Creative Control: The Ambivalence of Work in the Culture Industries

Creative Control: The Ambivalence of Work in the Culture Industries

by Michael L. Siciliano

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Overview

Workers in cultural industries often say that the best part of their job is the opportunity for creativity. At the same time, profit-minded managers at both traditional firms and digital platforms exhort workers to “be creative.” Even as cultural fields hold out the prospect of meaningful employment, they are marked by heightened economic precarity. What does it mean to be creative under contemporary capitalism? And how does the ideology of creativity explain workers’ commitment to precarious jobs?

Michael L. Siciliano draws on nearly two years of ethnographic research as a participant-observer in a Los Angeles music studio and a multichannel YouTube network to explore the contradictions of creative work. He details how such workplaces feature engaging, dynamic processes that enlist workers in organizational projects and secure their affective investment in ideas of creativity and innovation. Siciliano argues that performing creative labor entails a profound ambivalence: workers experience excitement and aesthetic engagement alongside precarity and alienation. Through close comparative analysis, he presents a theory of creative labor that accounts for the roles of embodiment, power, alienation, and technology in the contemporary workplace.

Combining vivid ethnographic detail and keen sociological insight, Creative Control explains why “cool” jobs help us understand how workers can participate in their own exploitation.


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Product Details

ISBN-13: 9780231193818
Publisher: Columbia University Press
Publication date: 03/02/2021
Pages: 312
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Michael L. Siciliano is assistant professor of sociology at Queen’s University.

Table of Contents

Acknowledgments
Part I: Introductions
1. Creative Control?
2. Conflicting Creativities
Part II: SoniCo’s Social Regime
3. SoniCo’s Positive Pole: Aesthetic Subjectivities and Control
4. SoniCo’s Negative Pole: Mitigating Precarity and Alienated Judgment
Part III: The Future’s Quantified Regime
5. The Future’s Positive Pole: Platform Discipline, Transience, and Immersion
6. The Future’s Negative Pole: Compound Precarity and the (Infra)structure of Alienated Judgment
Part IV: Conclusion
7. Toward a Theory of Creative Labor and a Politics of Judgment
Methodological Appendix: Attending to Difference in Similarity and Gender’s Access
Notes
References
Index

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