A landmarked midtown Manhattan address. Carnegie Hall and Central Park at your feet. Three hundred units. Thirty-two full-time employees. Five hundred neighbors. You’ve hit the big time. Joined the elite. But what do you know about them, the neighbors? Have you ever met them? Really engaged with them? Or do you gaze down in the elevator, the same way you do on the subway and the street?
Oh sure, you’ve heard a famous writer lives on the fourteenth floor, a retired US senator on the eighteenth. You’ve witnessed so many Broadway impresarios glide through the lobby you’ve lost count. But what about your real neighbors – the couple in 7H, for instance, or the family in 8B? Did you know they once harbored the most wanted fugitive in America?
No? It was in the papers for weeks; nearly tore the co-op apart. Even that famous writer on fourteen got involved. And all because an M7 bus side-swiped a resident-shareholder while turning down Seventh Avenue.
You’re busy? Oh, I’m sorry. Just thought you should know something about the co-op’s history. And buy more insurance, lots more; I’ve got a friend named Stanley.
From the Preface
It is perhaps unorthodox to declare a story which transpired 6-8 years ago in the country’s largest metropolis historical fiction but labelling it otherwise would be a deception. The election of a bilious talk show host to the world’s highest office, the NSA-sponsored surveillance, cataloging and storage of millions of Americans’ phone logs and recordings, the petulant, self-imposed withdrawal of Great Britain from the EU, the global contagion of anti-immigrant nationalism – no pundit could have predicted these developments in 2013. And no one would have believed him.
I intended this book as a work of contemporary fiction. It described, I think accurately, the city and world I lived in. Just six years have elapsed since its completion, but I might as well have described ancient China. The world and New York City of 2013 no longer exist. I hereby present, for better or worse, the world’s most contemporary historical novel.
About the Author
Patrick Finegan is a native New Yorker who worked more than thirty years in law, corporate finance, management consulting and risk management. For the great majority of those years, he lived in the same residential co-op. This is his first work of fiction.
|Publisher:||Two Skates Publishing LLC|
|Product dimensions:||5.00(w) x 8.00(h) x 0.78(d)|
About the Author
Read an Excerpt
The hand flickered then vanished – the void suffused by a momentary blue afterimage. Foot commuters massed into the intersection and motorized ones lurched against them. There was no mistaking the simultaneous cue – neither the darkened red orb nor the burn-in of the remonstrating hand. Fenders were thumped, oaths sworn, and heeled and wheeled travelers scuffled for possession of the asphalt.
Thursday evening, September 13, 2012 Wallace edged the bucket out from under the faucet and lowered it into the shower stall. He bent over for the next bucket then proceeded to fill three more. He stubbed his toe against the toilet and nearly crippled himself against the door as he exited. Power outage, no telling how long it would last. Wallace groped his way down the corridor past the guest bedroom into the kitchen.
Wallace knew from the Big One in 1977 the tap would cease flowing within the hour as the last drops from the rooftop tank were drained. The beer would continue flowing, however, at the sidewalk cafes until sunrise or until the marooned hoofed home to the outer boroughs, fought their way through the bus lines, or climbed dark staircases to their hermetically-sealed, steaming-hot apartments, thinking they could take a cold shower, hop in bed and call in sick if the lights returned after their night of bacchanalia.
They would not get to the shower part. Their awakening would come sooner, the moment they made their way from the foyer to the bathroom to relieve themselves. A sharp croak and dry silence would follow the flush. And then where would they go? In a dry toilet, a modern-day chamber pot they could neither lift nor empty from the window? Wallace shuddered. The memory of 1977 was nauseating. This time Wallace had it covered for four days if he flushed sparingly, perhaps five.
How long would this one last? There was no way to tell, no one to call. Wallace terminated land line service the day she moved out. It was such a waste – $70 a month in fees and taxes just to maintain a 212 dial tone. How many years had they paid for that? At least seven after becoming hooked on mobile. The cordless units were ugly, expensive relics – museum pieces from a pre-cellular age. The same phone company that sold them the data plan assured them they would be grateful during a power failure for maintaining land-line service, never mind they did not own a traditional handset. They switched to cordless units which, as they learned from incessant beeping, drained power swiftly.
For whatever reason, she bought the phone company's pitch. He did not. Now she was gone, and so was his phone. His Blackberry was useless. Well, not useless, just incommunicado. He could play Brick Breaker, consult his PDA, and whip out a lightning-fast photo editor. But he could not make calls, Shazam the elevator music, or post angry diatribes on Facebook. More pressing, he could not access the Internet. The cell towers slept with the city.
Wallace felt his way about the kitchen, groped above the refrigerator and in the pantry for pitchers and vases then filled each at the kitchen sink. Next, he filled the bar glasses and lined them in a row along the counter. He grabbed cling wrap and a saucer and edged his way to the guest bathroom. "You can never have enough water," he intoned. Crouching down, he latched the bathtub drain, placed a sheet of cling rap over it, then secured the seal with the saucer. He turned on the faucet. He'd be the only clean person in New York. "Clean-smelling," he emended.
Wallace peered into the guest bedroom. He visualized the lavender walls and coral drapes but saw only a slate expanse. The air was torpid, asphyxiating. Wallace pulled the door shut, absorbing its vibration as a soft, mournful tremor. Perspiration dampened the flashback: a college course in thermal dynamics. AC dissipation, ten degrees per hour – he somehow wrung out the equation. So many thoughts were shapeless, but not this one. Curious how the quantitative stuff returned so easily. But power outages? Too many variables. Wallace could scarcely deflect them. Resolving them was unimaginable. A mere hour had elapsed, yet the heat and humidity pervaded his home as freely as a spent marriage or disease.
Wallace returned to the kitchen. He inspected the collection of pastas, cereal and canned goods with a flashlight, then verified the range still worked and pilot lights were lit. "Natural gas. Score one for fracking."
He opened the refrigerator and tried without success to wedge the milk, butter, boneless thighs and yogurt into the freezer. "She never defrosted it ... ever!" She never used it. Wallace estimated the accumulated permafrost at 70-80 liters – enough to fill a small bathtub or solemnize the iceberg between them – the one that wouldn't thaw, not with a thousand blackouts. Wallace emptied the produce bins onto an upper shelf and spread towels and newspapers around the base. He would be considerate to his neighbor downstairs, even if the ones upstairs were not. Click, click, click. He still flinched at the tap of heels against uncarpeted marble. Drip. And smelt dampness weeping through his ceiling.
Wallace leaned against the counter. The urgency abated. He would not go hungry or die from thirst. He would not suffer the stench and humiliation of a toilet that would not flush. The other discomforts he could endure.
He placed a flashlight next to the oven, checked the bag of double-A batteries in the refrigerator and powered down his cell phone. He decided to venture outside.
* * *
Wallace lived alone. His wife left him four months earlier. She said he was a jerk, so demanding living with him was impossible. Everything had to be just this way or that. If things were not exactly the way he wanted them, he threw a tantrum like a baby. Well, if Wallace was inflexible, his wife was a slob – tossing her shoes everywhere, piling clothes on chairs, cluttering every bureau and surface with junk or objects of no importance to Wallace. One by one, she encroached on his closets. His clothing was confined to a small bureau and plastic bin under the bed, next to the one for his cranium. She and Wallace were utterly incompatible. He could scarcely remember how they met. How did they ever fall in love?
Wallace shuddered. He remembered how they met. He remembered how they fell in love, and how everything fell apart. Hanni left before Wallace lost his job, his second one, the one as CTO of NYL Health Systems.
"It's a wonder they hired you at all. Always brooding, always on the defensive. I can't believe they put up with you so long." The voice was Hanni's, but it was pointless to argue with voicemail. Return calls were routed to her lawyer.
What did it matter? She was a cheat. The segregated possessions under the bed consoled him. They at least were boxed and unspoiled.
Miraculously, Wallace kept possession of the apartment until it sold, which could happen any moment, or perhaps not happen for a year. The market was fickle, more so because of the "improvements" she insisted upon over the years. The Pierre Deux furnishings and chintz drapes were dated, the all-granite baths neo-Soviet, the Tiffany lighting Victorian, and the electronic telecommunication and security system brazenly futuristic. A buyer would have to remodel everything or share the peculiar eclectic tastes of his ex. Or be like him, amazingly tolerant despite being an inflexible sputtering volcano. "The slightest perceived insult can set me off, but an epic $37,000 tile failure?" His hands swept over the glistening pate and corona – the one he refused to shave clean. "She's right. I'm impossible."
Wallace grabbed the flashlight from the stove and headed to the bedroom. He passed the foyer on the way, removing a key card from the device next to the door and shook his head, "I live in a damned hotel. What buyer would want this?"
He ran his fingers along the neatly-made bed. Under the duvet lay identically-sized hospital corners, as primly turned as the flag on his father's coffin. Or his brothers'. Just another veil of order; all so thin.
Wallace pocketed a wallet and, pausing a second, reached into the bedside bureau for an envelope. He counted nine twenties, some tens and several ones and felt relieved. Credit card readers and ATMs stood dormant, so his two hundred thirty-six dollars were precious. Wallace stuffed forty into his pocket and returned the rest to his bureau.
He fetched shoes from the closet, turned off the spigot in the tub, and pulled the apartment door shut behind him. Using the flashlight, he found his way to the stairwell and descended six flights to the lobby. Thank heaven they were outbid on 19A; 7H was just fine.
An aside to the doorman camouflaged his anxiety. "It looks crazy out there." He flushed at his own remark. "Crazy" was unartful, even for Wallace. He hastened, "Have you heard anything?"
"It is crazy. Everyone's gone nuts, as if it's Mardi Gras. My sister's watching live from Chicago on CNN. She says it's dark from Philly to Boston. Something about grid failure. Ten-to-one some lunatic goes on a rampage."
Wallace interjected. "Any word when they'll restore power?"
"They aren't saying. Repair crews can't go anywhere. The street lights are out and every car in the state seems to be at this intersection. Only they're not. They're at the next intersection and the next, all the way to the Lincoln Tunnel and up to the Bronx. These guys won't get home before four. They're psycho! They'd be better off having dinner and a beer."
Wallace nodded assent. How else could he respond? Confession? It hadn't helped him before. He stepped outside. A curtain of buildings dissolved into blackness above him. The Seventh Avenue proscenium stretched to his right – a pastiche of honking horns, giddy tourists, stranded commuters and snarled automobiles gleaming in each other's headlights. Candlelit tables fronted bars that never previously served in the open. All the seats were taken. Glasses clinked, people giggled, and the pavement trembled with the beat of a subwoofer. Wallace ploughed on to the grocer.
Wallace did not patronize the grocer often. It was overpriced and the produce frequently bruised. He preferred the supermarket at mid-block and Whole Foods at the Time-Warner Center, but knew from experience they would be shut, conserving cold air as best they could, squeezing perishables into their freezers. He wasn't even sure what he would buy. Actually, he just wanted to browse, to persuade himself he had covered his bases, not forgotten anything important.
The store was packed. Wallace wedged his way inside and observed midst the flickering cell phones and strategically placed candles that the salad bar and bread shelf were empty. As were the snack shelves and beer pantry. Surprisingly, there were still a few bottles of Poland Spring. Wallace paused, taking mental stock of his inventory, then pushed onward. The thought of bottled water disturbed him even during a blackout. It was the principle of the thing, he told Hanni. "Paying for a resource that flows free from the tap, shipping it from Fiji, creating all that garbage; surely you can find an attractive water bottle."
"Oh, I just reuse the ones I buy," she replied.
"Until you buy the next one," he thought, "which is usually at the next corner."
He returned to the front of the grocer and his gaze climbed to the shelf above the cashier. It was still there, the Carnation powdered milk he purchased during the 18-hour teaser in 2003 and returned the following morning.
He was proud of the purchase at the time. With it, his family could dine properly for days. He mixed a batch the moment he got home, serving it with grilled hot dogs and sauerkraut. But the milk was sour, undrinkable. The next morning, he discovered why. Microscopic mealworms, thousands of them, nested in the box but were invisible by candlelight. When was the last time the grocer sold a box of powdered milk? Wallace grew up with it, but that was in the sixties. The "sell by" date on the box was January 1983. And it was still there today, back on the shelf.
A woman followed his gaze upward, pushed in front of him and shouted, "The powdered milk, please!" Wallace smiled and squeezed his way outside.
He decided to treat himself to a beer. He strode east on 58 Street, a quieter street than Seventh Avenue, 57 Street or Central Park South and found a seat near the window. Even here, off the beaten track, there was a buzz of excitement, of the exotic, but Wallace found it comforting – a break from the stress of his dwindling bank account, waning unemployment benefits and nonexistent social life. Hanni would never let him stay in the apartment if she thought he would bring someone home, her own indiscretions notwithstanding. She reckoned accurately. Wallace didn't know any women, not well that is. Besides, he needed time to regain his footing. Even Hanni understood support obligations were worthless if he was so disoriented he babbled gibberish. Solicitous, calculating Hanni, she knew her ex-husband was a loser.
But not tonight, he exulted. Tonight, he was master and commander, the man whose much ridiculed compulsion to micro-analyze and plan, plan, plan actually paid off. He chuckled. How was Hanni handling this? He half expected a call. "Then again, she's probably out with his ex-boss. Such grand fun!"
Wallace ordered a draft. It was warm, sticky, but somehow perfect for the occasion. A couple from Rome tried to involve him in their conversation – idle chatter about this once-in-a-lifetime Bohemian experience. Wallace smiled amiably and agreed. "Wait until they return to their hotel," he reflected. "Definitely Bohemian and definitely a trip to remember." Wallace thought about his soft bed, stocked kitchen and water reserves and ordered another beer.
The Italian couple paid their bill and left. They were gone almost an hour when Wallace noticed the small plastic bag under the table. It was nearly invisible in the candlelight. He emptied the contents on the table. Souvenirs: several postcards, an "I love New York" refrigerator magnet, and a Statue of Liberty pen. He could not recall the couple's name or their hotel. He was certain, in fact, they had not volunteered their names. Neither had he. After all, this was New York, even during the bonhomie of a blackout. The couple paid in cash; that much he remembered. Tonight, everyone paid in cash.
Wallace leafed through the postcards but saw no use for them. He spread them on the table, a sightseer's tableau, and watched in embarrassment as spilt beer seeped up and deformed the images. He did not expect them to be so absorbent. Wallace glanced about furtively, gathered the cards into a limp stack, and set them on the edge of the table near the wall. He pretended nothing had happened.
Wallace inspected the pen. It was kitschy but reminded him of Hanni. He would use it the next time she made him sign something. She made him sign so many things. She would have a riposte, of course. She always did, but Lady Liberty's blank stare would be his reply. "This is what I think of your overweening wit. It's base metal, a worthless imitation of real intellect and taste. Where do I sign?"
The magnet spoke truth too. Wallace did love New York, even if he hated his life. He heard someone at the far end of the bar shout, "She's driving me crazy," so he raised his glass and concurred, "Here, here!" then wiped foam from his lips with his sleeve. Wallace shoved the pen and magnet into his pocket and rummaged among the trinkets for his money. He ordered another beer.
Wallace returned home two hours later, a couple dollars in his pocket and wobbly. The night concierge stood his post, dutiful even in darkness. "Good evening, Mr. Wallace."
"Hello, Manny. Do you know whether the mail was sorted?"
"It should be. The lights didn't go out until late. Let me check." The concierge stepped back from the candlelight and disappeared into an office behind the desk. He reappeared with a small bundle. "Here you go, Mr. Wallace. Have a pleasant evening."
Wallace marveled at the building's antiquated postal system. Tenants were still assigned cubbies in an office behind the front desk, rather than mail boxes with keys. Despite a $6 million makeover of the common areas, tenants still asked for their mail in person, sorted by hand each afternoon by the concierge. And when tenants left on vacation, the concierge bundled the mail neatly as it accumulated, and discreetly slipped the bundles into the apartments when they outgrew the cubbies. Some tenants left a key in their cubby expressly for that purpose, and for bringing up packages and dry cleaning. Not Wallace. He was on indefinite vacation, right here in Gotham Central. He toted his own packages and dry cleaning.(Continues…)
Excerpted from "Cooperative Lives"
Copyright © 2019 Patrick Finegan.
Excerpted by permission of Two Skates Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Reviewed by Edith Wairimu for Readers' Favorite Cooperative Lives by Patrick Finegan follows the lives of a group of influential people that live in the same co-op building in New York. Their lives on the surface appear mundane or even normal but a closer look reveals an intriguing tapestry of thoughts, conversations, and events. Even though their lives appear separate and, in some cases, they seem like they barely know each other, they have more in common than could have been predicted at the beginning of the plot. Different themes emerge; few are predictable as many are unexpected if not shocking, including those revolving around varying political opinions, tragic events such as death, fraud accusations, and espionage. The storyline in Cooperative Lives by Patrick Finegan moves back and forth between different timelines covering the present and the past. Episodes cover the changes that occur with different characters in the story. Some lose loved ones while others are tossed and turned by life’s tides throughout their careers and family lives. Each character has their own set of problems they have to handle. Best of all is the development of the characters in the book. The characters’ opinions, thoughts, and perspectives are included, giving each a unique place and role in the work. Finegan does a great job of breaking the tension with humor. Language is also used effectively to capture the characters’ emotions that vary from frustration, anger, grief and the occasional incidences of joy. Cooperative Lives by Patrick Finegan is skilfully written with its believable characters, suspenseful scenes, and gripping events.
Reviewed by Romuald Dzemo for Readers' Favorite Cooperative Lives by Patrick Finegan is an interesting novel with exciting characters and a well-developed setting in New York. The story brings together characters living in a cooperative building in New York and shows the unusual connection between their lives when a disaster strikes. A financial manager attempts to fix a mistake and it leads to public scandal. What follows is a tale of intrigue, international espionage, hidden secrets, heartbreaks, and lives entangled in ways no one ever suspected. Each character is unique, defined by a painful past, a secret, or a tragedy. Wally is divorced and still mourns the loss of Alya, his daughter. Wally’s wife is being blackmailed by Wally’s boss. Sheldon Vogel is an accountant who makes an error in a client’s account, but he doesn’t have the chance to fix it in time because he falls and is in a coma. Now the things he said half-unconsciously are about to cost the residents of the building a lot. This is an intelligently plotted novel with twists and surprises the reader won’t see coming. The characters are connected to each other in a bizarre way. In this narrative, a simple mistake will expose the darkest secrets of residents of an apartment and their neighbors. Each character is elaborately developed and the setting is impeccably done. The interconnection and the shared history of the characters are interesting, but their connections are about to lead to something that could change their lives irreversibly. Can there be clarity before things get out of control? Patrick Finegan writes in prose that is exciting and atmospheric and knows how to develop backstory without distracting readers from the main plot points. The conflict is multilayered and I loved the way the author “shows” rather than “explains” the elements of the conflict. Cooperative Lives is a novel that is very interesting, infused with realism and humanity.
Reviewed by K.C. Finn for Readers' Favorite Cooperative Lives is a work of dramatic literary fiction penned by author Patrick Finegan, which focuses on a slice of life from New York City’s recent past, the year 2013. In the concrete jungle of one of the world’s busiest cities, nobody knows anyone and the idea of community has gone out of the window with each passing day’s profit margins rising. But in one prestigious Manhattan address, the lid is lifted to show the real lives of the people who live there. We feel their histories in the walls and witness how their stories slowly connect to one another in a web of connections, making them truly cooperative in the building in which they live. A delicate mix of realism and drama is at work in author Patrick Finegan’s sweeping novel of comingled lives and the concept of the relative stranger next door. I really enjoyed the mix of characters, and the commitment to their development as individuals is what gives this novel its true literary quality. Plot-wise, it is a test of faith to read through each individual experience until the strands slowly come together, and the conclusion and overall effect of the book were satisfying when the journey was complete. There is a nostalgic feel to the work, despite it only being set a few short years ago, one which gives it the grandeur of the past at the same time as dealing with the real human issues of present daily life. Cooperative Lives is a must-read for fans of unique literary character study.
Reviewed by Lesley Jones for Readers' Favorite In an upmarket apartment block opposite Central Park in 2012, the residents are neighbors but know very little about one another. Although they are aware that there are some famous people and residents with murky pasts around them, they know little else, even though they share a postcode. The residents have their own priorities dealing with their complicated lives. However, one fateful day is going to change that. An accident involving an M7 bus is about to bring these distant neighbors into each other's lives, from the well-known writer who resides on the fourteenth floor to the lawyer in 8B. Who are the people that you innocently pass by each day as you go about your daily routine? What goes on behind closed doors may surprise you, if only you take the time to strike up a conversation with the strangers you call neighbors. Cooperative Lives by Patrick Finegan offers a deliciously rich, intricate plot with so many twists and turns that will take you completely by surprise. Each of the six main characters was extremely well-developed with such a detailed backstory and little personality quirks which made them so realistic and relatable. The storyline moves along at a good pace and is a great example of how an action by one character causes a ripple effect that affects the other characters. The story has everything I look for in a fiction novel; espionage, intrigue, tension, corruption and a fantastic display of real human behavior. Although this is a work of fiction, I couldn't help but draw some similarities to recent US political history. Overall, this is a perfect example of character interaction and development. I think you have to be a writer yourself to really appreciate how the author has entwined such strong sub-plots together so effortlessly.
Reviewed by Joel R. Dennstedt for Readers' Favorite For true readers, the most satisfying aspect of the somewhat elite classification Literary Fiction, especially as applied to such a finely wrought example as Cooperative Lives by Patrick Finegan, is found within its singularly gorgeous and evocative term: Literary. A reader expects so much more from literary fiction than from its less culturally evolved siblings. And not just in the quality of writing. One expects more depth, more complexity, more resonance, more beauty. One expects, and deserves, a novel like Cooperative Lives. That is to say: if you are looking for a book to savor, to appreciate the writing as much as the storyline and plot, to satisfy your love for words as much as existential observations or distractions, look no further. Cooperative Lives is the somewhat dual title (literal and metaphorical, or at least, suggestible) of Patrick Finegan’s complex tapestry detailing the interconnected life threads of occupants in a New York City housing cooperative. Mostly long term residents, mostly old, mostly normal but eccentric (or worse), living in the second decade of 2000. If that sounds complicated, it is. If it sounds chaotic, it is not. At least, not as handled expertly and deftly by Mr. Finegan with his precision plotting and development. Not to mention the ingenious time-arrows heading up each chapter. And certainly not to mention the plot twist to end all plot twists, even though subtly alluded to throughout. Although tangentially colliding like billiard balls on the break, one never loses a quick perception of whose life touches whose, nor how, nor when. Seriously, this gives inordinate clarity to what should be a chaotic book. That each of these lives comes to matter so much in such a rich denouement also marks the true mastery of its author.