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The Crack in the Lens (Holmes on the Range Series #4)

The Crack in the Lens (Holmes on the Range Series #4)

4.8 6
by Steve Hockensmith, William Dufris (Narrated by)

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In 1893, Otto "Big Red" Amlingmeyer and his brother, Gustav "Old Red," find themselves in a situation that they never expected: they have a bit of money and time to do something other than scramble. It's enough to confound even that most unconfoundable of men, their mutual inspiration, Sherlock Holmes. So Old Red decides that it's time for the two of them to head


In 1893, Otto "Big Red" Amlingmeyer and his brother, Gustav "Old Red," find themselves in a situation that they never expected: they have a bit of money and time to do something other than scramble. It's enough to confound even that most unconfoundable of men, their mutual inspiration, Sherlock Holmes. So Old Red decides that it's time for the two of them to head off to the Texas hill country, to San Marcos, and deal with the greatest tragedy of Old Red's life. Five years ago, when Old Red was a cowpoke in San Marcos, he had a sweetheart-a fallen woman at the local house of ill repute. They had made plans, but before they made their big move, his fiancee was murdered and the case was swept under the rug by the local authorities. Now Old Red is determined to find out what really happened and to finally find a measure of justice for his beloved. But Big Red and Old Red find themselves facing a wall of silence and in some of the worst situations of their lives: ensnared in a riot at the local cathouse, on the wrong end of a lynching party, and, perhaps worst of all, having to do the one thing you never want to do in the state of Texas: steal horses.

Editorial Reviews

From the Publisher
"The personal stake Old Red has in catching the murderer adds an emotional dimension to the puzzle, which Edgar-finalist Hockensmith nicely leavens with witty prose and cliffhanging chapter endings." ---Publishers Weekly Starred Review
Marilyn Stasio
Two late-19th-century cowboy brothers who become so caught up in The Adventures of Sherlock Holmes that they turn themselves into Wild West "deducifiers" in the manner of Holmes and Watson—how cute is that? Not only cute but clever, as Steve Hockensmith demonstrates in The Crack in the Lens and the three previous books in his idiosyncratic series featuring Old Red Amlingmeyer …and his irrepressible younger sibling, Big Red
—The New York Times
Publishers Weekly
Hockensmith returns with this superb mystery featuring two brothers, Otto “Big Red” and Gustav “Old Red,” who journey off to the Texas hill country in search of answers to a tragedy that befell them and Gertrude Eichelberger, a young prostitute, five years earlier. Of course, there's trouble along the way, and the boys find themselves scrambling at every corner, using Sherlock Holmes's methods to solve Gertrude's murder. As unique and exciting as the story is, William Dufris does not do the material justice and gives a laughable reading that seems miles away from his usually stellar performances. Dufris goes so far over the top that the story loses its subtle humor and becomes a farce. A Minotaur hardcover (Reviews, May 11). (Aug.)
Kirkus Reviews
The cowboy Sherlocks ride again (The Black Dove, 2008, etc.). Otto and Gustav Amlingmeyer, disciples of the Gospel According to Holmes, are once more on the prowl. With a bit of cash in their pokes, they are temporarily freed from cow-punching and can focus on an even meatier case of murder. Dour, doleful Gustav was once passionately in love with Gertie, a gold-hearted lady of the night. Five years earlier, under circumstances shrouded in mystery, Gertie got herself done in, resulting in an anguished, distraught Gus. Why he has taken five years to decide to investigate those circumstances is also somewhat mysterious, but he informs Otto, "We're goin' to Texas," in a tone that brooks no argument from his younger but not smarter brother. Predictably, their arrival in San Marcos finds them greeted not by open arms but by sidearms. The boys are roughed up, shot at and nearly lynched several times over. Do Holmes' methods come to their rescue? Sure do, partner, though Watson might have been hard put to recognize them. The Holmes on the Range series has seen better days: The boys still charm, but not enough to redeem some dreary plotting and tired prose.

Product Details

Tantor Media, Inc.
Publication date:
Holmes on the Range Series , #4
Edition description:
Library - Unabridged CD
Product dimensions:
6.70(w) x 6.50(h) x 1.00(d)

Read an Excerpt

1 Gertie And Adeline

Or, Old Red Reopens an Old Wound . . . and It’s a Bloody One

I suspect you’re asking yourself a number of questions right about now. For instance: "Who are these unlucky SOBs with the ropes around their necks?" And: "Where in God’s name are they?" And: "Why would anyone want to string them up?" And: "Can they un-string themselves, somehow?"

And perhaps most important of all, "Do I give a crap?"

Allow me to answer all of the above the best way I know how. Let me tell you a story.

Once upon a time, there were two young cowboys. One was named Otto Amlingmeyer—"Big Red" to his friends—and he was strapping, handsome, and as charming as the day is long and all through the night, too.

He was also me.

The other was a tad older, a good sight smaller, and infinitely crabbier. This was Gustav "Old Red" Amlingmeyer—my brother.

One day somewhere in the vicinity of July 1892, Old Red got religion. Not your usual churchgoing, hymn- singing kind, though. No he became a Sherlockitarian. Or maybe you’d call it a Holmesodist. Either way, it was Sherlock Holmes he worshipped.

He first saw the light when I read out a magazine yarn by Holmes’s disciple John (Watson). It was me reading the scripture because my brother couldn’t do it for himself: He can pick out enough letters to read your average brand, but words—let alone sentences and paragraphs and stories and such—remain beyond him.

Yet despite this minor impediment, Old Red got it in his head that he’d make almost as good a detective as the Great One, if given half a chance. And, miracle of miracles, more than one such chance came his way—and he proved himself a top- rail deducifier. So much so that your (admittedly not particularly) humble narrator was moved to put pencil to paper and chronicle his Sherlockery. The result: Old Red found his true calling as a sleuth (albeit an unemployed one), I found my true calling as a tale-teller (albeit an unpublished one), and the both of us were finally striving for a higher purpose than not starving between roundups.

End Part One.

If you’re going to forge on with Part Two, I suggest you make yourself comfortable. It takes up the rest of this book.

It begins when—instead of the "No thank you" or "Not for us" or silence I’d become accustomed to from publishers—I recently received a contract plus two hundred dollars to show it was good for something besides wallpaper. One of my yarns would soon see print.

My ever glum brother had been especially sulky of late, so I left it up to him what to do with the windfall.

"We’re goin’ to Texas," he announced after a day of mute, moody pondering.

"Oh?" I said hopefully.

We were pushing brooms in a Petaluma, California, hatchery at the time (both detecting and drovering jobs being scarce thereabouts). So the hustle of Houston, the bustle of Dallas, the more easygoing allure of Austin or San Antone . . . any of it sounded good to me.

Old Red nodded firmly, eyes aglint with a grim purpose that withered my foolish hope before he even spoke.

"San Marcos."

"Oh," I said, and it was a very different sound this time—knowing and sad and tinged with trepidation.

At last, our future looked bright . . . or something other than hazy gray, anyway. Leave it to my brother to turn back to the dark past.

Now, among the many things Gustav’s not (funny, sunny, as good- looking as his kid brother, etc.) is chitchatty. So there was no idle gab as to whys or wherefores. I knew, more or less—mostly less—and that’d have to do until my brother couldn’t justify silence another second.

The moment finally arrived soon after we stepped off the train in San Marcos, a big town/small city (take your pick) dangling off the eastern edge of the rolling Hill Country north of San Antonio. Old Red led us straight to a dingy downtown hotel called the Star (a place I won’t label a fleabag lest I give offense to fleas) and promptly checked us in.

"Alright, we’ve put off plannin’ long enough," I said, dropping my carpetbag onto the bed and myself on after it. "How we gonna start this thing, Brother?"

Gustav let his own bag drop to the floor with a thud.

"We done started." He closed the door behind him and began moving slowly through the little room, gaze sliding up and down over the sparse, stained fixtures and furniture like he was touring the Smithsonian. "This is where my Gertie was murdered."

I hopped up off the bed so quick you’d have thought I’d stretched myself out on a hot griddle.

"Right here? In this room?"

My brother shrugged without looking at me.

"Could be. She was sent to the Star, and somebody done her in. That’s all I was ever told."

"Gustav," I said, and the soft, solemn sound of my voice turned him around to face me.

Up to that moment, all I’d known was that Old Red—normally so bashful about women he’d blush at the sight of a bustle in a dry goods store—had loved a girl once. A chippie who’d met a bitter end. In San Marcos.

It had taken him years to get around to telling me even that much. Like I said, not a chitchatty man. So I’d never prodded him for more. He’d tell me in his own good time, I reckoned.

But now here we were. Good or not, the time had come.

"Don’t you think you oughta lay out the whole story?" I said. "I mean, sweet Jesus, Brother—till a second ago I didn’t even know the gal’s name."

Gustav drifted over to the room’s one window. Its smudged, cracked glass afforded a scenic view of the brick of the neighboring building and a trash-strewn alley below.

He stood there, his back to me, as he told the tale.

"Gertrude Eichelberger—that was her name. A Hill Country gal. Grew up on a farm not thirty miles from here. Run off ’cuz of . . . family troubles. Well, a gal on her own, no money, knowin’ nothin’ but farm chores and a little sewin’. You know what’s gonna happen to her. So . . . that’s what happened.

"I met her in the local bawdyhouse—the Golden Eagle. I come into town with some other boys from the spread I’d signed on at, and me bein’ a little feller and skirt- shy to boot, naturally I ended up with the new filly who’s just as scrawny- thin and scared as me. ‘Adeline,’ that’s what they called her at the Eagle. I guess ‘Gertie’ don’t have the right sound to it for a . . . woman in that line. Anyway, when she and me went off to her crib to do our business . . . well . . . she up and cried on me.

"You know me. I ain’t sentimental nor particularly soft- hearted, but just about nothin’ I ever saw broke my heart as bad as that little thing a-bawlin’ the way she was. So though I ain’t much of one for words around women, this one I had to talk to, just to soothe her down some. And the more we talked, the more it turned out we had things in common—her comin’ off a farm, her pa bein’ a Deutsch-sprecher just like Mutter and Vater. Why, it coulda been Greta or Ilse sittin’ there."

The mention of our mother and father and sisters—all long dead—added to the lump in Old Red’s throat that had already started to choke off his words. He had to hack out a couple coughs to keep going.

"After that, me and Gertie . . . Adeline . . . we got to be friends, and then more than friends, the more I come back to check on her. The first three, four times I saw her, we didn’t do more than talk. Eventually, though . . . you know. At the time, I was sendin’ most of my money back to the family in Kansas, but before long I was holdin’ back a little extry for me and Adeline, so I could be with her every chance I got. Cuz true love or not, of course, them damned pimps of hers expected me to pay.

"Adeline, she started layin’ some cash aside, too. Which wasn’t easy to do, livin’ as she was—most of them ‘workin’ gals’ ain’t much more than slaves, you know. She had her a hidin’ place where she’d tuck the tips and gifts the fellers give her, though. And when the time was right, she was gonna put her kit with my caboodle, and we’d run off to Kansas."

Gustav paused again. He didn’t just have a lump in his throat now—his voice was so strangled it sounded like he had a watermelon wedged in there. After a few more coughs and a sigh, he managed to forge on.

"I couldn’t get into town more than once a week, so I wasn’t around when it happened. I was out to the ranch I was workin’. The Lucky Seven. Hadn’t been in San Marcos in days. Then a friend of mine—a hand who’d been sent to town after supplies—he comes flyin’ in to tell me something’s happened to Adeline. She’s dead, he says. Been dead. Murdered, two days back.

"I jump on the nearest horse and point it north and dig in my spurs and ride. When I get to the cat house, they just send me straight on to the cemetery—and there she is under a cheap pinewood marker I didn’t even have the letters to find without flaggin’ someone down for help, that’s how useless I am.

"After that, I tried askin’ around, lookin’ to make somebody pay, but I didn’t learn much. Her macks, they sent gals to the Star for special customers didn’t wanna be seen in no brothel. Drummers and the bigger cattlemen and such. Respectable men. So Adeline was over here on a call . . . and some respectable piece of shit up and slit her throat.

"Of course, I didn’t have Mr. Holmes’s method to call on at the time. I didn’t know what to do. So eventually, I just let my friends drag me back to the Seven in a daze."

My brother turned his head to the side, looking away from the window yet still not meeting my gaze.

"This was in October of 1888, exactly five years ago. Five years. . . you understand?"

"I understand," I said.

That part of the story he didn’t have to tell me. I knew it well.

It had been five years since a flood swept over our family farm, the only flotsam left breathing being me. Gustav came back to Kansas to collect me, and ever since we’d been on the drift together.

So in a matter of weeks, he’d lost the love of his life and most of his family and gained a big-mouth ball- and- chain kid. Yet Old Red never let me see anything you might call pain. Irritation, yes—morning, noon, and night—but not weakness. Not hurt. Till now.

"So here we are, after all these years . . ." I took a deep breath and tried to say with conviction what so often felt like mere bluff: "Detectives."

Gustav snuffed out a snort.

"Or so we keep tellin’ ourselves—but things ain’t always worked out so good with my deducifyin’, have they? I mean, we get our answers , sure, but folks always get hurt along the way, and things don’t ever seem to tie up neat. It’s got me thinkin’ . . . maybe I’ve had it all wrong. Maybe I ain’t really meant to be a dee-tective. Maybe I’m just meant to track down one killer . . . and then leave well enough alone."

Well, what was I going to say to that?

You can’t stop detectifyin’ now . . . I just got me a publishin’ contract!


I walked across the room to Old Red—a journey that took my long legs all of three steps, teeny as our wee cigar box was.

"I reckon there’s only one way to know for sure," I said, and I reached out and placed a hand on my brother’s shoulder. "Let’s you and me catch the bastard."

Excerpted from The Crack in the Lens by Steve Hockensmith.

Copyright 2009 by Steve Hockensmith.

Published in July 2009 by Minotaur Books.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

What People are Saying About This

From the Publisher
"The personal stake Old Red has in catching the murderer adds an emotional dimension to the puzzle, which Edgar-finalist Hockensmith nicely leavens with witty prose and cliffhanging chapter endings." —-Publishers Weekly Starred Review

Meet the Author

Steve Hockensmith writes a monthly column for Alfred Hitchcock's Mystery Magazine, and he is the author of Holmes on the Range, an Edgar Award finalist and the beginning of his highly successful Holmes on the Range mystery series.

William Dufris has been nominated nine times as a finalist for the APA's prestigious Audie Award and has garnered twenty-one Earphones Awards from AudioFile magazine, which also named him one of the Best Voices at the End of the Century. He has also acted on stage and television in the United States, the United Kingdom, and Germany.

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The Crack in the Lens (Holmes on the Range Series #4) 4.8 out of 5 based on 0 ratings. 6 reviews.
harstan More than 1 year ago
In 1893, a few weeks have passed since the Amlingmeyer "Reds", Otto "Big Red" and his older brother Gustav "Old Red", dropped into egg drop soup in San Francisco (see BLACK DOVE). Old Red tells Big Red about the love of his life being murdered in an unsolved crime five years ago. Big Red insisting they are Sherlock Holmes level experts ever since they worked the Southern Pacific a few months ago (see ON THE WRONG TRACK) suggests they go to San Marcos, Texas to solve the case of who murdered Gertrude Eichelberger. The Reds arrive in San Marcos and begin their investigation with the local brothels as Gertrude was a hooker. Their inquiries upset the madams, pimps, and law enforcement types, but they refuse to back down. The brothers soon realize that Gertrude's murderer is a Texas Jack the Ripper having killed several hookers. Although Old Red has the need for closure by catching his beloved's killer, Big Red has his back every step of the way. As always with the Reds, fans receive an amusing late nineteenth century whodunit starring heroes who poorly employ the techniques of Sherlock Holmes to their investigation. Fans will enjoy their latest escapades as everything is personal this time (not to say being shot at is not personal). With a great story line THE CRACK IN THE LENS is a super entry in a terrific western mystery saga that in its off beat way pays homage to the great detective. Harriet Klausner
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Author should have gone into another rewrite. Is Steve Hockensmith becoming one of those writers who is living off his other books and selling out for the money.