watchers' meeting.
"Yo, look at Joel!" someone shouted as a tall, wasp-waisted Guardsman arrived. Joel Bohy twirled at the center of the room andslid off his gray jacket like a catwalk model. Then, reaching into his hip-hugging trousers, he raised his cotton shirt.
"Check out those abs!"
"Awesome jacket. What's the cut?"
"Type one, early to mid '62, with piping," Joel said. "Cotton and wool jean. Stitched it myself."
Rob Hodge inspected the needlework, obviously impressed. He turned to me and said, "We're all GQ fashion snobs when it comes to Civil War gear."
"CQ," Joel corrected. "Confederate Quarterly." The two men embraced, and Rob said approvingly, "You've dropped some weight." Joel smiled. "Fifteen pounds just in the last two months. I had a pizza yesterday but nothing at all today."
Losing weight was a hardcore obsession, part of the never-ending quest for authenticity. "If you look at pension records, you realize that very few Civil War soldiers weighed more than a hundred thirty-five pounds," Rob explained. Southern soldiers were especially lean. So it was every Guardsman's dream to drop a few pants' sizes and achieve the gaunt, hollow-eyed look of underfed Confederates.
Rob had lost thirty-five pounds over the past year, leaving little or no meat on his six-foot-two frame. Joel, a construction worker, had dropped eighty-five pounds, losing what he called his "keg legs" and slimming his beer-bellied waist from forty inches to thirty. "The Civil War's over, but the Battle of the Bulge never ends," he quipped, offering Rob a Pritikin recipe for skinless breast of chicken.
Unfortunately, there was no food--diet or otherwise--in sight. Instead, the Guardsmen puffed at corncob pipes or chewed tobacco, interspersed with swigs from antique jugs filled with Miller Lite and rimmed with bits of each other's burley. Eavesdropping on the chat--about grooming, sewing, hip size, honed biceps--I couldn't help wondering if I'd stumbled on a curious gay subculture in the Piedmont of Virginia.
"I've got a killer recipe for ratatouille. Hardly any oil. Got to drop another five pounds before posing for that painter again. He loves small waists on Confederates."
"Do you think we should recruit that newbie who came to the picket post? He looks real good, tall and slim."
"Ask him, 'Have you got a Richmond depot jacket? Do you sew?' A lot of guys look good at first but they don't know a thing about jackets and shoes."
The sleeping arrangements did little to allay my suspicions. As we hiked to our bivouac spot in a moonlit orchard, my breath clouded in the frigid night air. The thin wool blanket I'd been issued seemed woefully inadequate, and I wondered aloud how we'd avoid waking up resembling one of Rob Hodge's impressions of the Confederate dead. "Spooning," Joel said. "Same as they did in the War. "
The Guardsmen stacked their muskets and unfurled ground cloths. "Sardine time," Joel said, flopping to the ground and pulling his blanket and coat over his chest. One by one the others lay down as well, packed close, as if on a slave ship. Feeling awkward, I shuffled to the end of the clump, lying a few feet from the nearest man.
"Spoon right!" someone shouted. Each man rolled onto his side and clutched the man beside him. Following suit, I snuggled my neighbor. A few bodies down, a man wedged between Joel and Rob began griping. "You guys are so skinny you don't give off any heat. You're just sucking it out of me!"
After fifteen minutes, someone shouted "spoon left!" and the pack rolled over. Now my back was warm but my front was exposed to the chill air. I was in the "anchor" position, my neighbor explained, the coldest spot in a Civil War spoon.
Famished and half-frozen, I began fantasizing about the campfire stew I'd naively looked forward to. Somewhere in the distance a horse snorted. Then one of the soldiers let loose a titanic fart. "You farb," his neighbor shouted. "Gas didn't come in until World War One!"
This prompted a volley of off-color jokes, most of them aimed at girlfriends and spouses. "You married?" I asked my neighbor, a man about my own age.
"Uh huh. Two kids." I asked how his family felt about his hobby. "If it wasn't this, it'd be golf or something," he said. He propped on one elbow and lit a cigar butt from an archaic box labeled Friction Matches. "At least there's no room for jealousy with this hobby. You come home stinking of gunpowder and sweat and bad tobacco, so your wife knows you've just been out with the guys."
From a few mummies down, Joel joined in the conversation. "I just broke up with my girlfriend," he said. "It was a constant struggle between her and the Civil War. She got tired of competing with something that happened a hundred thirty years ago."
Joel worried he might never find another girlfriend. Now, when he met a woman he liked, he coyly let on that he was "into history." That way, he explained, "I don't scare her off by letting the whole cat out of the bag."
"What happens if you do tell her straight?" I asked him.
"She freaks." The issue wasn't just weekends spent away; it was also the money. Joel reckoned that a quarter of his income went to reenacting. "I try to put a positive spin on it," he said. "I tell women, 'I don't do drugs, I do the Civil War.'" He laughed. "Problem is, the Civil War's more addictive than crack, and almost as expensive."
The chat gradually died down. Someone got up to pee and walked into a tree branch, cursing. One man kept waking with a hacking cough. And I realized I should have taken off my wet boots before lying down; now, they'd become blocks of ice. My arm was caught awkwardly beneath my side, but liberating it was impossible. I'd disturb the whole spoon, and also risk shifting the precarious arrangement of blanket and coat that was my only protection from frostbite.
My neighbor, Paul Carter, was still half-awake and I asked him what he did when he wasn't freezing to death in the Virginia hills. "Finishing my Ph.D. thesis," he muttered, "on Soviet history."
I finally lulled myself to sleep with drowsy images of Stalingrad and awoke to find my body molded tightly around Paul's, all awkwardness gone in the desperate search for warmth. He was doing the same to the man beside him. There must have been a "spoon right" in the night.
A moment later, someone banged on a pot and shouted reveille: "Wake the fuck up! It's late!" The sky was still gray. It was not yet six o'clock.
The pot, at least, was an encouraging prop. I hadn't eaten since lunch the day before, and then only lightly in anticipation of a hearty camp dinner. But no one gathered sticks or showed any signs of fixing breakfast. I saw one man furtively gnaw on a crust of bread, but that was all. Recalling the hunk of cheese I'd packed the day before--the only item of mine that had escaped confiscation--I frantically searched my jacket pocket. The cheese was still there, hairy with lint and nicely chilled.
The Guardsmen rolled up their bedrolls and formed tidy ranks, muskets perched on shoulders. As a first-timer I was told to watch rather than take part. One of the men, acting as drill sergeant, began barking orders. "Company right, wheel, march! Ranks thirteen inches apart!" The men wheeled and marched across the orchard, their cups and canteens clanking like cowbells. In the early morning light, their muskets and bayonets cast long, spirelike shadows across the frost-tinged grass. "Right oblique, march! Forward, march!"
The mood was sober and martial, nothing like the night before. Except for a hungover soldier who fell out of line and clutched a tree, vomiting.
"Super hardcore!" his comrades yelled.
I spent an hour watching the men march and wheel as the drill sergeant called out his monotonous orders. "Shoulder arms. Support arms. Carry arms." The field was skirted by a split-rail fence. Just beyond stood the plantation house, a handsome brick edifice ringed by stately oaks; I'd been told the night before that the Confederate guerrilla John Mosby had once climbed out a window of the house and down a tree to escape capture by Federal cavalry. To the west loomed the Blue Ridge, gentle and azure in the morning sun. There wasn't a single modern intrusion. Looking at the scene, I thought about Mathew Brady's black-and-white photographs, and the false impression they conveyed. The War's actual landscape was lush with color and beauty. The sky, always a featureless white in Brady's photographs, was a brilliant, cloud-tufted blue.
The sergeant broke my reverie, handing me his musket and suggesting I practice the drill steps behind the other men. At first, the maneuvers reminded me of learning to square-dance, with the sergeant acting as caller and soldiers taking turns as the lead dancer. The main difference was that a misstep here could result in a rifle butt to the chin instead of a step on the toe. The moves were also crisp and angular, lacking the fluid motion of a reel or do-si-do. "On the right by files, into line, march!"
Finally, after several hours of nonstop drilling, the Guardsmen stacked their weapons and sprawled under a tree. Reaching into their haversacks, they began wolfing down cornbread, unshelled peanuts, slabs of cooked bacon. One of the Guardsmen, a new recruit named Chris Daley, offered me what looked like a year-old piece of beef jerky. I asked him why he'd joined up.
"I work as a paralegal on Long Island," he said. "This is escapism. For forty-eight hours you eat and sleep and march when someone else tells you to. There's no responsibility."
Chris chomped into the jerky, adding, "I think there's a lot of people like me who want to get back to a simpler time. Sandlot baseball, cowboys and Indians, the Civil War."
Rob Hodge agreed. "When you get into the grim details of the War, you realize you've lived a soft life. I think we all have some guilt about that. Doing this is a way of making things a little hard for a change."
This prompted debate about just how hard a hardcore's life should be. Rob favored total immersion in soldierly misery: camping in the mud, marching barefoot on blisters, staying up all night on picket duty. If he caught ticks and lice, so be it. "If that happened, I'd feel like we'd elevated things to another level," he said. "It would suck, but at least I'd know what it was like to scratch my head all day long."
A Guardsman named Fred Rickard went Rob one better. "There's something in me that wishes we could really go the whole way," he said. "I'd take the chance of being killed just to see what it was really like to be under fire in the War." He paused, munching on salt pork and biscuits. "At least then we'd know for sure if we're doing it right."
Fred leaned over to spit out a bit of gristle and noticed something in the grass. "Rob's bloating," he announced. Rob lay splayed on his back, cheeks puffed and belly distended, eyes staring glassily at the sky. Joel walked over and poked a boot in his ribs. "Suck in your gut a bit," he said. "It looks like you sat on a bike pump." Fred rearranged Rob's hands. "They don't look rigor mortal enough," he said. Then the two men returned to their meal.
Rob sat up and wiggled his fingers. "Hands are a problem," he said. "It's hard to make them look bloated unless you've really been dead for a while."
I stuck out the drill until late afternoon. The temperature was dropping fast and another night of spooning loomed ahead. Better to farb out, I decided, than to freeze or perish from hunger. Rob urged me to come out with the Guard again when the battle season got under way, and I said I would. But there was something else I wanted to do in the meantime. Lying awake in the night, pondering Civil War obsession, I'd plotted a hardcore campaign of my own. Super hardcore.
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Author of Whistling Dixie: Dispatches from the South
Author of Bad Land
Author of Battle Cry of Freedom
Meet the Author
Tony Horwitz is a native of Washington, D.C., and a graduate of Brown University and Columbia University’s Graduate School of Journalism. As a newspaper reporter he spent a decade overseas, mainly covering conflicts in Africa, the Middle East, and the Balkans for The Wall Street Journal. Returning to the U.S., he won the Pulitzer Prize for national reporting and wrote for The New Yorker before becoming a full-time author. In addition to Confederates in the Attic, his books include the national and New York Times bestsellers, Blue Latitudes, Baghdad Without a Map and A Voyage Long and Strange. His latest book, Midnight Rising, was named a New York Times Notable Book. Horwitz has also been a fellow at the Radcliffe Institute for Advanced Study at Harvard University and a history columnist for Smithsonian magazine. He is currently the president of the Society of American Historians. Horwitz lives in West Tisbury, Massachusetts with his wife Geraldine Brooks, their sons, dogs and alpacas.
- Waterford, Virginia
- Date of Birth:
- Place of Birth:
- Washington, D.C.
- B.A., Brown University; M.A., Columbia University School of Journalism
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Easily one of the best books detailing contemporary views of both north and south black and white. This book details how the civil war polarizes even re-enactors who proclaim they are keeping history alive. There are parts in this book that will give you goose bumps and there are parts thst will leave you shaking your head im disbelief. Personally I would jump at an opportunity to follow the same route that the author did. Still however at the last page you will feel as though you have come to the end of a long journey that you are not just ready to have end. This is a must read for every civil war buff. It will change what you thought you knew about the civil war.
Yep, Horwitz is a good writer. This book is alternately funny and insightful in many places. Unfortunately, Horwitz takes too many disturbing tangets into racial stereotyping. Too many white southerners are painted as hick,racist rubes and he seems to do this for no other reason than to maintain an edge of cynical elitism (if you read his other books, he cops a similar attitude towards the Iraquis and the Australians). Especially disturbing is Horwitz's character asassination of a young white father of two who was gunned down by a black man for no other reason than having a rebel flag in the window of his truck. Horwitz comes dangerously close to declaring that flying the rebel flag is grounds for justifiable homicide. Scary. Sad too, for this agenda spoiled what otherwise was a great book.
Confederates in the Attic is the second book by American journalist and author, Tony Horwitz. Whilst much Civil War literature is likely to have the eyes of anyone but the most enthusiastic fan glazing over before too long, anyone who has read Pulitzer Prizewinning Horwitz’s work may be interested enough to see what he can do with this much-written-about subject. Perhaps what he has created is not so much a book about the Civil War as a travelogue of places and people who are still affected by it. From a deep-seated childhood interest in the Civil War, Horwitz got the idea to tour the core Confederate Southern states, revisiting sites of interest and talking to people involved in commemorations and re-enactments. He meets hard-core (almost fundamentalist) enthusiasts who go to extremes for authenticity in re-enactment; he peruses collections of memorabilia and paraphernalia; he attends commemorative gatherings where he listens to Children of the Confederacy reciting the Confederate Catechism under the loving eye of Sons of Confederate Veterans and United Daughters of the Confederacy, one of whom even administers Cats of the Confederacy; he visits prison camps, cemeteries and tombs; he learns that his subject is often known as the War Between the States or the War of Northern Aggression; he talks to historians, collectors, students and everyday folk, both black and white, about what the Civil War means to them and the significance of the rebel flag; he goes on a week-long Civil Wargasm; he finds a truly integrated town; he talks to the last real Confederate widow; he dips into Gone With The Wind; and he uncovers a surprising depth of ongoing racial divide. As this book was written in the 1990s, it would be interesting to canvass these attitudes and opinions in the wake of a black president’s term. This book is interesting, thought-provoking and occasionally hilarious.
Despite the fact that 13 years have passed since the first printing, this book is just as timely as our country recognizes the 150th anniversary of the Civil War. It makes one ponder the past and the role of its memories on the present.
So interesting and well-written!
When I lived in South Carolina for nearly three years in the mid-60's, I was fascinated by the lingering hatred of the North, the racial justification of our peculiar United States form of apartheid, and the seemingly endless stream of legends-become-facts concerning the War Between the States, The Occupation, Emancipation and Reconstruction. This book more than any I've seen takes the reader inside the South, in all its glory and weakness. Using a simple door (Civil War Re-enactors and their gatherings) to enter this realm of historical fact and fiction, the author pulls the reader into an understanding of "why", without foisting judgment in a pedantic manner. While he leads you with his point of view, he leaves the doors open to at least understanding what the South was becoming in the 1980's, what it had been prior to that, and why all the monuments do, indeed, face North.
Having lived in both the North and South in the 60's - 70's it's not surprising to see SOME of the same characters and attitudes as written. I found this book to be very interesting and at times, yes funny, but what I came away with is that in fact the attitudes have shifted to different targets so to speak. The most interesting part of the book towards the end is the author's discussion with a black educator. The reenactors are QUITE the characters and are themselves worth the read alone.
Tony's witty writing style and jovial observations made this book enjoyable. I especially like the fact that he actually visited various places in the South before passing judgement. At least he TRIED to be objective and unbiased! This is more than most outsiders afford our beloved homeland.
Tony Horowitz doesn't seem to grasp the enormity of the tragedy that was the War Between The States. This is most evident in my opinion by the racial divisions that haunt us to this day that are described in the book. It really struck me how divided people are on the causes and results of the conflict but at the same time it was reassuring that for the most part people with polar opposite views could coexist. He also doesn't seem to understand or make the point that it was all unnecessary. The romance of it all and the collective memory gloss over the horror of what actually happened. He clings to the idea that the northern cause was just and the elimination of slavery as an endeavor worth the destruction of constitutional limited government. I was hoping for some kind of epiphany at the end but was disappointed.
The Civil War never ended for most of the people in this book. Even in 1998 (when the book was written) there exists a sub-culture of die hard supporters of the Confederate States of America (CSA). Now, we're not just talking about hardcore weirdos,although they populate a lot of the book. North Carolina brings us the Cats of the Confederacy (yes, cats!); South Carolina , where artist Manning Williams toils on a painting that he'll says he'll never complete. The title? "Lincoln in Hell". But there are also people for whom the war may have ended but they do their best to keep its ideals alive. Racial prejudice often going hand in hand with religious intolerance (blacks and Jews mainly) are an accepted cultural reality. A young white man is shot down in cold blood by a carload of black teenagers. Why? He drove his truck, proudly displaying the rebel flag flying in the rear, through a predominantly black neighborhood. Certainly not a reason for murder, but was it an intentional provocation? A favorite character in the book for me was hardcore re-enactor Robert Lee Hodge, who will do almost anything to experience life as a soldier during the Civil War. Rail thin, unkempt, eating only what the soldiers ate, wearing clothes as close as possibly authentic to reality, he travels the Civil War trails and battlefields experiencing the war, but also answering questions and even recruiting others to the re-enactor cause. The author accompanies him on a "Civil Wargasm", a week long warp speed trek of the war, from Gettysburg to Antietam to the Shenandoah Valley and dozens of battlefields in between ! I loved the book (although it deeply disturbed me as well), it's filled with Civil War trivia, the correction of many long held war myths, and for the most part a fairly unbiased look at the people who live in the places the war was fought in. It helps to have some idea of the historical context of the war, but the author makes it clear what's going on (now and then). If you are a history buff or just someone interested in southern culture and beliefs, this is just the book for you.
This is my favorite Tony Horwitz book. It explores the question of why the South remains so nostalgic about a war that it lost. A southerner by birth and inclination, Tony Horwitz provides an answer that is honest and entertaining--laugh out loud funny at times, but honest at others. Highly recommended to anyone who wants to learn more about the effect of the Civil War on modern times.
Written during the late 1990's, this book shows a side of the Southeastern United States that is not very often mentioned, the surviving memory of 'the war of northern aggression', or the Civil War. Tony Horwitz explores the often not so pretty distaste that many Southerners still have for the North. He travels across the South, visiting many of the old battle sites. His stories provide striking insights into just how unwilling some of the more rural areas of the South are to forget the Civil War. Specifically, his experiences with Civil War re-enactors are very interesting. This is a very well written book on a topic that very little is written about.
If you are a Civil War buff or a history buff this is a must read. I am reading it for the third time. It is one of those books you must have in your Civil War library.
A great read if you have an interest in the American South. However, parts of it are sort of disturbing. For interest the author has chosen some of the most colorful southerners he could find. Read, enjoy, take it for what it is. I found it hard to put down.
This was a great book written at a time when most Americans assume (incorrectly, as it turns out) the Civil War was long settled. Horwitz takes a serious, though many times laugh-out-loud funny, look at how the American Civil War is viewed today in the states in which it was fought. A great read, and the readewr feels as if he is right alongside the author during this investigative journey.
This book is wonderful. It is a nonfiction written by Tony Horwitz. During this book, Horwitz travels to several cities in the states of North Carolina, South Carolina, Kentucky, Virginia, Tennessee, Mississippi, Georgia, and Alabama. Horwitz spends most of the time talking to random people he meets about the Civil War and what they think about the events of the Civil War. Some of the time, however, Horwitz spends becoming familiar with Civil War reenacting. The thing that i did not like about the book was that he only talked to Southern people about the War. All in all this was a FANTASTIC book, and i give it 4 stars for exellence. I recommend it to anyone who wants to read a great book about the Civil War/The Civil War Aftermath.
This book was assigned in one of my history classes as a text book and although the writing was easy and descriptive, I stopped reading the book halfway through. Personally, I found it repetitive and not entirely representative of the South or southerners. It gives the impression that the auther was purposely seeking out strange and outrageous individuals and cicrumstances in order to sell an interesting book, (as opposed to showing different points of view in the south relating to the Civil War). For someone who claims to be a journalist, this book is definately lacking in objectivity.
Every American should read this book. I never new how little I knew, not just about the Civil War, but about the reasons and realities of relations between northerners and southerners, blacks and whites, farbs and hardcores. I originally picked it up because I figured it'd be worth a laugh or two, but I, like the author, had no idea what I was getting into. It's just a terrific piece of work, and easily the most important thing I've read since Breakpoint and Beyond.
A fun and interesting look at the civil war and the southern states it still affects to this day.
An awesome book
Good so far would like to read the rest of the book.